English Poetesses. A Series of Critical Biographies with Illustrative Extracts PDF Download
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Author: Eric Sutherland Robertson
Publisher: BoD – Books on Demand
ISBN: 3385345383
Category : Fiction
Languages : en
Pages : 406
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Book Description
Reprint of the original, first published in 1883.
Author: Eric Sutherland Robertson
Publisher: BoD – Books on Demand
ISBN: 3385345383
Category : Fiction
Languages : en
Pages : 406
Get Book Here
Book Description
Reprint of the original, first published in 1883.
Author: Eric Sutherland Robertson
Publisher:
ISBN:
Category : Authors
Languages : en
Pages : 438
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Book Description
Author: Eric S. Robertson
Publisher: Forgotten Books
ISBN: 9781528064231
Category : Poetry
Languages : en
Pages : 398
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Book Description
Excerpt from English Poetesses: A Series of Critical Biographies, With Illustrative Extracts But not less needful than experience, to the poet, is a noble sense of ignorance. He is the child of the universe. For him there is a feeling of everlasting mystery. He is always looking beyond. This hungry contemplation of in completeness in all things makes the poet a speculative critic of all so-called certainties. For him, no less than for the philosopher, the Cartesian criterion of doubt is the imperative method of attaining any truth. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Eric Sutherland Robertson
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 416
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Book Description
Author: Eric Sutherland Robertson
Publisher: Wentworth Press
ISBN: 9781362231165
Category : Biography & Autobiography
Languages : en
Pages : 414
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Eric S. Robertson
Publisher: Forgotten Books
ISBN: 9781330226957
Category : Poetry
Languages : en
Pages : 399
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Book Description
Excerpt from English Poetesses: A Series of Critical Biographies, With Illustrative Extracts To Messrs. Blackwood & Son, to Messrs. George Bell & Son, and particularly to Messrs. Kegan Paul, Trench & Co., I am obliged for courtesies extended with reference to copyright verses quoted in this book. The only instance in which I have not received free permission to quote has occurred in the case of Mrs. Browning's Poems. Nevertheless, it will be found that I have been able to supply my chapter on Mrs. Browning with ample illustrative extracts. It may be well for me to confess that I am aware of the objections to which the title of this book lies open. Ladies who write verse now-a-days do not care to be called "Poetesses"; yet, as they have not had the wit to find a better designation for themselves, the name must serve while I attempt a measured compliance with the invitation held out by Landor's Cleone: "You may compose a panegyric on all of our sex who have excelled in poetry." About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1626
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Book Description
Author: Angela Leighton
Publisher: Indiana University Press
ISBN: 9780253254511
Category : Literary Criticism
Languages : en
Pages : 204
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Book Description
Author: Clare Pettitt
Publisher: OUP Oxford
ISBN: 0191554901
Category : Literary Criticism
Languages : en
Pages : 356
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Book Description
Although much has been written about the history of copyright and authorship in the eighteenth and nineteenth centuries, very little attention has been given to the impact of the development of other kinds of intellectual property on the ways in which writers viewed their work in this period. This book is the first to suggest that the fierce debates over patent law and the discussion of invention and inventors in popular texts during the nineteenth century informed the parallel debate over the professional status of authors. The book examines the shared rhetoric surrounding the creation of the 'inventor' and the 'author' in the debate of the 1830s, and the challenge of the emerging technologies of mass production to traditional ideas of art and industry is addressed in a chapter on authorship at the Great Exhibition of 1851. Subsequent chapters show how novelists Charles Dickens, Elizabeth Gaskell, and George Eliot participated in debates over the value and ownership of labour in the 1850s, such as patent reform and the controversy over married women's property. The book shows the ways in which these were reflected in their novels. It also suggests that the publication of those novels, and the celebrity of their authors, had a substantial effect on the subsequent direction of these debates. The final chapter shows that Thomas Hardy's later fiction reflects an important shift in thinking about creativity and ownership towards the end of the century. Patent Inventions argues that Victorian writers used the novel not just to reflect, but also to challenge received notions of intellectual ownership and responsibility. It ends by suggesting that detailed study of the debate over intellectual property in the nineteenth century leads to a better understanding of the complex negotiations over the bounds of selfhood and social responsibility in the period.
Author: Dorothy Mermin
Publisher: University of Chicago Press
ISBN: 9780226520384
Category : Biography & Autobiography
Languages : en
Pages : 334
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Book Description
Elizabeth Barrett Browning (1806-61) was the first major woman poet in the English literary tradition. Her significance has been obscured in this century by her erasure from most literary histories and her exclusion from academic anthologies. Dorothy Mermin's critical and biographical study argues for Barrett Browning's originative role in both the Victorian poetic tradition and the development of women's literature. Barrett Browning's place at the wellhead of a new female tradition remains the single most important fact about her in terms of literary history, and it was central to her self-consciousness as a poet. Mermin's study shows that Barrett Browning's anomalous situation was constantly present to her imagination and that questions of gender shaped almost everything she wrote. Mermin argues that Barrett Browning's poetry covertly inspects and dismantles the barriers set in her path by gender and that in her major works—Sonnets from the Portuguese, Aurora Leigh, her best political poems, "A Musical Instrument"—difficulty is turned into triumph, incorporating the author's femininity, her situation as a woman poet, and her increasingly substantial fame. Mermin skillfully interweaves biography and close readings of the poems to show precisely how Barrett Browning's life as a woman writer is a part of the essential meaning of her art. Both her personal and her literary achievements are exceptionally well documented, especially for her formative years. Mermin makes extensive use of the poet's early essays, a diary covering most of her twenty-sixth year, and the enormous number of letters that have survived. Ranging from her earliest ambitions through her long periods of discouragement and illness to her happy married life with Robert Browning, this comprehensive study of Elizabeth Barrett Browning is essential reading for students of the Victorian period, English literature, and women's studies.
