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Author: Jane Girdham
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 296
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Book Description
Stephen Storace (1762-96) was a prominent opera composer in London. His works exemplify the best in English opera, with music closely integrated with the drama, and including attractive tunes the audience could sing and play at home. This book provides unique insights into the musical world of the period, examining theatrical life and music publishing from the perspective of Storace's works.
Author: Jane Girdham
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 296
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Book Description
Stephen Storace (1762-96) was a prominent opera composer in London. His works exemplify the best in English opera, with music closely integrated with the drama, and including attractive tunes the audience could sing and play at home. This book provides unique insights into the musical world of the period, examining theatrical life and music publishing from the perspective of Storace's works.
Author: Curtis Alexander Price
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 742
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Book Description
This interdisciplinary study attempts to make sense of what has long been regarded as a chaotic period in the history of opera in London. In 1778, R.B. Sheridan acquired the King's Theatre and its resident opera company in what we would now call a leveraged buy-out, plunging the opera into escalating debts that were to haunt it into the 1840s. The 1780s and early 1790s were a stormy but exciting era: the company hired some of the foremost singers and dancers in Europe; ballet d'action came to London, with Noverre himself as ballet master; the company employed such composers as Sacchini, Anfossi, Cherubini and ultimately Haydn; it went bankrupt and carried on through years of wrangling in chancery; the King's Theatre burned down in 1789 and was rebuilt and re-opened in defiance of the Lord Chamberlain's refusal to license the new building. Drawing on libretti and scores, ballet scenarios, pamphlets, scattered manuscripts, legal records, architectural drawings, newspapers, and other sources, the authors reconstruct the history of the company and its shifting artistic policies, analyzing opera and ballet repertory, performers, production circumstances, finances, and managerial infighting.
Author: Curtis Alexander Price
Publisher:
ISBN:
Category : Ballet
Languages : en
Pages : 0
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Book Description
Author: Ian Woodfield
Publisher: Cambridge University Press
ISBN: 1139432222
Category : Music
Languages : en
Pages : 357
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Book Description
This book explores the cultural life of Italian opera in late eighteenth-century London. Through primary sources, many analysed for the first time, Ian Woodfield examines such issues as finances, recruitment policy, handling of singers and composers, links with Paris and Italy, and the role of women in opera management.
Author: Roger Fiske
Publisher: Oxford University Press, USA
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 726
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Book Description
On the first edition: "Written with style and wit; it is consistently entertaining, as such monumental surveys rarely manage to be."--Musical Quarterly. "First class."--Times Literary Supplement. From pantomime to opera, this revised edition discusses all the dramatic genres of the 18th-century English theater.
Author: Leslie Ritchie
Publisher: Routledge
ISBN: 1351536613
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
Combining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain. She finds instances of and resistance to contemporary perceptions of music as a form of social control in works by Maria Barth?mon, Harriett Abrams, Mary Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among others. Relating women's musical compositions and writings about music to theories of music's function in the formation of female subjectivities during the latter half of the eighteenth century, Ritchie draws on the work of cultural theorists and cultural historians, as well as feminist scholars who have explored the connection between femininity and performance. Whether crafting works consonant with societal ideals of charitable, natural, and national order, or re-imagining their participation in these musical aids to social harmony, women contributed significantly to the formation of British cultural identity. Ritchie's interdisciplinary book will interest scholars working in a range of fields, including gender studies, musicology, eighteenth-century British literature, and cultural studies.
Author: Curtis Alexander Price
Publisher:
ISBN: 9781383007145
Category : Opera
Languages : en
Pages : 0
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Book Description
This interdisciplinary study of opera and ballet at the King's Theatre in London attempts to make artistic and financial sense of a distinguished company that went spectacularly bankrupt, leaving debts that were to haunt opera in London for more than 70 years.
Author: Judith Milhous
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 0
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Book Description
Author: Deborah Rohr
Publisher: Cambridge University Press
ISBN: 1139429302
Category : Music
Languages : en
Pages : 247
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Book Description
The study of the social context of music must consider the day-to-day experiences of its practitioners; their economic, social, professional and artistic goals; and the material and cultural conditions under which these goals were pursued. This book traces the daily working life and aspirations of British musicians during the sweeping social and economic transformation of Britain from 1750 to 1850. It features working musicians of all types and at all levels - organists, singers, instrumentalists, teachers, composers and entrepreneurs - and explores their educational background, their conditions of employment, their wages, the systems of patronage that supported them, and their individual perceptions. Deborah Rohr focuses not only on social and economic pressures but also on a range of negative cultural beliefs faced by the musicians. Also considered are the implications of such conditions for their social and professional status, and for their musical aspirations.
Author: Berthold Over
Publisher: transcript Verlag
ISBN: 3839448859
Category : Art
Languages : en
Pages : 799
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Book Description
In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as »pasticcios« since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles.
