Author: Amanda Eubanks Winkler
Publisher: Cambridge University Press
ISBN: 1108490867
Category : Art
Languages : en
Pages : 261
Book Description
The first book to systematically analyze the role the performing arts played in English schools after the Reformation.
Music, Dance, and Drama in Early Modern English Schools
Author: Amanda Eubanks Winkler
Publisher: Cambridge University Press
ISBN: 1108490867
Category : Art
Languages : en
Pages : 261
Book Description
The first book to systematically analyze the role the performing arts played in English schools after the Reformation.
Publisher: Cambridge University Press
ISBN: 1108490867
Category : Art
Languages : en
Pages : 261
Book Description
The first book to systematically analyze the role the performing arts played in English schools after the Reformation.
Elizabethan Theatre History: An Annotated Bibliography of Scholarship, 1664-1979
Author: David Stevens
Publisher: Lulu.com
ISBN: 1105175219
Category : Reference
Languages : en
Pages : 319
Book Description
Formerly published as "English Renaissance Theatre History: A Reference Guide" by G. K. Hall in 1982, this annotated bibliography of scholarship in the field of Elizabethan theatre history has been out of print for almost 30 years. Most academic libraries have a copy in their reference departments, and this classic is now available for the personal libraries of students and scholars in the field. It has never been easier to review the academic literature in such areas as reconstructions of Shakespeare's Globe Playhouse, and other public and private playhouses of Shakespeare's London; the court masques; Inigo Jones; Richard Burbage and other actors of the time; the Lord Mayor's Shows; Puritan opposition to the stage; and other such topics. The terminal date of 1979 reflects the date of original production, but with this tool it is a simple matter for the scholar to update his or her review of the literature. The comprehensive Index is invaluable, and Stevens also provides a preface and introduction.
Publisher: Lulu.com
ISBN: 1105175219
Category : Reference
Languages : en
Pages : 319
Book Description
Formerly published as "English Renaissance Theatre History: A Reference Guide" by G. K. Hall in 1982, this annotated bibliography of scholarship in the field of Elizabethan theatre history has been out of print for almost 30 years. Most academic libraries have a copy in their reference departments, and this classic is now available for the personal libraries of students and scholars in the field. It has never been easier to review the academic literature in such areas as reconstructions of Shakespeare's Globe Playhouse, and other public and private playhouses of Shakespeare's London; the court masques; Inigo Jones; Richard Burbage and other actors of the time; the Lord Mayor's Shows; Puritan opposition to the stage; and other such topics. The terminal date of 1979 reflects the date of original production, but with this tool it is a simple matter for the scholar to update his or her review of the literature. The comprehensive Index is invaluable, and Stevens also provides a preface and introduction.
Doctoral Dissertations in Musicology
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 448
Book Description
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 448
Book Description
Doctoral Dissertations in Music and Music Education, 1963-1967
Author: Music Educators National Conference (U.S.)
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 154
Book Description
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 154
Book Description
International Index of Dissertations and Musicological Works in Progress
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 448
Book Description
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 448
Book Description
The Matter of Song in Early Modern England
Author: Katherine R. Larson
Publisher: Oxford University Press
ISBN: 0192581945
Category : Music
Languages : en
Pages : 266
Book Description
Given the variety and richness of the sixteenth- and seventeenth-century English 'songscape', it might seem unsurprising to suggest that early modern song needs to be considered as sung. When a reader encounters a song in a sonnet sequence, a romance, and even a masque or a play, however, the tendency is to engage with it as poem rather than as musical performance. Opening up the notion of song from a performance-based perspective, The Matter of Song in Early Modern England considers the implications of reading song not simply as lyric text but as an embodied and gendered musical practice. Animating the traces of song preserved in physiological and philosophical commentaries, singing handbooks, poetic treatises, and literary texts ranging from Mary Sidney Herbert's Psalmes to John Milton's Comus, the book confronts song's ephemerality, its lexical and sonic capriciousness, and its airy substance. These features can resist critical analysis but were vital to song's affective workings in the early modern period. The volume foregrounds the need to attend much more closely to the embodied and musical dimensions of literary production and circulation in sixteenth- and seventeenth-century England. It also makes an important and timely contribution to our understanding of women's engagement with song as writers and as performers. A companion recording of fourteen songs featuring Larson (soprano) and Lucas Harris (lute) brings the project's innovative methodology and central case studies to life.
Publisher: Oxford University Press
ISBN: 0192581945
Category : Music
Languages : en
Pages : 266
Book Description
Given the variety and richness of the sixteenth- and seventeenth-century English 'songscape', it might seem unsurprising to suggest that early modern song needs to be considered as sung. When a reader encounters a song in a sonnet sequence, a romance, and even a masque or a play, however, the tendency is to engage with it as poem rather than as musical performance. Opening up the notion of song from a performance-based perspective, The Matter of Song in Early Modern England considers the implications of reading song not simply as lyric text but as an embodied and gendered musical practice. Animating the traces of song preserved in physiological and philosophical commentaries, singing handbooks, poetic treatises, and literary texts ranging from Mary Sidney Herbert's Psalmes to John Milton's Comus, the book confronts song's ephemerality, its lexical and sonic capriciousness, and its airy substance. These features can resist critical analysis but were vital to song's affective workings in the early modern period. The volume foregrounds the need to attend much more closely to the embodied and musical dimensions of literary production and circulation in sixteenth- and seventeenth-century England. It also makes an important and timely contribution to our understanding of women's engagement with song as writers and as performers. A companion recording of fourteen songs featuring Larson (soprano) and Lucas Harris (lute) brings the project's innovative methodology and central case studies to life.
British Theatre
Author: John P. Cavanagh
Publisher: Macmillan Reference USA
ISBN:
Category : English drama
Languages : en
Pages : 520
Book Description
Publisher: Macmillan Reference USA
ISBN:
Category : English drama
Languages : en
Pages : 520
Book Description
T. S. Eliot and the Cultural Divide
Author: David E. Chinitz
Publisher: University of Chicago Press
ISBN: 0226104184
Category : Literary Criticism
Languages : en
Pages : 275
Book Description
The modernist poet T. S. Eliot has been applauded and denounced for decades as a staunch champion of high art and an implacable opponent of popular culture. But Eliot's elitism was never what it seemed. T. S. Eliot and the Cultural Divide refurbishes this great writer for the twenty-first century, presenting him as the complex figure he was, an artist attentive not only to literature but to detective fiction, vaudeville theater, jazz, and the songs of Tin Pan Alley. David Chinitz argues that Eliot was productively engaged with popular culture in some form at every stage of his career, and that his response to it, as expressed in his poetry, plays, and essays, was ambivalent rather than hostile. He shows that American jazz, for example, was a major influence on Eliot's poetry during its maturation. He discusses Eliot's surprisingly persistent interest in popular culture both in such famous works as The Waste Land and in such lesser-known pieces as Sweeney Agonistes. And he traces Eliot's long, quixotic struggle to close the widening gap between high art and popular culture through a new type of public art: contemporary popular verse drama. What results is a work that will persuade adherents and detractors alike to return to Eliot and find in him a writer who liked a good show, a good thriller, and a good tune, as well as a "great" poem.
Publisher: University of Chicago Press
ISBN: 0226104184
Category : Literary Criticism
Languages : en
Pages : 275
Book Description
The modernist poet T. S. Eliot has been applauded and denounced for decades as a staunch champion of high art and an implacable opponent of popular culture. But Eliot's elitism was never what it seemed. T. S. Eliot and the Cultural Divide refurbishes this great writer for the twenty-first century, presenting him as the complex figure he was, an artist attentive not only to literature but to detective fiction, vaudeville theater, jazz, and the songs of Tin Pan Alley. David Chinitz argues that Eliot was productively engaged with popular culture in some form at every stage of his career, and that his response to it, as expressed in his poetry, plays, and essays, was ambivalent rather than hostile. He shows that American jazz, for example, was a major influence on Eliot's poetry during its maturation. He discusses Eliot's surprisingly persistent interest in popular culture both in such famous works as The Waste Land and in such lesser-known pieces as Sweeney Agonistes. And he traces Eliot's long, quixotic struggle to close the widening gap between high art and popular culture through a new type of public art: contemporary popular verse drama. What results is a work that will persuade adherents and detractors alike to return to Eliot and find in him a writer who liked a good show, a good thriller, and a good tune, as well as a "great" poem.
A Shakespeare Music Catalogue: Volume V
Author: Bryan N. S. Gooch
Publisher: Clarendon Press
ISBN: 9780198129455
Category : Literary Criticism
Languages : en
Pages : 328
Book Description
V.1. The catalogue of music, All's well that ends well-Love's labour's lost -- v.2. The catalogue of music, Macbeth-The taming of the shrew -- v.3. The catalo gue of music, The tempest-The two nobel kinsmen, the sonnets ... -- v.4. Indices --v.5. Bibliography.
Publisher: Clarendon Press
ISBN: 9780198129455
Category : Literary Criticism
Languages : en
Pages : 328
Book Description
V.1. The catalogue of music, All's well that ends well-Love's labour's lost -- v.2. The catalogue of music, Macbeth-The taming of the shrew -- v.3. The catalo gue of music, The tempest-The two nobel kinsmen, the sonnets ... -- v.4. Indices --v.5. Bibliography.
The Select Library
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 762
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 762
Book Description