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Author: Allardyce Nicoll
Publisher:
ISBN:
Category :
Languages : en
Pages : 1083
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Book Description
Author: Allardyce Nicoll
Publisher:
ISBN:
Category :
Languages : en
Pages : 1083
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Book Description
Author: Allardyce Nicoll
Publisher: Cambridge University Press
ISBN: 9780521109314
Category : Drama
Languages : en
Pages : 688
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Book Description
Nicoll's History, which tells the story of English drama from the reopening of the theatres at the time of the Restoration right through to the end of the Victorian period, was viewed by Notes and Queries (1952) as 'a great work of exploration, a detailed guide to the untrodden acres of our dramatic history, hitherto largely ignored as barren and devoid of interest'.
Author: Allardyce Nicoll
Publisher: Jones & Bartlett Learning
ISBN: 9780521129473
Category : English drama
Languages : en
Pages : 1112
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Book Description
Author: M. Cody Poulton
Publisher: University of Hawaii Press
ISBN: 0824833414
Category : Drama
Languages : en
Pages : 298
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Book Description
Essential reading for the growing number of Westerners interested in the roots of modern Japanese theatre
Author: Judith E. Barlow
Publisher: Hal Leonard Corporation
ISBN: 9781557830081
Category : Drama
Languages : en
Pages : 308
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Book Description
Traces the contributions of women to the American theater and offers the texts of five plays that deal with a sick child, a murdered husband, and family life
Author: Nicoll
Publisher: Cambridge University Press
ISBN: 9780521109284
Category : English drama
Languages : en
Pages : 478
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Book Description
Allardyce Nicoll's History of English Drama, 1660-1900 was an immense scholarly achievement and the work of one man. Nicoll's History, which tells the story of English drama from the reopening of the theatres at the time of the Restoration right through to the end of the Victorian period, was viewed by Notes and Queries (1952) as 'a great work of exploration, a detailed guide to the untrodden acres of our dramatic history, hitherto largely ignored as barren and devoid of interest'. The History is reissued in seven paperback volumes, available separately and as a set. In volumes 1-5 Nicoll describes the conditions of the stage, actors and managers as well as dramatic genres. The sixth and seventh volumes offer a comprehensive list of all the plays known to have been produced or printed in England between 1660 and 1930, with their authors and alternative titles; it has thus independent value as well as providing an index to the earlier volumes.
Author: E. H. Mikhail
Publisher: Detroit : Gale Research Company
ISBN:
Category : English drama
Languages : en
Pages : 350
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Book Description
Author: Allardyce Nicoll
Publisher:
ISBN: 9780521125482
Category : Drama
Languages : en
Pages : 4629
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Book Description
Nicoll's History tells the story of English drama from the reopening of the theatres at the time of the Restoration right through to the end of the Victorian period.
Author: Mark Hawkins-Dady
Publisher: Routledge
ISBN: 1135314179
Category : Reference
Languages : en
Pages : 1024
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Book Description
Reader's Guide Literature in English provides expert guidance to, and critical analysis of, the vast number of books available within the subject of English literature, from Anglo-Saxon times to the current American, British and Commonwealth scene. It is designed to help students, teachers and librarians choose the most appropriate books for research and study.
Author: Robert Gordon
Publisher: Oxford University Press
ISBN: 0199988757
Category : Music
Languages : en
Pages : 624
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Book Description
The Oxford Handbook of the British Musical provides a comprehensive academic survey of British musical theatre offering both a historical account of the musical's development from 1728 and a range of in-depth critical analyses of the unique forms and features of British musicals, which explore the aesthetic values and sociocultural meanings of a tradition that initially gave rise to the American musical and later challenged its modern pre-eminence. After a consideration of how John Gay's The Beggar's Opera (1728) created a prototype for eighteenth-century ballad opera, the book focuses on the use of song in early nineteenth century theatre, followed by a sociocultural analysis of the comic operas of Gilbert and Sullivan; it then examines Edwardian and interwar musical comedies and revues as well as the impact of Rodgers and Hammerstein on the West End, before analysing the new forms of the postwar British musical from The Boy Friend (1953) to Oliver! (1960). One section of the book examines the contributions of key twentieth century figures including Noel Coward, Ivor Novello, Tim Rice, Andrew Lloyd Webber, director Joan Littlewood and producer Cameron Macintosh, while a number of essays discuss both mainstream and alternative musicals of the 1960s and 1970s and the influence of the pop industry on the creation of concept recordings such as Jesus Christ Superstar (1970) and Les Misérables (1980). There is a consideration of "jukebox" musicals such as Mamma Mia! (1999), while essays on overtly political shows such as Billy Elliot (2005) are complemented by those on experimental musicals like Jerry Springer: the Opera (2003) and London Road (2011) and on the burgeoning of Black and Asian British musicals in both the West End and subsidized venues. The Oxford Handbook of the British Musical demonstrates not only the unique qualities of British musical theatre but also the vitality and variety of British musicals today.
