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Author: Sabine Huschka
Publisher: transcript Verlag
ISBN: 3839447038
Category : Performing Arts
Languages : en
Pages : 213
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Book Description
This volume collects academic as well as artistic explorations highlighting historical and contemporary approaches to the ›energetic‹ in its aesthetic and political potential. Energetic processes cross dance, performance art and installations. In contemporary dance and performance art, energetic processes are no longer mere conditions of form but appear as distinct aesthetic interventions. They transform the body, evoke specific states and push towards intensities. International contributors (i.e. Gerald Siegmund, Susan Leigh Foster, Lucia Ruprecht) unfold thorough investigations, elucidating maneuvers of mobilization, activation, initiation, regulation, navigation and containment of forces as well as different potentials and promises associated with the ›energetic‹.
Author: Sabine Huschka
Publisher: transcript Verlag
ISBN: 3839447038
Category : Performing Arts
Languages : en
Pages : 213
Get Book Here
Book Description
This volume collects academic as well as artistic explorations highlighting historical and contemporary approaches to the ›energetic‹ in its aesthetic and political potential. Energetic processes cross dance, performance art and installations. In contemporary dance and performance art, energetic processes are no longer mere conditions of form but appear as distinct aesthetic interventions. They transform the body, evoke specific states and push towards intensities. International contributors (i.e. Gerald Siegmund, Susan Leigh Foster, Lucia Ruprecht) unfold thorough investigations, elucidating maneuvers of mobilization, activation, initiation, regulation, navigation and containment of forces as well as different potentials and promises associated with the ›energetic‹.
Author: Jens Bjering
Publisher: MIT Press
ISBN: 0262377632
Category : Political Science
Languages : en
Pages : 335
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Book Description
A provocative edited collection that takes an original approach toward the black box of military technology, surveillance, and AI—and reveals the aesthetic dimension of warfare. War and Aesthetics gathers leading artists, political scientists, and scholars to outline the aesthetic dimension of warfare and offer a novel perspective on its contemporary character and the construction of its potential futures. Edited by a team of four scholars, Jens Bjering, Anders Engberg-Pedersen, Solveig Gade, and Christine Strandmose Toft, this timely volume examines warfare through the lens of aesthetics, arguing that the aesthetic configurations of perception, technology, and time are central to the artistic engagement with warfare, just as they are key to military AI, weaponry, and satellite surveillance. People mostly think of war as the violent manifestation of a political rationality. But when war is viewed through the lens of aesthesis—meaning perception and sensibility—military technology becomes an applied science of sensory cognition. An outgrowth of three war seminars that took place in Copenhagen between 2018 and 2021, War and Aesthetics engages in three main areas of inquiry—the rethinking of aesthetics in the field of art and in the military sphere; the exploration of techno-aesthetics and the wider political and theoretical implications of war technology; and finally, the analysis of future temporalities that these technologies produce. The editors gather various traditions and perspectives ranging from literature to media studies to international relations, creating a unique historical and scientific approach that broadly traces the entanglement of war and aesthetics across the arts, social sciences, and humanities from ancient times to the present. As international conflict looms between superpowers, War and Aesthetics presents new and illuminating ways to think about future conflict in a world where violence is only ever a few steps away. Contributors Louise Amoore, Ryan Bishop, Jens Bjering, James Der Derian, Anthony Downey, Anders Engberg-Pedersen, Solveig Gade, Mark B. Hansen, Caroline Holmqvist, Vivienne Jabri, Caren Kaplan, Phil Klay, Kate McLoughlin, Elaine Scarry, Christine Strandmose Toft, Joseph Vogl, Arkadi Zaides
Author:
Publisher: Bloomsbury Publishing
ISBN: 1350408166
Category : Drama
Languages : en
Pages : 233
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Book Description
This book sets out to search for the Second World - the (post)socialist context - in dance studies and examines the way it appears and reappears in today's globalized world. It traces hidden and invisibilized legacies over the span of one century, probing questions that can make viewers, artists, and scholars uncomfortable regarding dance histories, memories, circulations and production modes in and around the (post)socialist world. The contributions delve into a variety of dance practices (folk, traditional, ballet, modern, contemporary), modes of dance production (institutionalization processes, festival-making and market logics), and dance circulations (between centres and peripheries, between different genres and styles). The main focus is Eastern Europe (including Russia) but the book also addresses Cuba and China. The book's historical examples make the reader aware, too, of the (post)socialist bodies' influence in today's dance, including in contemporary dance scenes. The (post)socialist context promises to be a prosperous laboratory to explore uncomfortable questions of legitimacy. Whose choreographic work is staged as a 'quality' dance production? Which dance practices are worthy of scholarly study? What are the limits of dance studies' understanding of what dance is or should be? In view of reclaiming the Second World through dance, this book thus probes questions that should be asked today but are not easy to answer; questions that dance practitioners, facilitators, critics, and researchers, including ourselves, are often not at ease with either. In doing so, the cracks of dance history begin to be sealed, and neglected dance practices are written back into history, provided with the academic recognition that they deserve.
Author: Christiane Czymoch
Publisher: Taylor & Francis
ISBN: 1003820972
Category : Performing Arts
Languages : en
Pages : 295
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Book Description
This edited collection investigates the myriad ways in which disability performance travels in a globalized world. Disability arts festivals are growing in different parts of the world; theatre and dance companies with disabled artists are increasingly touring and collaborating with international partners. At the same time, theatre spaces are often not accessible, and the necessity of mobility excludes some disabled artists from being part of an international disability arts community. How does disability performance travel, who does not travel – and why? What is the role of funding and producing structures, disability arts festivals, and networks around the world? How do the logics of international (co-)producing govern the way in which disability art is represented internationally? Who is excluded from being part of a touring theatre or dance company, and how can festivals, conferences, and other agents of a growing disability culture create other forms of participation, which are not limited to physical co-presence? This study will contextualize disability aesthetics, arts, media, and culture in a global frame, yet firmly rooted in its smaller national, state and local community settings and will be of great interest to students and scholars in the field.
Author: Peter M. Boenisch
Publisher: Bloomsbury Publishing
ISBN: 1350165824
Category : Performing Arts
Languages : en
Pages : 233
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Book Description
On the 20th anniversary of artistic director Thomas Ostermeier's time at Berlin's Schaubühne Theatre, this important study reflects on the contribution the theatre has made to contemporary theatre, not just in Germany, but around the world. Ostermeier has kept extending and refining the important notion of German Regietheater (directors' theatre) with the Schaubühne Theatre being its internationally famous birthplace under the previous artistic direction of Peter Stein. Through doing so, the work produced at the Schaubühne has transgressed established divides of text-based and devised theatre, and blurred the borders between theatre and dance. Combining scholarly reflection with interview material, this essential collection investigates how theatre has been reinvented by the Schaubühne under Ostermeier's tenure, bringing together international theatre scholars such as Erika Fischer-Lichte, Marvin Carlson, Jitka Goriaux Pelechova, Benjamin Fowler, Ramona Mosse and Sabine Huschka. This study also considers productions by some of Ostermeier's past and present collaborators, such as Katie Mitchell, Falk Richter and Sasha Waltz. This edition also includes the first English translation of Schaubühne's original manifesto “The Mission” (1999); a contribution from Ostermeier's long-term co-director Jens Hillje; a contribution from Hans-Thies Lehmann on Falk Richter; and an interview with Thomas Ostermeier by Clare Finburgh Delijani.
Author: Ulf Otto
Publisher: Springer Nature
ISBN: 3476059618
Category : Performing Arts
Languages : en
Pages : 337
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Book Description
Since the 1880s, electrical energies started circulating in European theaters, generated from fossil fuels in urban power plants. A mysterious force, which was still traded as romantic life force by some and for others had already come to stand in for progress, entered performance venues. Engineering knowledge, control techniques and supply chains changed fundamentally how theater was made and thought of. The mechanical image machine from Renaissance and Baroque times was transformed into a thermodynamic engine. Modern theater turned out to be electrified theater. – Retracing what happened backstage before the Avantgarde took to the front stage, this book proposes to write the genealogy of theaters modernity as a cultural history of theater technology.
Author: United States. Congress. House. Science and Astronautics
Publisher:
ISBN:
Category :
Languages : en
Pages : 644
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Book Description
Author: Bernard Stiegler
Publisher: Polity
ISBN: 9780745652641
Category : Social Science
Languages : en
Pages : 0
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Book Description
In this important new book, the leading cultural theorist and philosopher Bernard Stiegler re-examines the relationship between politics and aesthetics in our contemporary hyperindustrial age. Stiegler argues that our epoch is characterized by the seizure of the symbolic by industrial technology, where aesthetics has become both theatre and weapon in an economic war. This has resulted in a ‘symbolic misery’ where conditioning substitutes for experience. In today’s control societies, aesthetic weapons play an essential role: audiovisual and digital technologies have become a means of controlling the conscious and unconscious rhythms of bodies and souls, of modulating the rhythms of consciousness and life. The notion of an aesthetic engagement, capable of founding a new communal sensibility and a genuine aesthetic community, has largely collapsed today. This is because the overwhelming majority of the population is now totally subjected to the aesthetic conditioning of marketing and therefore estranged from any experience of aesthetic inquiry. That part of the population that continues to experiment aesthetically has turned its back on those who live in the misery of this conditioning. Stiegler appeals to the art world to develop a political understanding of its role. In this volume he pays particular attention to cinema which occupies a unique position in the temporal war that is the cause of symbolic misery: at once industrial technology and art, cinema is the aesthetic experience that can combat conditioning on its own territory. This highly original work - the first in Stiegler’s Symbolic Misery series - will be of particular interest to students in film studies, media and cultural studies, literature and philosophy and will consolidate Stiegler’s reputation as one of the most original cultural theorists of our time.
Author: Simon Reynolds
Publisher: Catapult
ISBN: 1593764073
Category : Music
Languages : en
Pages : 609
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Book Description
Ecstasy did for house music what LSD did for psychedelic rock. Now, in Energy Flash, journalist Simon Reynolds offers a revved-up and passionate inside chronicle of how MDMA (“ecstasy”) and MIDI (the basis for electronica) together spawned the unique rave culture of the 1990s. England, Germany, and Holland began tinkering with imported Detroit techno and Chicago house music in the late 1980s, and when ecstasy was added to the mix in British clubs, a new music subculture was born. A longtime writer on the music beat, Reynolds started watching—and partaking in—the rave scene early on, observing firsthand ecstasy’s sense-heightening and serotonin-surging effects on the music and the scene. In telling the story, Reynolds goes way beyond straight music history, mixing social history, interviews with participants and scene-makers, and his own analysis of the sounds with the names of key places, tracks, groups, scenes, and artists. He delves deep into the panoply of rave-worthy drugs and proper rave attitude and etiquette, exposing a nuanced musical phenomenon. Read on, and learn why is nitrous oxide is called “hippy crack.”
Author: Holly Eva Ryan
Publisher: Routledge
ISBN: 1317527283
Category : Science
Languages : en
Pages : 171
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Book Description
Recent global events, including the ‘Arab Spring’ uprisings, Occupy movements and anti-austerity protests across Europe have renewed scholarly and public interest in collective action, protest strategies and activist subcultures. We know that social movements do not just contest and politicise culture, they create it too. However, scholars working within international politics and social movement studies have been relatively inattentive to the manifold political mediations of graffiti, muralism, street performance and other street art forms. Against this backdrop, this book explores the evolving political role of street art in Latin America during the twentieth and early twenty-first centuries. It examines the use, appropriation and reconfiguration of public spaces and political opportunities through street art forms, drawing on empirical work undertaken in Brazil, Bolivia and Argentina. Bringing together a range of insights from social movement studies, aesthetics and anthropology, the book highlights some of the difficulties in theorising and understanding the complex interplay between art and political practice. It seeks to explore 'what art can do' in protest, and in so doing, aims to provide a useful point of reference for students and scholars interested in political communication, culture and resistance. It will be of interest to students and scholars working in politics, international relations, political and cultural geography, Latin American studies, art, sociology and anthropology.
