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Author: Haydn Williams
Publisher: Khalili Collections
ISBN:
Category : Art
Languages : en
Pages : 460
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Book Description
'Enamels of the World 1700-2000', consisting of some twelve hundred works, is the largest and most comprehensive private collection known. It provides an unparalleled opportunity to appreciate the richness and diversity of the art of enamelling during the past three centuries, ranging from the imposing work of Qing dynasty China and Meiji Japan, to the magnificent creations of Romanov Russia and the royal courts of Europe and the East. Formed with the innovative criterion of considering the subject in a globally, it covers work from all major centres of production, allowing the enamelwork of a specific country to be viewed within its own context and as part of a wider history. This volume presents over three hundred pieces from the collection. The survey starts with an account of the evolution and refinement of the different enamelling techniques. Thereafter it studies the subject thematically, considering the impact of patronage and travel, as well as the role of nationalism in the development of historical revivalism. The enamelwork of China, Japan, the Islamic Lands and Europe are examined both in terms of local development and the assimilation of foreign influence. The history of three firms is reviewed in greater focus - Jean George Rémond, Fabergé and Cartier. Representing different periods within three hundred years covered by the collection, the character of these firms, though largely shaped by the genius of their directors, was also formed by the era in which they flourished. Whether looking at the subject in general or in detail, the reader is presented with an illuminating display of the great technical skill and creative ingenuity of the enamellers of the world. The volume is accompanied by a CD that presents the Khalili Collection of 'Enamels of the World 1700-2000' in its entirety.
Author: Haydn Williams
Publisher: Khalili Collections
ISBN:
Category : Art
Languages : en
Pages : 460
Get Book Here
Book Description
'Enamels of the World 1700-2000', consisting of some twelve hundred works, is the largest and most comprehensive private collection known. It provides an unparalleled opportunity to appreciate the richness and diversity of the art of enamelling during the past three centuries, ranging from the imposing work of Qing dynasty China and Meiji Japan, to the magnificent creations of Romanov Russia and the royal courts of Europe and the East. Formed with the innovative criterion of considering the subject in a globally, it covers work from all major centres of production, allowing the enamelwork of a specific country to be viewed within its own context and as part of a wider history. This volume presents over three hundred pieces from the collection. The survey starts with an account of the evolution and refinement of the different enamelling techniques. Thereafter it studies the subject thematically, considering the impact of patronage and travel, as well as the role of nationalism in the development of historical revivalism. The enamelwork of China, Japan, the Islamic Lands and Europe are examined both in terms of local development and the assimilation of foreign influence. The history of three firms is reviewed in greater focus - Jean George Rémond, Fabergé and Cartier. Representing different periods within three hundred years covered by the collection, the character of these firms, though largely shaped by the genius of their directors, was also formed by the era in which they flourished. Whether looking at the subject in general or in detail, the reader is presented with an illuminating display of the great technical skill and creative ingenuity of the enamellers of the world. The volume is accompanied by a CD that presents the Khalili Collection of 'Enamels of the World 1700-2000' in its entirety.
Author: Sir David Khalili
Publisher: Random House
ISBN: 1529918197
Category : Biography & Autobiography
Languages : en
Pages : 334
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Book Description
In 1967, Sir David Khalili finished his military service in Iran and travelled to study in the United States with $750 - his remaining royalties from a book he wrote when he was just 14. Over the course of the next five decades he single-handedly, piece by piece, assembled eight of the finest art collections in their field, ultimately becoming one of the world's greatest collectors, about whom Queen Elizabeth II once said: 'It is scary how much this gentleman knows about art.' For the first time, Sir David shares his extraordinary journey: one that has taken him through the souks of North Africa, the auction houses of Europe and the United States, the bazaars of South Asia, and far beyond. Through a riveting collection of real-life adventures, he reveals his collecting strategy, business ethics and what motivates him to continuously collect, conserve, research, publish and exhibit the treasures in his collections. Through his story, Sir David questions how the undeniable power of art can be harnessed to foster greater peace and unity worldwide. No one is better placed to enlighten us.
Author: Arlene Leis
Publisher: Taylor & Francis
ISBN: 1000781518
Category : Art
Languages : en
Pages : 323
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Book Description
This book examines collecting around the world and how women have participated in and formed collections globally. The edited volume builds on recent research and offers a wider lens through which to examine and challenge women’s collecting histories. Spanning from the seventeenth century to the twenty-first (although not organized chronologically) the research herein extends beyond European geographies and across time periods; it brings to light new research on how artificiallia and naturallia were collected, transported, exchanged, and/or displayed beyond Europe. Women, Collecting and Cultures Beyond Europe considers collections as points of contact that forged transcultural connections and knowledge exchange. Some authors focus mainly on collectors and what was collected, while others consider taxonomies, travel, patterns of consumption, migration, markets, and the after life of things. In its broad and interdisciplinary approach, this book amplifies women’s voices, and aims to position their collecting practices toward new transcultural directions, including women’s relation to distinct cultures, customs, and beliefs as well as exposing the challenges women faced when carving a place for themselves within global networks. This study will be of interest to scholars working in collections and collecting, conservation, museum studies, art history, women’s studies, material and visual cultures, Indigenous studies, textile histories, global studies, history of science, social and cultural histories.
Author: Nasser D. Khalili
Publisher: Worth Publishers
ISBN:
Category : Architecture
Languages : en
Pages : 192
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Book Description
Art styles not defined by date.
Author: United States. Bureau of Foreign and Domestic Commerce
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1362
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Book Description
Author: David Whitehouse
Publisher:
ISBN: 1588343243
Category : ANTIQUES & COLLECTIBLES
Languages : en
Pages : 127
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Book Description
"A concise history of glassmaking around the world, from Mesopotamia to the present day"--
Author: United States. Bureau of Mines
Publisher:
ISBN:
Category : Mineral industries
Languages : en
Pages : 1076
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Book Description
Author: Alan Chong
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 196
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Book Description
"For thousands of years, the cultures of Asia have traded, interacted, and exchanged artistic ideas. This book presents highlights of cross-cultural Asian art acquired by Singapore's Asian Civilisations Museum between 2009 and 2013. The objects show the migration of religions, the lure of exotic materials and rare techniques, and the creation of new art forms through the blending of traditions. The encounters between cultures and the global networks of trade that have shaped our world are much in evidence in the objects discussed in this volume." -- book cover.
Author: Haydn Williams
Publisher: National Geographic Books
ISBN: 0500252068
Category : History
Languages : en
Pages : 0
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Book Description
A sumptuous survey of the fashion for art, architecture, and decorative arts that evoked or imitated Turkish culture and captivated eighteenth-century Europe This is the first book, painstakingly researched from many scattered sources, to identify the key elements of what in our own time has become a popular and collectable area of the fine art and decorative arts: turquerie. With the arrival of Ottoman embassies and their elaborate entourages at the courts of Europe in the early eighteenth century, a fascination with all things Turkish took hold among royalty and aristocracy that lasted until the French Revolution. Turbaned figures appeared in paintings, as ceramic figures, and on the stage; tented boudoirs became the rage; and crossed crescents, palm trees, and camels featured on wall panels, furniture, and enamel boxes. Here Haydn Williams, an expert on the decorative arts, shows how it was a theme that sparked varied responses in different places. Its most intense and long-lasting expression was in France, but its reach was broad–from a pavilion built by Catherine II in Russia to the Turkish tents erected along the Elbe to celebrate a royal marriage in Dresden in 1719; from an ivory statuette of a janissary created for King Augustus II of Poland to the costumes worn for a carnival celebration in Rome in 1748. The book is organized into eight thematic and chronological chapters that concentrate on particular subjects, such as painting, tents, interiors, and costumes and settings for the stage. In all, this splendid volume enables the reader to indulge in the whimsies and fancies of the European elite of the eighteenth century.
Author: Yaelle Biro
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110757664
Category : Art
Languages : en
Pages : 236
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Book Description
Zirkulation und Nachahmung haben einen wesentlichen Einfluss auf die Gestaltung der materiellen Welt. Die Beiträge des Bandes untersuchen, wie technisches Wissen, immaterielle Wünsche und politische Agenden die Produktion und Rezeption der visuellen und materiellen Kultur im Wandel der Zeit und Orte prägten. Sie gehen den Wanderungen von Kulturgütern unter besonderer Berücksichtigung ihrer Entstehungskontexte nach. Mit dem Begriff des „rhapsodischen Objektes" werden dabei die vielschichtigen, nicht immer in einem Zusammenhang stehenden Erzählungen der Objekte angesprochen.
