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Author: Angelia Poon
Publisher: Routledge
ISBN: 1351940368
Category : Literary Criticism
Languages : en
Pages : 311
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Book Description
Angelia Poon examines how British colonial authority in the nineteenth century was predicated on its being rendered in ways that were recognizably 'English'. Reading a range of texts by authors that include Charlotte Brontë, Mary Seacole, Charles Dickens, Rudyard Kipling, and H. Rider Haggard, Enacting Englishness in the Victorian Period focuses on the strategies - narrative, illustrative, and rhetorical - used to perform English subjectivity during the time of the British Empire. Characterising these performances, which ranged from the playful, ironic, and fantastical to the morally serious and determinedly didactic, was an emphasis on the corporeal body as not only gendered, racialised, and classed, but as (in)visible, desiring, bound in particular ways to space, and marked by certain physical stylizations and ways of thinking. As she shines a light on the English subject in the act of being and becoming, Poon casts new light on the changing historical circumstances and discontinuities in the performances of Englishness to disclose both the normative power of colonial authority as well as the possibilities for resistance.
Author: Angelia Poon
Publisher: Routledge
ISBN: 1351940368
Category : Literary Criticism
Languages : en
Pages : 311
Get Book Here
Book Description
Angelia Poon examines how British colonial authority in the nineteenth century was predicated on its being rendered in ways that were recognizably 'English'. Reading a range of texts by authors that include Charlotte Brontë, Mary Seacole, Charles Dickens, Rudyard Kipling, and H. Rider Haggard, Enacting Englishness in the Victorian Period focuses on the strategies - narrative, illustrative, and rhetorical - used to perform English subjectivity during the time of the British Empire. Characterising these performances, which ranged from the playful, ironic, and fantastical to the morally serious and determinedly didactic, was an emphasis on the corporeal body as not only gendered, racialised, and classed, but as (in)visible, desiring, bound in particular ways to space, and marked by certain physical stylizations and ways of thinking. As she shines a light on the English subject in the act of being and becoming, Poon casts new light on the changing historical circumstances and discontinuities in the performances of Englishness to disclose both the normative power of colonial authority as well as the possibilities for resistance.
Author: Charlotte Mathieson
Publisher: Springer
ISBN: 113754547X
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
Mobility in the Victorian Novel explores mobility in Victorian novels by authors including Charles Dickens, Charlotte Brontë, Elizabeth Gaskell, George Eliot and Mary Elizabeth Braddon. With focus on representations of bodies on the move, it reveals how journeys create the place of the nation within a changing global landscape.
Author: Geraldo Magela Cáffaro
Publisher: Cambridge Scholars Publishing
ISBN: 1443889695
Category : Prefaces
Languages : en
Pages : 190
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Book Description
The House, the World, and the Theatre departs from three ideologically resonant spatial metaphors to explore key aspects of nineteenth-century literature and culture. At the centre of the discussion is the way authors fashioned themselves to cater to ever-expanding audiences and to the new conditions of publishing. The prefaces of Hawthorne, Dickens, and James illustrate the conflicts underlying the new forms of self-definition in the nineteenth century and mediate the perception of authorship as a category that blurs the boundaries between social life and performance. This book combines genre criticism, new historicism, literary history, and contemporary perspectives in readings that show the imaginative quality of prefatory writing and the enduring relevance of canonical authors in the twenty-first century.
Author: Rebecca Knuth
Publisher: Scarecrow Press
ISBN: 0810885174
Category : Literary Criticism
Languages : en
Pages : 221
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Book Description
For more than 250 years, English children’s literature has transmitted values to the next generation. The stories convey to children what they should identify with and aspire to, even as notions of “goodness” change over time. Through reading, children absorb an ethos of Englishness that grounds personal identity and underpins national consciousness. Such authors as Lewis Carroll, J. R. R. Tolkien, and J. K. Rowling have entertained, motivated, confronted social wrongs, and transmitted cultural mores in their works—functions previously associated with folklore. Their stories form a new folklore tradition that provides social glue and supports a love of England and English values. In Children’s Literature and British Identity: Imagining a People and a Nation, Rebecca Knuth follows the development of the genre, focusing on how stories inspire children to adhere to the morals of society. This book examines how this tradition came to fruition, exploring the works of several authors, including: Robert Baden-Powell Robert Ballantyne J. M. Barrie Enid Blyton Angela Brazil Frances Hodgson Burnett Randolph Caldecott Lewis Carroll Roald Dahl Daniel Defoe Charles Dickens Maria Edgeworth Kenneth Grahame Kate Greenaway G. A. Henty Thomas Hughes Charles Kingsley Rudyard Kipling C.S. Lewis A. A. Milne Hannah More E. Nesbit John Newbery George Orwell Beatrix Potter Arthur Ransome Frank Richards J. K. Rowling Anna Sewell Robert Louis Stevenson J. R. R. Tolkien P. L. Travers Sarah Trimmer Charlotte Yonge Evaluating the connection between children’s literature and the dissemination and formation of identity, this book will appeal to both general readers and academics who are interested in librarianship, English culture, and children’s literature.
Author: Saree Makdisi
Publisher: University of Chicago Press
ISBN: 0226923150
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
The central argument of Edward Said’s Orientalism is that the relationship between Britain and its colonies was primarily oppositional, based on contrasts between conquest abroad and domestic order at home. Saree Makdisi directly challenges that premise in Making England Western, identifying the convergence between the British Empire’s civilizing mission abroad and a parallel mission within England itself, and pointing to Romanticism as one of the key sites of resistance to the imperial culture in Britain after 1815. Makdisi argues that there existed places and populations in both England and the colonies that were thought of in similar terms—for example, there were sites in England that might as well have been Arabia, and English people to whom the idea of the freeborn Englishman did not extend. The boundaries between “us” and “them” began to take form during the Romantic period, when England became a desirable Occidental space, connected with but superior to distant lands. Delving into the works of Wordsworth, Austen, Byron, Dickens, and others to trace an arc of celebration, ambivalence, and criticism influenced by these imperial dynamics, Makdisi demonstrates the extent to which Romanticism offered both hopes for and warnings against future developments in Occidentalism. Revealing that Romanticism provided a way to resist imperial logic about improvement and moral virtue, Making England Western is an exciting contribution to the study of both British literature and colonialism.
Author: Tim Barringer
Publisher: Duke University Press
ISBN: 0822374625
Category : History
Languages : en
Pages : 572
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Book Description
Victorian Jamaica explores the extraordinary surviving archive of visual representation and material objects to provide a comprehensive account of Jamaican society during Queen Victoria's reign over the British Empire, from 1837 to 1901. In their analyses of material ranging from photographs of plantation laborers and landscape paintings to cricket team photographs, furniture, and architecture, as well as a wide range of texts, the contributors trace the relationship between black Jamaicans and colonial institutions; contextualize race within ritual and performance; and outline how material and visual culture helped shape the complex politics of colonial society. By narrating Victorian history from a Caribbean perspective, this richly illustrated volume—featuring 270 full-color images—offers a complex and nuanced portrait of Jamaica that expands our understanding of the wider history of the British Empire and Atlantic world during this period. Contributors. Anna Arabindan-Kesson, Tim Barringer, Anthony Bogues, David Boxer, Patrick Bryan, Steeve O. Buckridge, Julian Cresser, John M. Cross, Petrina Dacres, Belinda Edmondson, Nadia Ellis, Gillian Forrester, Catherine Hall, Gad Heuman, Rivke Jaffe, O'Neil Lawrence, Erica Moiah James, Jan Marsh, Wayne Modest, Daniel T. Neely, Mark Nesbitt, Diana Paton, Elizabeth Pigou-Dennis, Veerle Poupeye, Jennifer Raab, James Robertson, Shani Roper, Faith Smith, Nicole Smythe-Johnson, Dianne M. Stewart, Krista A. Thompson
Author: Yaara Benger Alaluf
Publisher: Oxford University Press
ISBN: 0192635778
Category : History
Languages : en
Pages : 256
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Book Description
It is often taken for granted that holiday resorts sell intangible commodities such as freedom, enjoyment, pleasure, and relaxation. But how did the desire for a 'happy holiday' emerge, how was 'the right to rest' legitimized, and how are emotions produced by commercial enterprises? To answer these questions, The Emotional Economy of Holidaymaking explores the rise of popular holidaymaking in late-nineteenth-century Britain, which is generally considered to be the birthplace of mass tourism. Drawing on a wide range of texts, including medical literature, parliamentary debates, advertisements, travel guides, popular stories, and personal accounts, the book unravels the role emotions played in British spa and seaside holiday cultures. Introducing the concept of an 'emotional economy', Yaara Benger Alaluf traces the overlapping impact that psychological and economic thought had on moral ideals and performative practices of work and leisure. Through a vivid account of changing attitudes toward health, pleasure, social class, and gender in late-Victorian and Edwardian Britain, she explains why the democratization of holidaymaking went hand in hand with its emotionalization. Combining the history of emotions with the sociology of commodification, the book offers an innovative approach to the study of the leisure and entertainment industries and a better understanding of how medicalized conceptions of emotions influenced people's dispositions, desires, consumption habits, and civil rights. Looking ahead to the central place of tourism in twenty-first century societies and its relation to stress and burnout, The Emotional Economy of Holidaymaking calls on future research of past and present leisure cultures to take emotions seriously and to rethink notions of rationality, authenticity, and agency.
Author: Tom F. Wright
Publisher: Oxford University Press
ISBN: 0190496797
Category : Education
Languages : en
Pages : 265
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Book Description
Lecturing the Atlantic is a reinterpretation of the "public lecture" as one of the most important cultural forms of the nineteenth century Anglo-American world. Wright shows how key figures including Frederick Douglass, Ralph Waldo Emerson, and William Makepeace Thackeray used the lecture hall to explore Anglo-American relations and themes of progress and national identity.
Author: Stephanie Polsky
Publisher: John Hunt Publishing
ISBN: 178279879X
Category : Literary Criticism
Languages : en
Pages : 299
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Book Description
We live in a time of great social, political and economic crisis that many date to the collapse of the global banking system in 2008. Many are finding it difficult to contextualise the hardships that have taken place in the years following on from those events. It is difficult to find the answers in our present media landscape, or in a political and intellectual climate that continues to laud capitalism as the winning economic system coming out of both World War II and the end of the Cold War, which has become over the last century synonymous with democracy itself. The irony is that in our times the majority of the world’s people feel disenfranchised by both capitalism and democracy. How did we come to this historical juncture? What can we learn not just from history, but from our cultural artefacts that might tell us how we first came to conduct ourselves within a system of global finance capitalism? This volume proposes that we reinterpret the writings of Charles Dickens to find the antecedents of our present situation with regards to capital, empire and subjectivity.
Author: M. Sherwood
Publisher: Springer
ISBN: 1137288906
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
Through an examination of Tennyson's 'domestic poetry' - his portrayals of England and the English - in their changing nineteenth-century context, this book demonstrates that many of his representations were 'fabrications', more idealized than real, which played a vital part in the country's developing identity and sense of its place in the world.
