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Author: David Hemsoll
Publisher: Yale University Press
ISBN: 0300225768
Category : Architecture
Languages : en
Pages : 354
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Book Description
A revelatory account of the complex and evolving relationship of Renaissance architects to classical antiquity Focusing on the work of architects such as Brunelleschi, Bramante, Raphael, and Michelangelo, this extensively illustrated volume explores how the understanding of the antique changed over the course of the Renaissance. David Hemsoll reveals the ways in which significant differences in imitative strategy distinguished the period's leading architects from each other and argues for a more nuanced understanding of the widely accepted trope--first articulated by Giorgio Vasari in the 16th century--that Renaissance architecture evolved through a linear step-by-step assimilation of antiquity. Offering an in-depth examination of the complex, sometimes contradictory, and often contentious ways that Renaissance architects approached the antique, this meticulously researched study brings to life a cacophony of voices and opinions that have been lost in the simplified Vasarian narrative and presents a fresh and comprehensive account of Renaissance architecture in both Florence and Rome.
Author: David Hemsoll
Publisher: Yale University Press
ISBN: 0300225768
Category : Architecture
Languages : en
Pages : 354
Get Book Here
Book Description
A revelatory account of the complex and evolving relationship of Renaissance architects to classical antiquity Focusing on the work of architects such as Brunelleschi, Bramante, Raphael, and Michelangelo, this extensively illustrated volume explores how the understanding of the antique changed over the course of the Renaissance. David Hemsoll reveals the ways in which significant differences in imitative strategy distinguished the period's leading architects from each other and argues for a more nuanced understanding of the widely accepted trope--first articulated by Giorgio Vasari in the 16th century--that Renaissance architecture evolved through a linear step-by-step assimilation of antiquity. Offering an in-depth examination of the complex, sometimes contradictory, and often contentious ways that Renaissance architects approached the antique, this meticulously researched study brings to life a cacophony of voices and opinions that have been lost in the simplified Vasarian narrative and presents a fresh and comprehensive account of Renaissance architecture in both Florence and Rome.
Author: Elaine K. Gazda
Publisher: University of Michigan Press
ISBN: 9780472111893
Category : Art
Languages : en
Pages : 342
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Book Description
Are copies of Greek and Roman masterpieces as important as the originals they imitate?
Author: David Mayernik
Publisher: Routledge
ISBN: 1317039254
Category : Architecture
Languages : en
Pages : 293
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Book Description
Emulation is a challenging middle ground between imitation and invention. The idea of rivaling by means of imitation, as old as the Aenead and as modern as Michelangelo, fit neither the pessimistic deference of the neoclassicists nor the revolutionary spirit of the Romantics. Emulation thus disappeared along with the Renaissance humanist tradition, but it is slowly being recovered in the scholarship of Roman art. It remains to recover emulation for the Renaissance itself, and to revivify it for modern practice. Mayernik argues that it was the absence of a coherent understanding of emulation that fostered the fissuring of artistic production in the later eighteenth century into those devoted to copying the past and those interested in continual novelty, a situation solidified over the course of the nineteenth century and mostly taken for granted today. This book is a unique contribution to our understanding of the historical phenomenon of emulation, and perhaps more importantly a timely argument for its value to contemporary practice.
Author: Yonghao Wang
Publisher: Springer Nature
ISBN: 9819724015
Category :
Languages : en
Pages : 230
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Book Description
Author: Hentie Louw
Publisher: Cambridge Scholars Publishing
ISBN: 1036402487
Category : Architecture
Languages : en
Pages : 620
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Book Description
This book explores the transformation of the window during the Early Modern Period in Europe. Following the Italian Renaissance, new stylistic norms for modern ‘classical windows’ had to be invented. Building a new classical repertoire drew on existing traditions in fenestration as local builders throughout Europe struggled with the constraints of varying climatic conditions, customs and physical resources in pursuit of a broader vision of an international classical revival. With the Renaissance, the architectural emphasis shifted towards secular design and, as the classical revival gained momentum, a quest for a cultured lifestyle commensurate with the new architecture increased demand for sophisticated fenestration systems in civil architecture. The movement coincided with a period of dramatic climate change, the so-called Little Ice Age (c. 1450 – c.1850), adding urgency to the campaign for transforming fenestration practice. By the late seventeenth century, Northern European builders had developed appropriate indigenous ‘classical’ window forms for their respective societies – functional products sophisticated enough to form the basis of new architectural styles: northern classical traditions that rivalled (and in some respects, surpassed) those created in Italy. Their achievement was embodied in the two flagships of the movement: the Franco-Italian folding casement (the ‘French window’), and the English mechanical sliding window (the ‘sash window’).
Author: Moritz Mücke
Publisher: GRIN Verlag
ISBN: 365686344X
Category : Political Science
Languages : en
Pages : 21
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Book Description
Seminar paper from the year 2014 in the subject Politics - Region: USA, grade: 1,3, , course: The Federalist, language: English, abstract: The significance of antiquity and of examples drawn from antiquity during the American founding era is contested among scholars. While Hannah Arendt asserted that without the classical example the American revolutionaries, ''conscious of emulating ancient virtue,'' would not have had the courage to rebel, Bernard Bailyn famously suggested that frequent references to antiquity were merely ''illustrative, not determinative'' of revolutionary thought. As familiarity with antiquity was evident during the Revolutionary War, it is less clear what role it played in the construction of the new American regime under the constitution of 1787, a time during which not virtuous warfare but positive political philosophy was called for. Hence, a thorough examination of The Federalist shall serve to illuminate the extent to which the founding generation's political science was inspired by ancient precedent, resulting in the conclusion that examples drawn from antiquity did not supersede those drawn from other periods in human history, and that therefore no unique or special status can be ascribed to antiquity in this context.
Author: Edward Buckton Lamb
Publisher:
ISBN:
Category : Architecture, Domestic
Languages : en
Pages : 134
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Book Description
Author: John M. Najemy
Publisher: Oxford University Press
ISBN: 0198700393
Category : Art
Languages : en
Pages : 344
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Book Description
"The twelve essays in this volume present an introduction to Italian Renaissance society, intellectual history, and politics" -- provided by publisher.
Author: M. Delbeke
Publisher: BRILL
ISBN: 9004217576
Category : History
Languages : en
Pages : 415
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Book Description
Bringing together contributions from art history, architectural history, historiography and history of law, this volume is the first comprehensive exploration of the manifold meanings of foundation, dedication and consecration rituals and narratives in early modern culture.
Author: Paul Avis
Publisher: Routledge
ISBN: 1317280237
Category : History
Languages : en
Pages : 163
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Book Description
The emergence of a sense of the past in Renaissance humanism gave rise to a new historical consciousness about the meaning of history and methods of historical enquiry. This book, originally published in 1986, provides an in-depth critical introduction to the historical thought of some of the most influential thinkers of Western culture, from Machiavelli’s reflections on history and power to the revolutionary intuitions of Giambattista Vico’s New Science of historical understanding, taking in Bodin, Montaigne, Bacon, Descartes, Hobbes, Locke, Newton, Leibniz and Bayle on the way.
