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Author: Les Essif
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
Essif develops a theory of hyper-subjectivity for drama relying on nonrealistic movement, drawing on the impression of emptiness in the body and mind of a character on stage.
Author: Les Essif
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
Essif develops a theory of hyper-subjectivity for drama relying on nonrealistic movement, drawing on the impression of emptiness in the body and mind of a character on stage.
Author: John Robbins
Publisher: Cambridge Scholars Publishing
ISBN: 1527581721
Category : Literary Criticism
Languages : en
Pages : 169
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Book Description
Displacing Female Bodies on the Eighteenth-Century Stage is driven by a central question: why were women playwrights in the Romantic period obsessed with silencing their female characters, pushing them off the stage, and announcing the removal of their own texts to the closet? These playwrights were some of the most well-known and commercially successful writers of their era, but were paradoxically also among its most marginalized figures: they were mocked by largely conservative audiences, suffered intense criticism for placing their works on display before the public eye, and frequently found their plays rejected by theater managers in favor of works by established male playwrights. This book argues that these writers did not simply craft plays that would please the crowd, but that they deftly incorporated the suppressions and subjugations to which they were subject into their works. It demonstrates that within their plays, gaps in discourse and representation contain a productive capacity, denoting spaces of imaginative potential or drawing into focus the conditions by which such silencing and erasure takes place, and argues that the long-standing critical misapprehension of these works stems from precisely these strategies of resistance, which of necessity took non-traditional forms and thus have not been readily recognizable to audiences, then or now.
Author: Charles A. Carpenter
Publisher: Bloomsbury Publishing
ISBN: 1441159746
Category : Reference
Languages : en
Pages : 525
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Book Description
A selectively comprehensive bibliography of the vast literature about Samuel Beckett's dramatic works, arranged for the efficient and convenient use of scholars on all levels.
Author: Nicoletta Marini-Maio
Publisher: Cambridge Scholars Publishing
ISBN: 1443827487
Category : Performing Arts
Languages : en
Pages : 415
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Book Description
Dramatic Interactions is a collection of essays on the flourishing and interdisciplinary subject of teaching foreign languages, literatures, and cultures through theater. With rich examples from a variety of commonly and less commonly taught languages, this book affirms both the relevance and effectiveness of using theater for foreign language learning in the most comprehensive sense of the term. It includes innovative approaches to specific theatrical texts and addresses numerous aspects of foreign language learning such as oral proficiency and communication, intercultural competence, the role of affect and motivation in foreign language study, multiple literacies, regional variations and dialect, literary analysis and adaptation, and the overall liberating effects of verbal and non-verbal self-expression in the foreign language. Dramatic Interactions renders accessible, efficacious, and enjoyable the study of languages, literatures, and cultures through theater with the hope of inspiring and facilitating the greater incorporation of theatrical texts and techniques in foreign language courses at every level.
Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 1438114303
Category : Comedy
Languages : en
Pages : 181
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Book Description
Presents a series of critical essays discussing the structure, themes, and subject matter of Samuel Beckett's Waiting for Godot.
Author: Laurence Pierre
Publisher: Springer
ISBN: 3540481532
Category : Computers
Languages : en
Pages : 399
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Book Description
CHARME’99 is the tenth in a series of working conferences devoted to the dev- opment and use of leading-edge formal techniques and tools for the design and veri?cation of hardware and systems. Previous conferences have been held in Darmstadt (1984), Edinburgh (1985), Grenoble (1986), Glasgow (1988), Leuven (1989), Torino (1991), Arles (1993), Frankfurt (1995) and Montreal (1997). This workshop and conference series has been organized in cooperation with IFIP WG 10. 5. It is now the biannual counterpart of FMCAD, which takes place every even-numbered year in the USA. The 1999 event took place in Bad Her- nalb, a resort village located in the Black Forest close to the city of Karlsruhe. The validation of functional and timing behavior is a major bottleneck in current VLSI design systems. A predominantly academic area of study until a few years ago, formal design and veri?cation techniques are now migrating into industrial use. The aim of CHARME’99 is to bring together researchers and users from academia and industry working in this active area of research. Two invited talks illustrate major current trends: the presentation by G ́erard Berry (Ecole des Mines de Paris, Sophia-Antipolis, France) is concerned with the use of synchronous languages in circuit design, and the talk given by Peter Jansen (BMW, Munich, Germany) demonstrates an application of formal methods in an industrial environment. The program also includes 20 regular presentations and 12 short presentations/poster exhibitions that have been selected from the 48 submitted papers.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 404
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Book Description
Author: Jonice Webb
Publisher: Morgan James Publishing
ISBN: 161448242X
Category : Self-Help
Languages : en
Pages : 250
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Book Description
A large segment of the population struggles with feelings of being detached from themselves and their loved ones. They feel flawed, and blame themselves. Running on Empty will help them realize that they're suffering not because of something that happened to them in childhood, but because of something that didn't happen. It's the white space in their family picture, the background rather than the foreground. This will be the first self-help book to bring this invisible force to light, educate people about it, and teach them how to overcome it.
Author: Goudouna Sozita Goudouna
Publisher: Edinburgh University Press
ISBN: 1474421660
Category : Literary Criticism
Languages : en
Pages : 278
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Book Description
Examines the intersection of Samuel Beckett's thirty-second playlet Breath with the visual artsSamuel Beckett, one of the most prominent playwrights of the twentieth century, wrote a thirty-second playlet for the stage that does not include actors, text, characters or drama but only stage directions. Breath (1969) is the focus and the only theatrical text examined in this study, which demonstrates how the piece became emblematic of the interdisciplinary exchanges that occur in Beckett's later writings, and of the cross-fertilisation of the theatre with the visual arts. The book attends to fifty breath-related artworks (including sculpture, painting, new media, sound art, performance art) and contextualises Beckett's Breath within the intermedial and high-modernist discourse thereby contributing to the expanding field of intermedial Beckett criticism. Key FeaturesExamines Beckett's ultimate venture to define the borders between a theatrical performance and purely visual representationJuxtaposes Beckett's Breath with breath-related artworks by prominent visual artists who investigate the far-reaching potential of the representation of respiration by challenging modernist essentialismThe focus on this primary human physiological function and its relation to arts and culture is highly pertinent to studies of human performance, the nature of embodiment and its relation to cultural expressionFacilitates new intermedial discourses around the nature and aesthetic possibilities of breath, the minimum condition of existence, at the interface between the visual arts and performance practices and their relation to questions of spectacle, objecthood and materiality
Author: William Moylan
Publisher: CRC Press
ISBN: 1135017174
Category : Technology & Engineering
Languages : en
Pages : 695
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Book Description
Understanding and Crafting the Mix, 3rd edition provides the framework to identify, evaluate, and shape your recordings with clear and systematic methods. Featuring numerous exercises, this third edition allows you to develop critical listening and analytical skills to gain greater control over the quality of your recordings. Sample production sequences and descriptions of the recording engineer’s role as composer, conductor, and performer provide you with a clear view of the entire recording process. Dr. William Moylan takes an inside look into a range of iconic popular music, thus offering insights into making meaningful sound judgments during recording. His unique focus on the aesthetic of recording and mixing will allow you to immediately and artfully apply his expertise while at the mixing desk. A companion website features recorded tracks to use in exercises, reference materials, additional examples of mixes and sound qualities, and mixed tracks.
