Empirical Physical Modeling Methods for Bowed-string and Wind Instruments PDF Download
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Author: Mark Sterling
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
"An empirical approach for the physical modeling synthesis of musical instrument sounds is presented and demonstrated for the Violin, Bassoon, and Clarinet. The physical models incorporate measured acoustic and mechanical impedances in their definition. The control parameter inputs to the physical models correspond to actions performed by human musicians and are therefore highly expressive and, owing to the inherent bandwidth limitations of human actions, compact. Time-histories of the control parameters may be created arbitrarily or inferred from digital audio recordings to match the model output to a given performance or piece of music. Experiments were conducted in a controlled anechoic environment on real instruments. Descriptions of the experimental procedures as well as the physical modeling and sound synthesis algorithms, including computer code examples, are provided."--Leaf iv
Author: Mark Sterling
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
"An empirical approach for the physical modeling synthesis of musical instrument sounds is presented and demonstrated for the Violin, Bassoon, and Clarinet. The physical models incorporate measured acoustic and mechanical impedances in their definition. The control parameter inputs to the physical models correspond to actions performed by human musicians and are therefore highly expressive and, owing to the inherent bandwidth limitations of human actions, compact. Time-histories of the control parameters may be created arbitrarily or inferred from digital audio recordings to match the model output to a given performance or piece of music. Experiments were conducted in a controlled anechoic environment on real instruments. Descriptions of the experimental procedures as well as the physical modeling and sound synthesis algorithms, including computer code examples, are provided."--Leaf iv
Author: Diana Santos Young
Publisher:
ISBN:
Category :
Languages : en
Pages : 372
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Book Description
(Cont.) The gesture data captured by these sensors are recorded together with the audio data from the violin as they are produced by violinists in typical playing scenarios. To explore the potential of the bowing measurement system created, a study of standard bowing techniques, such as detache, martele and spiccato, was conducted with expert violinist participants. Gesture data from these trials were evaluated and input to a classifier to examine physical distinctions between bowing techniques, as well as between players. Results from this analysis, and their implications on this methodology will be presented. In addition to this examination of bowing techniques, applications of the measurement system for study of bowed string acoustics and digital music instrument performance, with focus on virtual instruments created from physical models, will be discussed.
Author: Charlotte Genevieve Micheline Desvages
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Chris Chafe
Publisher:
ISBN:
Category : Electronic music
Languages : en
Pages : 20
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Book Description
Author: Thomas D. Rossing
Publisher: Springer Science & Business Media
ISBN: 1441971106
Category : Science
Languages : en
Pages : 469
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Book Description
Thomas D. Rossing String instruments are found in almost all musical cultures. Bowed string instruments form the backbone of symphony orchestras, and they are used widely as solo inst- ments and in chamber music as well. Guitars are used universally in pop music as well as in classical music. The piano is probably the most versatile of all musical inst- ments, used widely not only in ensemble with other musical instruments but also as a solo instrument and to accompany solo instruments and the human voice. In this book, various authors will discuss the science of plucked, bowed, and hammered string instruments as well as their electronic counterparts. We have tried to tell the fascinating story of scienti?c research with a minimum of mathematics to maximize the usefulness of the book to performers and instrument builders as well as to students and researchers in musical acoustics. Sometimes, however, it is dif?cult to “translate” ideas from the exact mathematical language of science into words alone, so we include some basic mathematical equations to express these ideas. It is impossible to discuss all families of string instruments. Some instruments have been researched much more than others. Hopefully, the discussions in this book will help to encourage further scienti?c research by both musicians and scientists alike. 1.1 A Brief History of the Science of String Instruments Quite a number of good histories of acoustics have been written (Lindsay 1966, 1973; Hunt 1992; Beyer 1999), and these histories include musical acoustics.
Author: Voichita Bucur
Publisher: Springer
ISBN: 3319320807
Category : Technology & Engineering
Languages : en
Pages : 977
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Book Description
This book addresses core questions about the role of materials in general and of wood in particular in the construction of string instruments used in the modern symphony orchestra – violins, violas, cellos and basses. Further attention is given to materials for classical guitars, harps, harpsichords and pianos. While some of the approaches discussed are traditional, most of them depend upon new scientific approaches to the study of the structure of materials, such as for example wood cell structure, which is visible only using modern high resolution microscopic techniques. Many examples of modern and classical instruments are examined, together with the relevance of classical techniques for the treatment of wood. Composite materials, especially designed for soundboards could be a good substitute for some traditional wood species. The body and soundboard of the instrument are of major importance for their acoustical properties, but the study also examines traditional and new wood species used for items such as bows, the instrument neck, string pegs, etc. Wood species’ properties for musical instruments and growth origins of woods used by great makers such as Antonio Stradivari are examined and compared with more recently grown woods available to current makers. The role of varnish in the appearance and acoustics of the final instrument is also discussed, since it has often been proposed as a ‘secret ingredient’ used by great makers. Aspects related to strings are commented.As well as discussing these subjects, with many illustrations from classical and contemporary instruments, the book gives attention to conservation and restoration of old instruments and the physical results of these techniques. There is also discussion of the current value of old instruments both for modern performances and as works of art having great monetary value.The book will be of interest and value to researchers, advanced students, music historians, and contemporary string instrument makers. Musicians in general, particularly those playing string instruments, will also find its revelations fascinating. It will also attract the attention of those using wood for a variety of other purposes, for its use in musical instruments uncovers many of its fundamental features. Professor Neville H. FletcherAustralian National University, Canberra
Author: Antoine Chaigne
Publisher: Springer
ISBN: 1493936794
Category : Science
Languages : en
Pages : 855
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Book Description
This book, the first English-language translation of Acoustique des instruments de musique, Second Edition, presents the necessary foundations for understanding the complex physical phenomena involved in musical instruments. What is the function of the labium in a flute? Which features of an instrument allow us to make a clear audible distinction between a clarinet and a trumpet? With the help of numerous examples, these questions are addressed in detail. The authors focus in particular on the significant results obtained in the field during the last fifteen years. Their goal is to show that elementary physical models can be used with benefit for various applications in sound synthesis, instrument making, and sound recording. The book is primarily addressed to graduate students and researchers; however it could also be of interest for engineers, musicians, craftsmen, and music lovers who wish to learn about the basics of musical acoustics.
Author: Neville H. Fletcher
Publisher: Springer Science & Business Media
ISBN: 0387216030
Category : Science
Languages : en
Pages : 763
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Book Description
While the history of musical instruments is nearly as old as civilisation itself, the science of acoustics is quite recent. By understanding the physical basis of how instruments are used to make music, one hopes ultimately to be able to give physical criteria to distinguish a fine instrument from a mediocre one. At that point science may be able to come to the aid of art in improving the design and performance of musical instruments. As yet, many of the subtleties in musical sounds of which instrument makers and musicians are aware remain beyond the reach of modern acoustic measurements. This book describes the results of such acoustical investigations - fascinating intellectual and practical exercises. Addressed to readers with a reasonable grasp of physics who are not put off by a little mathematics, this book discusses most of the traditional instruments currently in use in Western music. A guide for all who have an interest in music and how it is produced, as well as serving as a comprehensive reference for those undertaking research in the field.
Author:
Publisher: BRILL
ISBN: 9004280200
Category : Psychology
Languages : en
Pages : 372
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Book Description
Timing and Time Perception: Procedures, Measures, and Applications is a one-of-a-kind, collective effort to present the most utilized and known methods on timing and time perception. Specifically, it covers methods and analysis on circadian timing, synchrony perception, reaction/response time, time estimation, and alternative methods for clinical/developmental research. The book includes experimental protocols, programming code, and sample results and the content ranges from very introductory to more advanced so as to cover the needs of both junior and senior researchers. We hope that this will be the first step in future efforts to document experimental methods and analysis both in a theoretical and in a practical manner. Contributors are: Patricia V. Agostino, Rocío Alcalá-Quintana, Fuat Balcı, Karin Bausenhart, Richard Block, Ivana L. Bussi, Carlos S. Caldart, Mariagrazia Capizzi, Xiaoqin Chen, Ángel Correa, Massimiliano Di Luca, Céline Z. Duval, Mark T. Elliott, Dagmar Fraser, David Freestone, Miguel A. García-Pérez, Anne Giersch, Simon Grondin, Nori Jacoby, Florian Klapproth, Franziska Kopp, Maria Kostaki, Laurence Lalanne, Giovanna Mioni, Trevor B. Penney, Patrick E. Poncelet, Patrick Simen, Ryan Stables, Rolf Ulrich, Argiro Vatakis, Dominic Ward, Alan M. Wing, Kieran Yarrow, and Dan Zakay.
Author: John M. Grey
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 326
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Book Description
