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Author: Giuliana Bruno
Publisher: Verso Books
ISBN: 178663323X
Category : Art
Languages : en
Pages : 1133
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Book Description
Atlas of Emotion is a highly original endeavour to map a cultural history of spatio-visual arts. In an evocative montage of words and pictures, emphasises that "sight" and "site" but also "motion" and "emotion" are irrevocably connected. In so doing, Giuliana Bruno touches on the art of Gerhard Richter and Annette Message, the film making of Peter Greenaway and Michelangelo Antonioni, the origins of the movie palace and its precursors, and her own journeys to her native Naples. Visually luscious and daring in conception, Bruno opens new vistas and understandings at every turn.
Author: Giuliana Bruno
Publisher: Verso Books
ISBN: 178663323X
Category : Art
Languages : en
Pages : 1133
Get Book Here
Book Description
Atlas of Emotion is a highly original endeavour to map a cultural history of spatio-visual arts. In an evocative montage of words and pictures, emphasises that "sight" and "site" but also "motion" and "emotion" are irrevocably connected. In so doing, Giuliana Bruno touches on the art of Gerhard Richter and Annette Message, the film making of Peter Greenaway and Michelangelo Antonioni, the origins of the movie palace and its precursors, and her own journeys to her native Naples. Visually luscious and daring in conception, Bruno opens new vistas and understandings at every turn.
Author: Shiromi Pinto
Publisher: Penguin Random House India Private Limited
ISBN: 9353055830
Category : Fiction
Languages : en
Pages : 355
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Book Description
Plastic Emotions is inspired by the life of Minnette de Silva-a forgotten feminist icon and one of the most important figures of twentieth-century architecture. In a gripping and lyrical story, Shiromi Pinto paints a complex picture of de Silva, charting her affair with the infamous Swiss modernist Le Corbusier and her efforts to build an independent Sri Lanka that slowly heads towards political and social turmoil. Moving between London, Chandigarh, Colombo, Paris and Kandy, Plastic Emotions explores the life of a young, trailblazing South Asian woman at a time of great turbulence across the globe.
Author: Daniel Libeskind
Publisher: National Geographic Books
ISBN: 045149735X
Category : Architecture
Languages : en
Pages : 0
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Book Description
A stunning tour of the work of internationally known architect Daniel Libeskind and an investigation of a master artist's creative process. Daniel Libeskind is one of the foremost architects of our time, a self-proclaimed rebel celebrated for innovative, site-conscious designs, including the Jewish Museum Berlin and New York's World Trade Center Redevelopment. He has also emerged as one of architecture's most visible public ambassadors. In Edge of Order, Libeskind opens the door to his unique creative process, guiding us through a selection of his projects never before collected--both built and unrealized, major commissions and unexpected favorites--and revealing how he arrived at their designs through text and a rich array of visuals, including drawings, plans, and photographs. With a voracious appetite for culture and history, and an encyclopedic memory, Libeskind draws on everything from Greek mythology to Emily Dickinson to the Marx Brothers to explain the way he thinks about buildings and cities. Far more than a monograph, Edge of Order is both an essential document of Libeskind's remarkable career and an intimate portrait of an artist that will encourage creative people in any field to discover new points of inspiration.
Author: Alain De Botton
Publisher: McClelland & Stewart
ISBN: 1551993872
Category : Architecture
Languages : en
Pages : 289
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Book Description
Bestselling author Alain de Botton considers how our private homes and public edifices influence how we feel, and how we could build dwellings in which we would stand a better chance of happiness. In this witty, erudite look at how we shape, and are shaped by, our surroundings, Alain de Botton applies Stendhal’s motto that “Beauty is the promise of happiness” to the spaces we inhabit daily. Why should we pay attention to what architecture has to say to us? de Botton asks provocatively. With his trademark lucidity and humour, de Botton traces how human needs and desires have been served by styles of architecture, from stately Classical to minimalist Modern, arguing that the stylistic choices of a society can represent both its cherished ideals and the qualities it desperately lacks. On an individual level, de Botton has deep sympathy for our need to see our selves reflected in our surroundings; he demonstrates with great wisdom how buildings — just like friends — can serve as guardians of our identity. Worrying about the shape of our sofa or the colour of our walls might seem self-indulgent, but de Botton considers the hopes and fears we have for our homes at a new level of depth and insight. When shopping for furniture or remodelling the kitchen, we don’t just consider functionality but also the major questions of aesthetics and the philosophy of art: What is beauty? Can beautiful surroundings make us good? Can beauty bring happiness? The buildings we find beautiful, de Botton concludes, are those that represent our ideas of a meaningful life. The Architecture of Happiness marks a return to what Alain does best — taking on a subject whose allure is at once tantalizing and a little forbidding and offering to readers a completely beguiling and original exploration of the subject. As he did with Proust, philosophy, and travel, now he does with architecture.
Author: Rudolf Arnheim
Publisher: Univ of California Press
ISBN: 9780520035515
Category : Architecture
Languages : en
Pages : 302
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Book Description
The power of the visual effects exerted by architecture, in our own time and in the past, has been largely neglected in recent discussion, with its focus on practical utility and other economic and social factors. Such an account of the human needs met by architecture remains sadly incomplete unless the expressive visual qualities of buildings are recognized as among their foremost effects. A fresh approach is overdue—an attempt to analyze these psychological qualities with the principles of visual perception. Such an attempt is made in this new volume by Rudolf Arnheim, who has been known, since the publication of his Art and Visual Perception, as an authority on the psychological interpretation of the visual arts. As he now turns his experienced eye to the visual aspects of buildings, he amplifies his theories with new features specific to the medium of the architect. Arnheim explores the unexpected perceptual consequences of architecture with his customary clarity and precision. Of particular interest is his thorough analysis of order and disorder in design, the nature of visual symbolism, and the relations between practical function and perceptual expression. Arheim's ability to deal with theoretical principles in a concrete and easily accessible way assures him the attention of the general reader whose concern with the arts leads to the aesthetic and psychological aspects of the broader environment. At the same time, Arnheim's strikingly original approach will stimulate professionals and students concerned with the theory and practice of modern and historical architecture.
Author: Zaha Hadid
Publisher: Hatje Cantz
ISBN:
Category : Architecture
Languages : en
Pages : 272
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Book Description
"Zaha Hadid ([born] 1950 in Baghdad), recipient of the Pritzker Architecture Prize, designed and curated a groundbreaking exhibition at Zurich's Galerie Gmurzynska, comparing works of the Russian avant-garde with those of Zaha Hadid Architects. A fierce explosion of Russian works tore through the contemporary works by the architect in a dynamic black and white design. Created specifically for the venue, the projection of a two-dimensional drawing onto a three dimensional space transformed the gallery into a spatial painting in which the threshold of the picture plane expanded and could be entered. Zaha Hadid translated the warped and weightless space of Russian avant-garde painting and sculpture by Kazimir Malevich, El Lissitzky, and Alexander Rodchenko into her very own architectural language."--Publisher's website.
Author: Francesco Garutti
Publisher:
ISBN: 9781927071656
Category : Architecture
Languages : en
Pages : 304
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Book Description
How do we design our cities when our most intimate experiences are incessantly tracked and our feelings become the base of new modes of production that prioritize the immaterial over the material? Since the 2008 financial crisis, lists of well-being indicators, happiness indexes, and quality-of-life rankings have become viral. Concurrently, the emotional data presented in these surveys?including perceptions on questions such as loneliness, friendship, and intimate fears?feed an expanding political agenda of happiness and a new form of market whose most decisive asset is ?affect.?00'Our Happy Life' investigates the architectural implications of this trend by dissecting and questioning the political, economic, and emotional conditions that generate space today. Organized as a visual narrative with critical readings by Will Davies, Daniel Fujiwara, Simon Fujiwara, Ingo Niermann, Deane Simpson, and Mirko Zardini, the book reveals architecture, city, and landscape as contested surfaces, caught between the intangible guidelines of happiness indexes, the new marketplace of emotions, and the relentless ideology of positivity.00Exhibition: Canadian Centre for Architecture, Montreal, Canada (08.05. - 13.10.2019).
Author: Don Norman
Publisher: Basic Books
ISBN: 0465004172
Category : Design
Languages : en
Pages : 276
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Book Description
Why attractive things work better and other crucial insights into human-centered design Emotions are inseparable from how we humans think, choose, and act. In Emotional Design, cognitive scientist Don Norman shows how the principles of human psychology apply to the invention and design of new technologies and products. In The Design of Everyday Things, Norman made the definitive case for human-centered design, showing that good design demanded that the user's must take precedence over a designer's aesthetic if anything, from light switches to airplanes, was going to work as the user needed. In this book, he takes his thinking several steps farther, showing that successful design must incorporate not just what users need, but must address our minds by attending to our visceral reactions, to our behavioral choices, and to the stories we want the things in our lives to tell others about ourselves. Good human-centered design isn't just about making effective tools that are straightforward to use; it's about making affective tools that mesh well with our emotions and help us express our identities and support our social lives. From roller coasters to robots, sports cars to smart phones, attractive things work better. Whether designer or consumer, user or inventor, this book is the definitive guide to making Norman's insights work for you.
Author: Sarah Robinson
Publisher: MIT Press
ISBN: 026253360X
Category : Architecture
Languages : en
Pages : 271
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Book Description
Leading neuroscientists and architects explore how the built environment affects our behavior, thoughts, emotions, and well-being. Although we spend more than ninety percent of our lives inside buildings, we understand very little about how the built environment affects our behavior, thoughts, emotions, and well-being. We are biological beings whose senses and neural systems have developed over millions of years; it stands to reason that research in the life sciences, particularly neuroscience, can offer compelling insights into the ways our buildings shape our interactions with the world. This expanded understanding can help architects design buildings that support both mind and body. In Mind in Architecture, leading thinkers from architecture and other disciplines, including neuroscience, cognitive science, psychiatry, and philosophy, explore what architecture and neuroscience can learn from each other. They offer historical context, examine the implications for current architectural practice and education, and imagine a neuroscientifically informed architecture of the future. Architecture is late in discovering the richness of neuroscientific research. As scientists were finding evidence for the bodily basis of mind and meaning, architecture was caught up in convoluted cerebral games that denied emotional and bodily reality altogether. This volume maps the extraordinary opportunity that engagement with cutting-edge neuroscience offers present-day architects. Contributors Thomas D. Albright, Michael Arbib, John Paul Eberhard, Melissa Farling, Vittorio Gallese, Alessandro Gattara, Mark L. Johnson, Harry Francis Mallgrave, Iain McGilchrist, Juhani Pallasmaa, Alberto Pérez-Gómez, Sarah Robinson
Author: Federico De Matteis
Publisher: Routledge
ISBN: 9780367541118
Category : Architecture
Languages : en
Pages : 0
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Book Description
This book explores the notion of affective space in relation to architecture. It helps to clarify the first-person, direct experience of the environment and how it impacts a person's emotional states, influencing their perception of the world around them. Affective space has become a central notion in several discussions across philosophy, geography, anthropology, architecture and so on. However, only a limited selection of its key features finds resonance in architectural and urban theory, especially the idea of atmospheres, through the work of German phenomenologist Gernot Böhme. This book brings to light a wider range of issues bound to lived corporeal experience. These further issues have only received minor attention in architecture, where the discourse on affective space mostly remains superficial. The theory of atmospheres, in particular, is often criticized as being a surface-level, shallow theory as it is introduced in an unsystematic and fragmented fashion, and is a mere "easy to use" segment of what is a wider and all but impressionistic analytical method. This book provides a broader outlook on the topic and creates an entry point into a hitherto underexplored field. The book's theoretical foundation rests on a wide range of non-architectural sources, primarily from philosophy, anthropology and the cognitive sciences, and is strengthened through cases drawn from actual architectural and urban space. These cases make the book more comprehensible for readers not versed in contemporary philosophical trends.
