Author: Linda R. Williams
Publisher: Routledge
ISBN: 1315504049
Category : Literary Criticism
Languages : en
Pages : 190
Book Description
In Sex in the Head, Linda Ruth Williams uses psychoanalysis and recent feminist film theory to analyze a network of ideas which link looking with sexuality and difference, in the work of a writer who disavowed, yet covertly enjoyed, the pleasures and power of vision. The book is a departure from the long history of feminist readings of Lawrence, in that it discusses his engagement with theories of the gaze and its cultural forms - cinema, photography, painting and the visual dynamics and metaphors of literary texts - as a way of thinking through gender. It shows him arguing, on the one hand, against the evils of cinema and visual sex, while relishing, through the eyes of women, the moving spectacle of those male bodies which populate the pages of his books. It also questions what it is about the work of such an adamant cinephobe which has made it so thoroughly adaptable for film and television.
Sex In The Head
Author: Linda R. Williams
Publisher: Routledge
ISBN: 1315504049
Category : Literary Criticism
Languages : en
Pages : 190
Book Description
In Sex in the Head, Linda Ruth Williams uses psychoanalysis and recent feminist film theory to analyze a network of ideas which link looking with sexuality and difference, in the work of a writer who disavowed, yet covertly enjoyed, the pleasures and power of vision. The book is a departure from the long history of feminist readings of Lawrence, in that it discusses his engagement with theories of the gaze and its cultural forms - cinema, photography, painting and the visual dynamics and metaphors of literary texts - as a way of thinking through gender. It shows him arguing, on the one hand, against the evils of cinema and visual sex, while relishing, through the eyes of women, the moving spectacle of those male bodies which populate the pages of his books. It also questions what it is about the work of such an adamant cinephobe which has made it so thoroughly adaptable for film and television.
Publisher: Routledge
ISBN: 1315504049
Category : Literary Criticism
Languages : en
Pages : 190
Book Description
In Sex in the Head, Linda Ruth Williams uses psychoanalysis and recent feminist film theory to analyze a network of ideas which link looking with sexuality and difference, in the work of a writer who disavowed, yet covertly enjoyed, the pleasures and power of vision. The book is a departure from the long history of feminist readings of Lawrence, in that it discusses his engagement with theories of the gaze and its cultural forms - cinema, photography, painting and the visual dynamics and metaphors of literary texts - as a way of thinking through gender. It shows him arguing, on the one hand, against the evils of cinema and visual sex, while relishing, through the eyes of women, the moving spectacle of those male bodies which populate the pages of his books. It also questions what it is about the work of such an adamant cinephobe which has made it so thoroughly adaptable for film and television.
Women's Dress in the Ancient Greek World
Author: Lloyd Llewellyn-Jones
Publisher: Classical Press of Wales
ISBN: 1914535235
Category : History
Languages : en
Pages : 277
Book Description
The clothing and ornament of Greek women signalled much about the status and the morality assigned to them. Yet this revealing aspect of women's history has been little studied. In this collection of new studies by an international team, ancient visual evidence from vase-painting and sculpture is used extensively alongside Greek literature to reconstruct how women of the Greek world were perceived, and also, in important ways, how they lived.
Publisher: Classical Press of Wales
ISBN: 1914535235
Category : History
Languages : en
Pages : 277
Book Description
The clothing and ornament of Greek women signalled much about the status and the morality assigned to them. Yet this revealing aspect of women's history has been little studied. In this collection of new studies by an international team, ancient visual evidence from vase-painting and sculpture is used extensively alongside Greek literature to reconstruct how women of the Greek world were perceived, and also, in important ways, how they lived.
Lives Together/Worlds Apart
Author: Suzanna Danuta Walters
Publisher: Univ of California Press
ISBN: 0520915038
Category : Social Science
Languages : en
Pages : 311
Book Description
In the 1940s film Now, Voyager, Bette Davis plays a daughter struggling against her mother's stifling repression. Nearly fifty years later, in the Hollywood saga Postcards from the Edge, Shirley MacLaine, as a neglectful and bossy mother, inflicts untold psychological pain on her daughter, played by Meryl Streep. These dramas of conflict and the ambivalent struggle for separation have been central to popular images of mothers and daughters in the last half-century in the U.S. Walters boldly challenges these dichotomies and proposes an innovative and multilayered understanding of the cultural construction of the mother/daughter relationship. In a discussion of popular media ranging from themes of maternal martyrdom to maternal malevolence, Walters shows that since World War II, mainstream culture has generally represented the mother/daughter relationship as one of never-ending conflict and thus promoted an "ideology of separation" as necessary to the daughter's emancipation and maturity. This ideological move is placed in a social context of the anti-woman backlash of the early post-war period and the renewed anti-feminism of the Reagan and Bush years. Walters uses exceptions to mainstream imagery-films such as A Tree Grows in Brooklyn, television shows like "Maude," novels like The Joy Luck Club-to offer evidence of alternative traditions and paradigms. Timely and vividly argued, Lives Together/Worlds Apart makes a brilliant contribution to discussions of popular culture and feminism.
Publisher: Univ of California Press
ISBN: 0520915038
Category : Social Science
Languages : en
Pages : 311
Book Description
In the 1940s film Now, Voyager, Bette Davis plays a daughter struggling against her mother's stifling repression. Nearly fifty years later, in the Hollywood saga Postcards from the Edge, Shirley MacLaine, as a neglectful and bossy mother, inflicts untold psychological pain on her daughter, played by Meryl Streep. These dramas of conflict and the ambivalent struggle for separation have been central to popular images of mothers and daughters in the last half-century in the U.S. Walters boldly challenges these dichotomies and proposes an innovative and multilayered understanding of the cultural construction of the mother/daughter relationship. In a discussion of popular media ranging from themes of maternal martyrdom to maternal malevolence, Walters shows that since World War II, mainstream culture has generally represented the mother/daughter relationship as one of never-ending conflict and thus promoted an "ideology of separation" as necessary to the daughter's emancipation and maturity. This ideological move is placed in a social context of the anti-woman backlash of the early post-war period and the renewed anti-feminism of the Reagan and Bush years. Walters uses exceptions to mainstream imagery-films such as A Tree Grows in Brooklyn, television shows like "Maude," novels like The Joy Luck Club-to offer evidence of alternative traditions and paradigms. Timely and vividly argued, Lives Together/Worlds Apart makes a brilliant contribution to discussions of popular culture and feminism.
Thinking Men
Author: Lin Foxhall
Publisher: Psychology Press
ISBN: 9780415146357
Category : Arts, Classical
Languages : en
Pages : 252
Book Description
Thinking Men explores artistic and intellectual expression in the classical world as the self representation of man. It starts from the premise that the history of classical antiquity as the ancients tell it is a history of men. However, the focus of this volume is the creation, re-creation and iteration of that male self as presented in language, poetry, drama, philosophical and scientific thought and art: man constructing himself as subject in classical antiquity and beyond. This beautifully illustrated volume, which contains a preface by Nathalie Kampen, provides a thought-provoking and stimulating insight into the representations of men in Classical culture.
Publisher: Psychology Press
ISBN: 9780415146357
Category : Arts, Classical
Languages : en
Pages : 252
Book Description
Thinking Men explores artistic and intellectual expression in the classical world as the self representation of man. It starts from the premise that the history of classical antiquity as the ancients tell it is a history of men. However, the focus of this volume is the creation, re-creation and iteration of that male self as presented in language, poetry, drama, philosophical and scientific thought and art: man constructing himself as subject in classical antiquity and beyond. This beautifully illustrated volume, which contains a preface by Nathalie Kampen, provides a thought-provoking and stimulating insight into the representations of men in Classical culture.
Film Noir
Author: Bruce Crowther
Publisher: Random House
ISBN: 0753546078
Category : Performing Arts
Languages : en
Pages : 341
Book Description
With the advent of the Second World War a new mood was discernible in film drama - an atmosphere of disillusion and a sense of foreboding, a dark quality that derived as much from the characters depicted as from the cinematographer's art. These films, among them such classics as Double Indemnity, The Woman in the Window, Touch of Evil and sunset Boulevard, emerged retrospectively as a genre in themselves when a French film critic referred to them collectively as film noir. Bruce Crowther looks into noir's literary origins (often in the novels of the so-called 'hard-boiled' school typified by Raymond Chandler, Dashiell Hammett and Cornell Woolrich), and at how the material translated to the screen, noting in particular influences from German expressionist films and the almost indispensable techniques of flashback and voice-over narration. He also assesses the contribution made by the players - by actors such as Robert Mitchum, Dick Powell, Alan Ladd and John Garfield and actresses such as Barbara Stanwyck, Lizabeth Scott, Joan Crawford and Gloria Grahame, together with a roll-call of supporting players whose screen presence could lend almost any film the noir imprimatur. Noir was in its heyday from 1945 to 1955, a time when paranoia and disillusion, anxiety and violence could be said to have been part of the fabric of American, and particularly Hollywood, society, yet its impact and its influence are with us still - in films as diverse as The French Connection, Chinatown and Body Heat. This Book commemorates a special period in film-making and a unique combination of talent resulting in a spectrum of films that are as welcome today on their small-screen airings as they were when first shown in cinema.
Publisher: Random House
ISBN: 0753546078
Category : Performing Arts
Languages : en
Pages : 341
Book Description
With the advent of the Second World War a new mood was discernible in film drama - an atmosphere of disillusion and a sense of foreboding, a dark quality that derived as much from the characters depicted as from the cinematographer's art. These films, among them such classics as Double Indemnity, The Woman in the Window, Touch of Evil and sunset Boulevard, emerged retrospectively as a genre in themselves when a French film critic referred to them collectively as film noir. Bruce Crowther looks into noir's literary origins (often in the novels of the so-called 'hard-boiled' school typified by Raymond Chandler, Dashiell Hammett and Cornell Woolrich), and at how the material translated to the screen, noting in particular influences from German expressionist films and the almost indispensable techniques of flashback and voice-over narration. He also assesses the contribution made by the players - by actors such as Robert Mitchum, Dick Powell, Alan Ladd and John Garfield and actresses such as Barbara Stanwyck, Lizabeth Scott, Joan Crawford and Gloria Grahame, together with a roll-call of supporting players whose screen presence could lend almost any film the noir imprimatur. Noir was in its heyday from 1945 to 1955, a time when paranoia and disillusion, anxiety and violence could be said to have been part of the fabric of American, and particularly Hollywood, society, yet its impact and its influence are with us still - in films as diverse as The French Connection, Chinatown and Body Heat. This Book commemorates a special period in film-making and a unique combination of talent resulting in a spectrum of films that are as welcome today on their small-screen airings as they were when first shown in cinema.
Films and Filming
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 50
Book Description
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 50
Book Description
Film – An International Bibliography
Author: Malte Hagener
Publisher: Springer
ISBN: 3476036863
Category : Performing Arts
Languages : en
Pages : 489
Book Description
Kommentierte Bibliografie. Sie gibt Wissenschaftlern, Studierenden und Journalisten zuverlässig Auskunft über rund 6000 internationale Veröffentlichungen zum Thema Film und Medien. Die vorgestellten Rubriken reichen von Nachschlagewerk über Filmgeschichte bis hin zu Fernsehen, Video, Multimedia.
Publisher: Springer
ISBN: 3476036863
Category : Performing Arts
Languages : en
Pages : 489
Book Description
Kommentierte Bibliografie. Sie gibt Wissenschaftlern, Studierenden und Journalisten zuverlässig Auskunft über rund 6000 internationale Veröffentlichungen zum Thema Film und Medien. Die vorgestellten Rubriken reichen von Nachschlagewerk über Filmgeschichte bis hin zu Fernsehen, Video, Multimedia.
New Statesman Society
Author:
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 1112
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 1112
Book Description
Silent Players
Author: Anthony Slide
Publisher: University Press of Kentucky
ISBN: 0813127084
Category : Biography & Autobiography
Languages : en
Pages : 461
Book Description
" From his unique perspective of friendship with many of the actors and actresses about whom he writes, silent film historian Anthony Slide creates vivid portraits of the careers and often eccentric lives of 100 players from the American silent film industry. He profiles the era’s shining stars such as Lillian Gish and Blanche Sweet; leading men including William Bakewell and Robert Harron; gifted leading ladies such as Laura La Plante and Alice Terry; ingénues like Mary Astor and Mary Brian; and even Hollywood’s most famous extra, Bess Flowers. Although each original essay is accompanied by significant documentation and an extensive bibliography, Silent Players is not simply a reference book or encyclopedic recitation of facts culled from the pages of fan magazines and trade periodicals. It contains a series of insightful portraits of the characters who symbolize an original and pioneering era in motion history and explores their unique talents and extraordinary private lives. Slide offers a potentially revisionist view of many of the stars he profiles, repudiating the status of some and restoring to fame others who have slipped from view. He personally interviewed many of his subjects and knew several of them intimately, putting him in a distinctive position to tell their true stories.
Publisher: University Press of Kentucky
ISBN: 0813127084
Category : Biography & Autobiography
Languages : en
Pages : 461
Book Description
" From his unique perspective of friendship with many of the actors and actresses about whom he writes, silent film historian Anthony Slide creates vivid portraits of the careers and often eccentric lives of 100 players from the American silent film industry. He profiles the era’s shining stars such as Lillian Gish and Blanche Sweet; leading men including William Bakewell and Robert Harron; gifted leading ladies such as Laura La Plante and Alice Terry; ingénues like Mary Astor and Mary Brian; and even Hollywood’s most famous extra, Bess Flowers. Although each original essay is accompanied by significant documentation and an extensive bibliography, Silent Players is not simply a reference book or encyclopedic recitation of facts culled from the pages of fan magazines and trade periodicals. It contains a series of insightful portraits of the characters who symbolize an original and pioneering era in motion history and explores their unique talents and extraordinary private lives. Slide offers a potentially revisionist view of many of the stars he profiles, repudiating the status of some and restoring to fame others who have slipped from view. He personally interviewed many of his subjects and knew several of them intimately, putting him in a distinctive position to tell their true stories.
Russian and Soviet Views of Modern Western Art, 1890s to Mid-1930s
Author: Ilia Dorontchenkov
Publisher: Univ of California Press
ISBN: 0520253728
Category : Art
Languages : en
Pages : 364
Book Description
From the first Modernist exhibitions in the late 1890s to the Soviet rupture with the West in the mid-1930s, Russian artists and writers came into wide contact with modern European art and ideas. Introducing a wealth of little-known material set in an illuminating interpretive context, this sourcebook presents Russian and Soviet views of Western art during this critical period of cultural transformation. The writings document complex responses to these works and ideas before the Russians lost contact with them almost entirely. Many of these writings have been unavailable to foreign readers and, until recently, were not widely known even to Russian scholars. Both an important reference and a valuable resource for classrooms, the book includes an introductory essay and shorter introductions to the individual sections.
Publisher: Univ of California Press
ISBN: 0520253728
Category : Art
Languages : en
Pages : 364
Book Description
From the first Modernist exhibitions in the late 1890s to the Soviet rupture with the West in the mid-1930s, Russian artists and writers came into wide contact with modern European art and ideas. Introducing a wealth of little-known material set in an illuminating interpretive context, this sourcebook presents Russian and Soviet views of Western art during this critical period of cultural transformation. The writings document complex responses to these works and ideas before the Russians lost contact with them almost entirely. Many of these writings have been unavailable to foreign readers and, until recently, were not widely known even to Russian scholars. Both an important reference and a valuable resource for classrooms, the book includes an introductory essay and shorter introductions to the individual sections.