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Author: Marsha Meskimmon
Publisher: Psychology Press
ISBN: 9780415242783
Category : Art
Languages : en
Pages : 244
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Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Torben Grodal
Publisher: Oxford University Press
ISBN: 0190451645
Category : Performing Arts
Languages : en
Pages : 336
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Book Description
Embodied Visions presents a groundbreaking analysis of film through the lens of bioculturalism, revealing how human biology as well as human culture determine how films are made and experienced. Throughout his study, Torben Grodal uses the breakthroughs of modern brain science to explain central features of film aesthetics and to construct a general model of aesthetic experience-what he terms the PECMA flow model-that demonstrates the movement of information and emotions in the brain when viewing film. Examining a wide array of genres-animation, romance, pornography, fantasy, horror-from evolutionary and psychological perspectives, Grodal also reflects on social issues at the intersection of film theory and neuropsychology. These include moral problems in film viewing, how we experience realism and character identification, and the value of the subjective forms that cinema uniquely elaborates.
Author: Marsha Meskimmon
Publisher: Psychology Press
ISBN: 9780415242783
Category : Art
Languages : en
Pages : 244
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Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Jaimini Mehta
Publisher:
ISBN: 9789383098484
Category : Architecture
Languages : en
Pages : 0
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Book Description
Embodied Vision delves into a series of representations Fatehpur Sikri has been subjected to and concludes that its space is revealed more through perception than geometry.
Author: Gregg R. Allison
Publisher: Baker Books
ISBN: 1493430238
Category : Religion
Languages : en
Pages : 272
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Book Description
We rarely give thought to our bodies until faced with a physical challenge or crisis. We have somehow internalized the unbiblical idea that the immaterial aspect of our being (our soul or spirit) is inherently good while the material aspect (our body) is at worst inherently evil and at best neutral--just a vehicle for our souls to get around. So we end up neglecting or disparaging our bodies, seeing them as holding us back from spiritual growth and longing for the day we will be free of them. But the thing is, we don't have bodies; we are our bodies. And God created us that way for a reason. With Scripture as his guide, theologian Gregg Allison presents a holistic theology of the human body from conception through eternity to equip us to address pressing contemporary issues related to our bodies, including how we express our sexuality, whether gender is inherent or constructed, the meaning of suffering, body image, end of life questions, and how to live as whole people in a fractured world.
Author: Vivian Sobchack
Publisher: Princeton University Press
ISBN: 0691213275
Category : Performing Arts
Languages : en
Pages : 356
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Book Description
Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus. Maintaining that these premises ignore the material and cultural-historical situations of both the spectator and the film, the author makes the radical proposal that the cinematic experience depends on two "viewers" viewing: the spectator and the film, each existing as both subject and object of vision. Drawing on existential and semiotic phenomenology, and particularly on the work of Merleau-Ponty, Sobchack shows how the film experience provides empirical insight into the reversible, dialectical, and signifying nature of that embodied vision we each live daily as both "mine" and "another's." In this attempt to account for cinematic intelligibility and signification, the author explores the possibility of human choice and expressive freedom within the bounds of history and culture.
Author: Linda Williams
Publisher: Rutgers University Press
ISBN: 9780813521336
Category : Performing Arts
Languages : en
Pages : 308
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Book Description
On visual perception in film and human subjectivity
Author: Heike Hartung
Publisher: transcript Verlag
ISBN: 3839443067
Category : Social Science
Languages : en
Pages : 261
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Book Description
Do liminal embodied experiences such as illness, death and dying affect literary form? In recent years, the concept of embodiment has been theorized from various perspectives. Gender studies have been concerned with the cultural implications of embodiment, arguing to move away from viewing the body as a prediscursive phenomenon to regarding it as an acculturated body. Age studies have extended this view to the embodied experience of ageing, while drawing attention to the ways in which the ageing body, through its materiality and plasticity, restricts the possibilities of (de)constructing subjectivity. These current debates on embodiment find a strong counterpart in literary representation. The contributions to this anthology investigate how and to what extend physical borderline experiences affect literary form.
Author: Martin Willis
Publisher: Routledge
ISBN: 1317321847
Category : Science
Languages : en
Pages : 399
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Book Description
This book explores the Victorian concept of vision across scientific and cultural forms. Willis charts the characterization of vision through four organizing principles – small, large, past and future – to arrive at a Victorian conception of what vision was. Willis then explores how this Victorian vision influenced twentieth-century ways of seeing.
Author: Doris Brothers
Publisher: Taylor & Francis
ISBN: 1000875768
Category : Psychology
Languages : en
Pages : 147
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Book Description
By viewing psychoanalysis through the lens of embodiment, Brothers and Sletvold suggest a shift away from traditional concept-based theory and offer new ways to understand traumatic experiences, to describe the therapeutic exchange and to enhance the supervisory process. Since traditional psychoanalytic language does not readily lend itself to embodied experience, the authors place particular emphasis on the words I, you, we and world, to describe the flow of human attention. Offering new insights into trauma, this book demonstrates how traumatic experiences and efforts to regain certainty in one’s psychological life involve profound disruptions of this flow. With a new understanding of transference, resistance and interpretation, the authors ultimately show how much can be gained from viewing the analytic exchange as a meeting between foreign bodies. Grounded in detailed case material, this book will change the way therapists from all disciplines understand the therapeutic process and how viewing it in terms of talking bodies enhances their efforts to heal.
Author: David Morgan
Publisher: Univ of California Press
ISBN: 0520272226
Category : Art
Languages : en
Pages : 280
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Book Description
"Exploring a dazzling variety of religious imagery, David Morgan shows how vision functions as an active, physical process, embedded in bodily experience and profoundly shaped by social practice. Morgan's bold, thoughtful interpretations will fascinate art historians and students of visual culture as well as historians of religion.” -Pepe Karmel, Department of Art History, New York University "The Embodied Eye is an important and truly groundbreaking book. It represents a substantive and quite fascinating extension of David Morgan's previous work- especially as it impressively shows us how 'seeing' is the primary medium of social life, and materially integrates the body of the individual and the body of the group. Morgan is unquestionably the pioneering theorist in the whole emergent field of Visual and Culture Studies as it relates to religion and art." -Norman Girardot, University Distinguished Professor, Lehigh University “Under David Morgan’s inspiring guidance, readers are taken on a dazzling journey through religious images that mediate worlds of faith. Embedding vision in the body, this book stands out with its thought-provoking approach to religious media as material and embodied interfaces that underpin the social construction of the sacred.” -Birgit Meyer, Professor of Religious Studies, Utrecht University
