Author: Elmo Williams
Publisher: McFarland
ISBN: 0786426217
Category : Performing Arts
Languages : en
Pages : 281
Book Description
"Fate has thrown me some interesting curves," says Elmo Williams, the farm boy turned film editor, director and producer. As a young boy, he traveled with his family in a covered wagon to a new life in a New Mexico homestead. After struggling to help raise his siblings, in 1932 as a young teen he began working for film editor Merrill White. As White's gopher, he spent his spare time watching and learning the art of film editing. Within three years he was a partner in an editing company with White in London. In subsequent years his career bloomed to include producing, editing and directing. In 1954 he was awarded an Academy Award for film editing for High Noon. He also worked for Walt Disney, Darryl F. Zanuck Productions, 20th Century-Fox and others. His works include the films The Tall Texan, The Longest Day, Tora! Tora! Tora!, The Poseidon Adventure, Zorba The Greek, and Caravans, and the TV series Hee Haw, Explore, Soggy Bottom U.S.A. and Man, Woman and Child. This memoir traces Williams's life from his early childhood to his views on life at age 93. It is a story of hard work rewarded with a satisfying life, and of one man's efforts to communicate with others in the universal language of film--and of laughter. "I intend to keep laughing," he says, "a habit I adopted as a child. If I can keep it up, I'll still be around to celebrate my centennial."
Elmo Williams
Author: Elmo Williams
Publisher: McFarland
ISBN: 0786426217
Category : Performing Arts
Languages : en
Pages : 281
Book Description
"Fate has thrown me some interesting curves," says Elmo Williams, the farm boy turned film editor, director and producer. As a young boy, he traveled with his family in a covered wagon to a new life in a New Mexico homestead. After struggling to help raise his siblings, in 1932 as a young teen he began working for film editor Merrill White. As White's gopher, he spent his spare time watching and learning the art of film editing. Within three years he was a partner in an editing company with White in London. In subsequent years his career bloomed to include producing, editing and directing. In 1954 he was awarded an Academy Award for film editing for High Noon. He also worked for Walt Disney, Darryl F. Zanuck Productions, 20th Century-Fox and others. His works include the films The Tall Texan, The Longest Day, Tora! Tora! Tora!, The Poseidon Adventure, Zorba The Greek, and Caravans, and the TV series Hee Haw, Explore, Soggy Bottom U.S.A. and Man, Woman and Child. This memoir traces Williams's life from his early childhood to his views on life at age 93. It is a story of hard work rewarded with a satisfying life, and of one man's efforts to communicate with others in the universal language of film--and of laughter. "I intend to keep laughing," he says, "a habit I adopted as a child. If I can keep it up, I'll still be around to celebrate my centennial."
Publisher: McFarland
ISBN: 0786426217
Category : Performing Arts
Languages : en
Pages : 281
Book Description
"Fate has thrown me some interesting curves," says Elmo Williams, the farm boy turned film editor, director and producer. As a young boy, he traveled with his family in a covered wagon to a new life in a New Mexico homestead. After struggling to help raise his siblings, in 1932 as a young teen he began working for film editor Merrill White. As White's gopher, he spent his spare time watching and learning the art of film editing. Within three years he was a partner in an editing company with White in London. In subsequent years his career bloomed to include producing, editing and directing. In 1954 he was awarded an Academy Award for film editing for High Noon. He also worked for Walt Disney, Darryl F. Zanuck Productions, 20th Century-Fox and others. His works include the films The Tall Texan, The Longest Day, Tora! Tora! Tora!, The Poseidon Adventure, Zorba The Greek, and Caravans, and the TV series Hee Haw, Explore, Soggy Bottom U.S.A. and Man, Woman and Child. This memoir traces Williams's life from his early childhood to his views on life at age 93. It is a story of hard work rewarded with a satisfying life, and of one man's efforts to communicate with others in the universal language of film--and of laughter. "I intend to keep laughing," he says, "a habit I adopted as a child. If I can keep it up, I'll still be around to celebrate my centennial."
Cinema Babel
Author: Markus Nornes
Publisher: U of Minnesota Press
ISBN: 0816650411
Category : Performing Arts
Languages : en
Pages : 299
Book Description
Uncovering the vital role of interpreters, dubbers and subtitlers in global film, Nornes examines the relationships between moving-image media and translation and contends that film was a globalized medium from its beginning and that its transnational traffic has been greatly influenced by interpreters.
Publisher: U of Minnesota Press
ISBN: 0816650411
Category : Performing Arts
Languages : en
Pages : 299
Book Description
Uncovering the vital role of interpreters, dubbers and subtitlers in global film, Nornes examines the relationships between moving-image media and translation and contends that film was a globalized medium from its beginning and that its transnational traffic has been greatly influenced by interpreters.
High Noon
Author: Glenn Frankel
Publisher: Bloomsbury Publishing USA
ISBN: 1620409496
Category : History
Languages : en
Pages : 401
Book Description
From the New York Times bestselling author of The Searchers, the revelatory story behind the classic movie High Noon and the toxic political climate in which it was created. It's one of the most revered movies of Hollywood's golden era. Starring screen legend Gary Cooper and Grace Kelly in her first significant film role, High Noon was shot on a lean budget over just thirty-two days but achieved instant box-office and critical success. It won four Academy Awards in 1953, including a best actor win for Cooper. And it became a cultural touchstone, often cited by politicians as a favorite film, celebrating moral fortitude. Yet what has been often overlooked is that High Noon was made during the height of the Hollywood blacklist, a time of political inquisition and personal betrayal. In the middle of the film shoot, screenwriter Carl Foreman was forced to testify before the House Committee on Un-American Activities about his former membership in the Communist Party. Refusing to name names, he was eventually blacklisted and fled the United States. (His co-authored screenplay for another classic, The Bridge on the River Kwai, went uncredited in 1957.) Examined in light of Foreman's testimony, High Noon's emphasis on courage and loyalty takes on deeper meaning and importance. In this book, Pulitzer Prize–winning journalist Glenn Frankel tells the story of the making of a great American Western, exploring how Carl Foreman's concept of High Noon evolved from idea to first draft to final script, taking on allegorical weight. Both the classic film and its turbulent political times emerge newly illuminated.
Publisher: Bloomsbury Publishing USA
ISBN: 1620409496
Category : History
Languages : en
Pages : 401
Book Description
From the New York Times bestselling author of The Searchers, the revelatory story behind the classic movie High Noon and the toxic political climate in which it was created. It's one of the most revered movies of Hollywood's golden era. Starring screen legend Gary Cooper and Grace Kelly in her first significant film role, High Noon was shot on a lean budget over just thirty-two days but achieved instant box-office and critical success. It won four Academy Awards in 1953, including a best actor win for Cooper. And it became a cultural touchstone, often cited by politicians as a favorite film, celebrating moral fortitude. Yet what has been often overlooked is that High Noon was made during the height of the Hollywood blacklist, a time of political inquisition and personal betrayal. In the middle of the film shoot, screenwriter Carl Foreman was forced to testify before the House Committee on Un-American Activities about his former membership in the Communist Party. Refusing to name names, he was eventually blacklisted and fled the United States. (His co-authored screenplay for another classic, The Bridge on the River Kwai, went uncredited in 1957.) Examined in light of Foreman's testimony, High Noon's emphasis on courage and loyalty takes on deeper meaning and importance. In this book, Pulitzer Prize–winning journalist Glenn Frankel tells the story of the making of a great American Western, exploring how Carl Foreman's concept of High Noon evolved from idea to first draft to final script, taking on allegorical weight. Both the classic film and its turbulent political times emerge newly illuminated.
All the Emperor's Men
Author: Hiroshi Tasogawa
Publisher: Hal Leonard Corporation
ISBN: 155783850X
Category : Performing Arts
Languages : en
Pages : 317
Book Description
(Applause Books). When 20th Century Fox planned its blockbuster portrayal of Japan's attack on Pearl Harbor, it looked to Akira Kurosawa a man whose mastery of the cinema led to his nickname "the Emperor" to direct the Japanese sequences. Yet a matter of three weeks after he began shooting the film in December 1968, Kurosawa was summarily dismissed and expelled from the studio. The tabloids trumpeted scandal: Kurosawa had himself gone mad; his associates had betrayed him; Hollywood was engaged in a conspiracy. Now, for the first time, the truth behind the downfall and humiliation of one of cinema's greatest perfectionists is revealed in All the Emperor's Men. Journalist Hiroshi Tasogawa probes the most sensitive questions about Kurosawa's thwarted ambition and the demons that drove him. His is a tale of a great clash of personalities, of differences in the ways of making movies, and ultimately of a clash between Japanese and American cultures.
Publisher: Hal Leonard Corporation
ISBN: 155783850X
Category : Performing Arts
Languages : en
Pages : 317
Book Description
(Applause Books). When 20th Century Fox planned its blockbuster portrayal of Japan's attack on Pearl Harbor, it looked to Akira Kurosawa a man whose mastery of the cinema led to his nickname "the Emperor" to direct the Japanese sequences. Yet a matter of three weeks after he began shooting the film in December 1968, Kurosawa was summarily dismissed and expelled from the studio. The tabloids trumpeted scandal: Kurosawa had himself gone mad; his associates had betrayed him; Hollywood was engaged in a conspiracy. Now, for the first time, the truth behind the downfall and humiliation of one of cinema's greatest perfectionists is revealed in All the Emperor's Men. Journalist Hiroshi Tasogawa probes the most sensitive questions about Kurosawa's thwarted ambition and the demons that drove him. His is a tale of a great clash of personalities, of differences in the ways of making movies, and ultimately of a clash between Japanese and American cultures.
Destructive Sublime
Author: Tanine Allison
Publisher: Rutgers University Press
ISBN: 0813597501
Category : Performing Arts
Languages : en
Pages : 320
Book Description
The American popular imagination has long portrayed World War II as the “good war,” fought by the “greatest generation” for the sake of freedom and democracy. Yet, combat films and other war media complicate this conventional view by indulging in explosive displays of spectacular violence. Combat sequences, Tanine Allison argues, construct a counter-narrative of World War II by reminding viewers of the war’s harsh brutality. Destructive Sublime traces a new aesthetic history of the World War II combat genre by looking back at it through the lens of contemporary video games like Call of Duty. Allison locates some of video games’ glorification of violence, disruptive audiovisual style, and bodily sensation in even the most canonical and seemingly conservative films of the genre. In a series of case studies spanning more than seventy years—from wartime documentaries like The Battle of San Pietro to fictional reenactments like The Longest Day and Saving Private Ryan to combat video games like Medal of Honor—this book reveals how the genre’s aesthetic forms reflect (and influence) how American culture conceives of war, nation, and representation itself.
Publisher: Rutgers University Press
ISBN: 0813597501
Category : Performing Arts
Languages : en
Pages : 320
Book Description
The American popular imagination has long portrayed World War II as the “good war,” fought by the “greatest generation” for the sake of freedom and democracy. Yet, combat films and other war media complicate this conventional view by indulging in explosive displays of spectacular violence. Combat sequences, Tanine Allison argues, construct a counter-narrative of World War II by reminding viewers of the war’s harsh brutality. Destructive Sublime traces a new aesthetic history of the World War II combat genre by looking back at it through the lens of contemporary video games like Call of Duty. Allison locates some of video games’ glorification of violence, disruptive audiovisual style, and bodily sensation in even the most canonical and seemingly conservative films of the genre. In a series of case studies spanning more than seventy years—from wartime documentaries like The Battle of San Pietro to fictional reenactments like The Longest Day and Saving Private Ryan to combat video games like Medal of Honor—this book reveals how the genre’s aesthetic forms reflect (and influence) how American culture conceives of war, nation, and representation itself.
Cleveland City Directory
Author:
Publisher:
ISBN:
Category : Cleveland (Ohio)
Languages : en
Pages : 1376
Book Description
Publisher:
ISBN:
Category : Cleveland (Ohio)
Languages : en
Pages : 1376
Book Description
California. Court of Appeal (1st Appellate District). Records and Briefs
Author: California (State).
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 92
Book Description
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 92
Book Description
Combat Films
Author: Steven Jay Rubin
Publisher: McFarland
ISBN: 0786486139
Category : Performing Arts
Languages : en
Pages : 314
Book Description
This critical text offers a behind-the-scenes look at fifteen of the most important American war films of the last 60 years. Based on original interviews and archival research and featuring rare photographs, this book covers films considered unusually realistic for the genre. The original edition (1981) covered war films through World War II, while the present, expanded edition includes seven new chapters covering the Civil War, the American gunboat presence in China in the 1920s, the Korean War, the Vietnam War, the fighting in Mogadishu in 1993 and the war in Iraq.
Publisher: McFarland
ISBN: 0786486139
Category : Performing Arts
Languages : en
Pages : 314
Book Description
This critical text offers a behind-the-scenes look at fifteen of the most important American war films of the last 60 years. Based on original interviews and archival research and featuring rare photographs, this book covers films considered unusually realistic for the genre. The original edition (1981) covered war films through World War II, while the present, expanded edition includes seven new chapters covering the Civil War, the American gunboat presence in China in the 1920s, the Korean War, the Vietnam War, the fighting in Mogadishu in 1993 and the war in Iraq.
The Making and Influence of I Am a Fugitive from a Chain Gang
Author: Scott Allen Nollen
Publisher: McFarland
ISBN: 0786466774
Category : Performing Arts
Languages : en
Pages : 226
Book Description
Robert E. Burns, a World War I veteran coerced into taking part in a petty crime in Atlanta, Georgia, was sentenced to hard labor on a chain gang in 1922. Twice escaping and on the lam for decades, he was aided only by his minister-poet brother, Vincent G. Burns. Their collaborative work, I Am a Fugitive from a Georgia Chain Gang! was the basis for Darryl F. Zanuck's and Mervyn Leroy's hard-hitting 1932 film adaptation from Warner Bros. This book traces the making and influence of the film--which launched a string of imitators--and the Burns brothers' efforts to obtain a pardon for Robert, which never came.
Publisher: McFarland
ISBN: 0786466774
Category : Performing Arts
Languages : en
Pages : 226
Book Description
Robert E. Burns, a World War I veteran coerced into taking part in a petty crime in Atlanta, Georgia, was sentenced to hard labor on a chain gang in 1922. Twice escaping and on the lam for decades, he was aided only by his minister-poet brother, Vincent G. Burns. Their collaborative work, I Am a Fugitive from a Georgia Chain Gang! was the basis for Darryl F. Zanuck's and Mervyn Leroy's hard-hitting 1932 film adaptation from Warner Bros. This book traces the making and influence of the film--which launched a string of imitators--and the Burns brothers' efforts to obtain a pardon for Robert, which never came.
Guts and Glory
Author: Lawrence H. Suid
Publisher: University Press of Kentucky
ISBN: 0813158087
Category : History
Languages : en
Pages : 770
Book Description
Guts and Glory: The Making of the American Military Image in Film is the definitive study of the symbiotic relationship between the film industry and the United States armed services. Since the first edition was published nearly two decades ago, the nation has experienced several wars, both on the battlefield and in movie theatres and living rooms at home. Now, author Lawrence Suid has extensively revised and expanded his classic history of the mutual exploitation of the film industry and the military, exploring how Hollywood has reflected and effected changes in America's image of its armed services. He offers in-depth looks at such classic films as Wings, Thirty Seconds Over Tokyo, The Longest Day, Patton, Top Gun, An Officer and a Gentleman, and Saving Private Ryan, as well as the controversial war movies The Green Berets, M*A*S*H, the Deer Hunter, Apocalypse Now, Platoon, Full Metal Jacket, and Born on the Fourth of July.
Publisher: University Press of Kentucky
ISBN: 0813158087
Category : History
Languages : en
Pages : 770
Book Description
Guts and Glory: The Making of the American Military Image in Film is the definitive study of the symbiotic relationship between the film industry and the United States armed services. Since the first edition was published nearly two decades ago, the nation has experienced several wars, both on the battlefield and in movie theatres and living rooms at home. Now, author Lawrence Suid has extensively revised and expanded his classic history of the mutual exploitation of the film industry and the military, exploring how Hollywood has reflected and effected changes in America's image of its armed services. He offers in-depth looks at such classic films as Wings, Thirty Seconds Over Tokyo, The Longest Day, Patton, Top Gun, An Officer and a Gentleman, and Saving Private Ryan, as well as the controversial war movies The Green Berets, M*A*S*H, the Deer Hunter, Apocalypse Now, Platoon, Full Metal Jacket, and Born on the Fourth of July.