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Author: Albert Sperath
Publisher: University Press of Kentucky
ISBN: 0813160472
Category : Art
Languages : en
Pages : 80
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Book Description
From the tobacco fields of western Kentucky to the streets of Harlem, from the Gullah Islands off the South Carolina and Georgia coasts to the all-black republic of Haiti, painter Ellis Wilson (1899-1977) examined the scope and depth of black culture. One of Kentucky's most significant African American artists, Wilson graduated from the Art Institute of Chicago in 1923. He spent five more years in the city before moving to New York, where he lived for the rest of his life. Aside from his participation in the WPA's Federal Arts Project and a Guggenheim Fellowship, he was never able to support himself fully by painting. Yet his work has long been praised for its boldness and individuality. Black workers were a favorite subject: field hands, factory workers, loggers, fishermen, and more. Of his 1940s series of black factory employees, Wilson stated, "That was the first time I had ever seen my people working in industry, so I painted them." Over time his documentary style gave way to one that emphasized shape and color over pure representation. Despite exhibitions in New York and elsewhere, Wilson considered a small show at the public library in his hometown of Mayfield in 1947 to be "one of the high points" of his life. This catalog accompanies the first major retrospective of Wilson's paintings.
Author: Albert Sperath
Publisher: University Press of Kentucky
ISBN: 0813160472
Category : Art
Languages : en
Pages : 80
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Book Description
From the tobacco fields of western Kentucky to the streets of Harlem, from the Gullah Islands off the South Carolina and Georgia coasts to the all-black republic of Haiti, painter Ellis Wilson (1899-1977) examined the scope and depth of black culture. One of Kentucky's most significant African American artists, Wilson graduated from the Art Institute of Chicago in 1923. He spent five more years in the city before moving to New York, where he lived for the rest of his life. Aside from his participation in the WPA's Federal Arts Project and a Guggenheim Fellowship, he was never able to support himself fully by painting. Yet his work has long been praised for its boldness and individuality. Black workers were a favorite subject: field hands, factory workers, loggers, fishermen, and more. Of his 1940s series of black factory employees, Wilson stated, "That was the first time I had ever seen my people working in industry, so I painted them." Over time his documentary style gave way to one that emphasized shape and color over pure representation. Despite exhibitions in New York and elsewhere, Wilson considered a small show at the public library in his hometown of Mayfield in 1947 to be "one of the high points" of his life. This catalog accompanies the first major retrospective of Wilson's paintings.
Author: Albert Sperath, Margaret R. Vendryes, Steven H. Jones, Eva King
Publisher: University Press of Kentucky
ISBN: 9780813127170
Category : Art
Languages : en
Pages : 102
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Book Description
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Languages : en
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Author: J.B. Speed Art Museum
Publisher:
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Languages : en
Pages : 2
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Languages : en
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Author: Romare Bearden
Publisher: Pantheon
ISBN:
Category : Art
Languages : en
Pages : 600
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Book Description
A landmark work of art history: lavishly illustrated and extraordinary for its thoroughness, A History of African-American Artists -- conceived, researched, and written by the great American artist Romare Bearden with journalist Harry Henderson, who completed the work after Bearden's death in 1988 -- gives a conspectus of African-American art from the late eighteenth century to the present. It examines the lives and careers of more than fifty signal African-American artists, and the relation of their work to prevailing artistic, social, and political trends both in America and throughout the world. Beginning with a radical reevaluation of the enigma of Joshua Johnston, a late eighteenth-century portrait painter widely assumed by historians to be one of the earliest known African-American artists, Bearden and Henderson go on to examine the careers of Robert S. Duncanson, Edward M. Bannister, Henry Ossawa Tanner, Aaron Douglas, Edmonia Lewis, Jacob Lawrence, Hale A. Woodruff, Augusta Savage, Charles H. Alston, Ellis Wilson, Archibald J. Motley, Jr., Horace Pippin, Alma W. Thomas, and many others. Illustrated with more than 420 black-and-white illustrations and 61 color reproductions -- including rediscovered classics, works no longer extant, and art never before seen in this country -- A History of African-American Artists is a stunning achievement.
Author: Laurie J. Wilson
Publisher: Arcadia Publishing
ISBN: 9780738558592
Category : History
Languages : en
Pages : 132
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Book Description
In 1871, the Houston and Texas Central Railroad reached what would soon become Ennis, Texas. A year later, the city was officially established and named for Cornelius Ennis, a Houston and Texas Central Railroad tycoon. It became home to many, including a number of Civil War veterans. Czech immigrants also made Ennis their home, adding their rich cultural heritage to this growing city. In its "Wild West" days, there were as many as 13 saloons in the city, and it became a popular train stop for as many as 10 passenger trains a day. A thriving cotton industry brought thousands to the downtown district on Trade Days. Family, tradition, and a strong sense of community have always been the foundation from which Ennis has prospered. This remains evident with yearly events such as the Bluebonnet Trails and Festival, the National Polka Festival, and the Christmas Parade of Lights.
Author: Harriet E. Wilson
Publisher: BoD - Books on Demand
ISBN:
Category : Fiction
Languages : en
Pages : 110
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Book Description
Considered the first novel by a female African-American, Our Nig was ignored upon first publication in 1859 and lost for more than 100 years. The novel achieved national attention when it was rediscovered and reprinted in 1983. Our Nig tells the story of Frado growing up as an indentured servant in the antebellum northern United States. Like Our Nig number of novels and other works of fiction of the period were in some part based on real-life events, including Fanny Fern's Ruth Hall; Louisa May Alcott's Little Women; or even Hannah Webster Foster's The Coquette.
Author: Contemporary Arts
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Languages : en
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Author: R. J. Ellis
Publisher: Rodopi
ISBN: 9789042011571
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
Harriet E. Wilson's Our nig (1859) is a startling tale of the mistreatment of a young African American mulatto woman, Frado, living in New England at a time when slavery, though abolished in the North, still existed in the South. Frado, a Northern free black', yet treated as badly as many Southern slaves of the time, is unforgettably portrayed as experiencing and resisting vicious mistreatment. To achieve this disturbing portrait, Harriet Wilson's book combines several different literary genres - realist novel, autobiography, abolitionist slave narrative and sentimental fiction. R.J. Ellis explores the relationship of Our nig to these genres and, additionally, to laboring class writing (Harriet Wilson was an indentured farm servant). He identifies the way Our nig stands as a double first: the first separately-published novel written in English by an African American female it is also one of the first by a member of the laboring class about the laboring class.
