Author: Hazlitt
Publisher:
ISBN:
Category :
Languages : en
Pages : 308
Book Description
A Manual Fro the Collector and Amateur of Old English Plays
Author: Hazlitt
Publisher:
ISBN:
Category :
Languages : en
Pages : 308
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 308
Book Description
Representing China on the Historical London Stage
Author: Dongshin Chang
Publisher: Routledge
ISBN: 1135007500
Category : Performing Arts
Languages : en
Pages : 348
Book Description
This book provides a critical study of how China was represented on the historical London stage in selected examples from the late seventeenth century to the early twentieth century—which corresponds with the Qing Dynasty (1644-1911), China’s last monarchy. The examples show that during this historical period, the stage representations of the country were influenced in turn by Jesuit writings on China, Britain’s expanding material interest in China, the presence of British imperial power in Asia, and the establishment of diasporic Chinese communities abroad. While finding that many of these works may be read as gendered and feminized, Chang emphasizes that the Jesuits’ depiction of China as a country of high culture and in perennial conflict with the Tartars gradually lost prominence in dramatic imaginations to depictions of China’s material and visual attractions. Central to the book’s argument is that the stage representations of China were inherently intercultural and open to new influences, manifested by the evolving combinations of Chinese and English (British) traits. Through the dramatization of the Chinese Other, the representations questioned, satirized, and put in sharp relief the ontological and epistemological bases of the English (British) Self.
Publisher: Routledge
ISBN: 1135007500
Category : Performing Arts
Languages : en
Pages : 348
Book Description
This book provides a critical study of how China was represented on the historical London stage in selected examples from the late seventeenth century to the early twentieth century—which corresponds with the Qing Dynasty (1644-1911), China’s last monarchy. The examples show that during this historical period, the stage representations of the country were influenced in turn by Jesuit writings on China, Britain’s expanding material interest in China, the presence of British imperial power in Asia, and the establishment of diasporic Chinese communities abroad. While finding that many of these works may be read as gendered and feminized, Chang emphasizes that the Jesuits’ depiction of China as a country of high culture and in perennial conflict with the Tartars gradually lost prominence in dramatic imaginations to depictions of China’s material and visual attractions. Central to the book’s argument is that the stage representations of China were inherently intercultural and open to new influences, manifested by the evolving combinations of Chinese and English (British) traits. Through the dramatization of the Chinese Other, the representations questioned, satirized, and put in sharp relief the ontological and epistemological bases of the English (British) Self.
Catalogue of the Library of the Late Thomas Jefferson McKee ...: English plays of the 16th, 17th and 18th centuries [Apr. 29-30, 1901
Author: Thomas Jefferson McKee
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 188
Book Description
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 188
Book Description
Boswell's Life of Johnson, Including Boswell's Journal of a Tour to the Hebrides, and Johnson's Diary of A Journey Into North Wales
Author: James Boswell
Publisher:
ISBN:
Category : Hebrides (Scotland)
Languages : en
Pages : 556
Book Description
Publisher:
ISBN:
Category : Hebrides (Scotland)
Languages : en
Pages : 556
Book Description
Life of Johnson ...
Author: James Boswell
Publisher:
ISBN:
Category :
Languages : en
Pages : 558
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 558
Book Description
The Business of English Restoration Theatre, 1660–1700
Author: Deborah C. Payne
Publisher: Cambridge University Press
ISBN: 1009398210
Category : Drama
Languages : en
Pages : 303
Book Description
Deborah C. Payne explores how the duopoly of 1660 impacted company practices, stagecraft, the box office, and actors and writers.
Publisher: Cambridge University Press
ISBN: 1009398210
Category : Drama
Languages : en
Pages : 303
Book Description
Deborah C. Payne explores how the duopoly of 1660 impacted company practices, stagecraft, the box office, and actors and writers.
British Bookbindings Presented by Kenneth H. Oldaker to the Chapter Library of Westminster Abbey
Author: Howard M. Nixon
Publisher: Maggs Bros. Ltd.
ISBN: 9780901953049
Category : Bookbinding
Languages : en
Pages : 162
Book Description
Publisher: Maggs Bros. Ltd.
ISBN: 9780901953049
Category : Bookbinding
Languages : en
Pages : 162
Book Description
The Politics of Rape
Author: Jennifer L. Airey
Publisher: Rowman & Littlefield
ISBN: 1611494044
Category : Drama
Languages : en
Pages : 261
Book Description
Beginning with the outbreak of the Irish Rebellion of 1641 and concluding with reactions to the accession of William and Mary, The Politics of Rape is the first full-length study to examine theatrical representations of sexual violence in the latter-half of the seventeenth century.
Publisher: Rowman & Littlefield
ISBN: 1611494044
Category : Drama
Languages : en
Pages : 261
Book Description
Beginning with the outbreak of the Irish Rebellion of 1641 and concluding with reactions to the accession of William and Mary, The Politics of Rape is the first full-length study to examine theatrical representations of sexual violence in the latter-half of the seventeenth century.
The Literary History of England
Author: Donald F. Bond
Publisher: Routledge
ISBN: 1134847807
Category : Literary Criticism
Languages : en
Pages : 914
Book Description
The paperback edition, in four volumes, of this standard work will make it readily available to students. The scope of the work makes it valuable as a work of reference, connecting one period with another and placing each author clearly in the setting of his time. Reviewing the first edition, The Times Literary Supplement commented: ‘in inclusiveness and in judgment it has few rivals of its kind’. This third volume covers the Restoration and the Eighteenth Century (1660-1789) and is co-authored by George Sherburn and Donald F. Bond (both at the University of Chicago).
Publisher: Routledge
ISBN: 1134847807
Category : Literary Criticism
Languages : en
Pages : 914
Book Description
The paperback edition, in four volumes, of this standard work will make it readily available to students. The scope of the work makes it valuable as a work of reference, connecting one period with another and placing each author clearly in the setting of his time. Reviewing the first edition, The Times Literary Supplement commented: ‘in inclusiveness and in judgment it has few rivals of its kind’. This third volume covers the Restoration and the Eighteenth Century (1660-1789) and is co-authored by George Sherburn and Donald F. Bond (both at the University of Chicago).
English Dramatick Opera, 1661–1706
Author: Andrew R. Walkling
Publisher: Routledge
ISBN: 1315524201
Category : Music
Languages : en
Pages : 363
Book Description
English Dramatick Opera, 1661–1706 is the first comprehensive examination of the distinctively English form known as "dramatick opera", which appeared on the London stage in the mid-1670s and lasted until its displacement by Italian through-composed opera in the first decade of the eighteenth century. Andrew Walkling argues that, while the musical elements of this form are crucial to its definition and history, the origins of the genre lie principally in a tradition of spectacular stagecraft that first manifested itself in England in the mid-1660s as part of a hitherto unidentified dramatic sub-genre, to which Walkling gives the name "spectacle-tragedy". Armed with this new understanding, the book explores a number of historical and interpretive issues, including the physical and rhetorical configurations of performative spectacle, the administrative maneuverings of the two "patent" theatre companies, the construction and deployment of the technologically advanced Dorset Garden Theatre in 1670–71, the critical response to generic, technical, and ideological developments in Restoration drama, and the shifting balance between machine spectacle and song-and-dance entertainment throughout the later decades of the seventeenth century, including in the dramatick operas of Henry Purcell. This study combines the materials and methodologies of music history, theatre history, literary studies, and bibliography to fashion an entirely new approach to the history of spectacular and musical drama on the English Restoration stage. This book serves as a companion to the Routledge publication Masque and Opera in England, 1656–1688 (2017).
Publisher: Routledge
ISBN: 1315524201
Category : Music
Languages : en
Pages : 363
Book Description
English Dramatick Opera, 1661–1706 is the first comprehensive examination of the distinctively English form known as "dramatick opera", which appeared on the London stage in the mid-1670s and lasted until its displacement by Italian through-composed opera in the first decade of the eighteenth century. Andrew Walkling argues that, while the musical elements of this form are crucial to its definition and history, the origins of the genre lie principally in a tradition of spectacular stagecraft that first manifested itself in England in the mid-1660s as part of a hitherto unidentified dramatic sub-genre, to which Walkling gives the name "spectacle-tragedy". Armed with this new understanding, the book explores a number of historical and interpretive issues, including the physical and rhetorical configurations of performative spectacle, the administrative maneuverings of the two "patent" theatre companies, the construction and deployment of the technologically advanced Dorset Garden Theatre in 1670–71, the critical response to generic, technical, and ideological developments in Restoration drama, and the shifting balance between machine spectacle and song-and-dance entertainment throughout the later decades of the seventeenth century, including in the dramatick operas of Henry Purcell. This study combines the materials and methodologies of music history, theatre history, literary studies, and bibliography to fashion an entirely new approach to the history of spectacular and musical drama on the English Restoration stage. This book serves as a companion to the Routledge publication Masque and Opera in England, 1656–1688 (2017).