English Keyboard Music Before the Nineteenth Century

English Keyboard Music Before the Nineteenth Century PDF Author: John Caldwell
Publisher: Courier Corporation
ISBN: 9780486248516
Category : Music
Languages : en
Pages : 376

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Book Description
English keyboard art from Robertsbridge Codex (c. 1325) to John Field. Illuminating coverage of organ, harpsichord, pianoforte, other instruments; works of Tallis, Byrd, Gibbons, Tomkins, many others. Bibliography.

English Keyboard Music Before the Nineteenth Century

English Keyboard Music Before the Nineteenth Century PDF Author: John Caldwell
Publisher: Courier Corporation
ISBN: 9780486248516
Category : Music
Languages : en
Pages : 376

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Book Description
English keyboard art from Robertsbridge Codex (c. 1325) to John Field. Illuminating coverage of organ, harpsichord, pianoforte, other instruments; works of Tallis, Byrd, Gibbons, Tomkins, many others. Bibliography.

Music and Instruments of the Elizabethan Age

Music and Instruments of the Elizabethan Age PDF Author: Michael Fleming
Publisher: Boydell & Brewer
ISBN: 1783274212
Category : MUSIC
Languages : en
Pages : 326

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Book Description
Uses the rare depictions of musical instruments and musical sources found on the Eglantine Table to understand the musical life of the Elizabethan age and its connection to aspects of culture now treated as separate disciplines ofhistorical study.

Aspects of Early English Keyboard Music before c.1630

Aspects of Early English Keyboard Music before c.1630 PDF Author: David Smith
Publisher: Routledge
ISBN: 1351613871
Category : Music
Languages : en
Pages : 273

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Book Description
English keyboard music reached an unsurpassed level of sophistication in the late sixteenth and early seventeenth centuries as organists such as William Byrd and his students took a genre associated with domestic, amateur performance and treated it as seriously as vocal music. This book draws together important research on the music, its sources and the instruments on which it was played. There are two chapters on instruments: John Koster on the use of harpsichord during the period, and Dominic Gwynn on the construction of Tudor-style organs based on the surviving evidence we have for them. This leads to a section devoted to organ performance practice in a liturgical context, in which John Harper discusses what the use of organs pitched in F may imply about their use in alternation with vocal polyphony, and Magnus Williamson explores improvisational practice in the Tudor period. The next section is on sources and repertoire, beginning with Frauke Jürgensen and Rachelle Taylor’s chapter on Clarifica me Pater settings, which grows naturally out of the consideration of improvisation in the previous chapter. The next two contributions focus on two of the most important individual manuscript sources: Tihomir Popović challenges assumptions about My Ladye Nevells Booke by reflecting on what the manuscript can tell us about aristocratic culture, and David J. Smith provides a detailed study of the famous Fitzwilliam Virginal Book. The discussion then broadens out into Pieter Dirksen’s consideration of a wider selection of sources relating to John Bull, which in turn connects closely to David Leadbetter’s work on Gibbons, lute sources and questions of style.

A History of Baroque Music

A History of Baroque Music PDF Author: George J. Buelow
Publisher: Indiana University Press
ISBN: 9780253343659
Category : Music
Languages : en
Pages : 732

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Book Description
"A History of Baroque Music is a detailed treatment of the music of the Baroque era, with particular focus on the seventeenth century. The author's approach is a history of musical style with an emphasis on musical scores. The book is divided initially by time period into early and later Baroque (1600-1700 and 1700-1750 respectively), and secondarily by country and composer. An introductory chapter discusses stylistic continuity with the late Renaissance and examines the etymology of the term "Baroque." The concluding chapter on the composer Telemann addresses the stylistic shift that led to the end of the Baroque and the transition into the Classical period."--Jacket.

My Ladye Nevells Booke of Virginal Music

My Ladye Nevells Booke of Virginal Music PDF Author: William Byrd
Publisher: Courier Corporation
ISBN: 0486171426
Category : Music
Languages : en
Pages : 306

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Book Description
A smaller version of the harpsichord, the virginal enjoyed wide popularity during the 16th and 17th centuries. Based upon a 1591 manuscript, this collection features 42 pieces in modern notation.

Tudor keyboard music, c. 1520-1580

Tudor keyboard music, c. 1520-1580 PDF Author: John Caldwell
Publisher: London : Stainer and Bell
ISBN:
Category : Gregorian chants
Languages : en
Pages : 248

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Book Description


Early Keyboard Instruments

Early Keyboard Instruments PDF Author: David Rowland
Publisher: Cambridge University Press
ISBN: 9780521643856
Category : Music
Languages : en
Pages : 172

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Book Description
A select bibliography and extensive endnotes enable the reader to take all of the issues further."--Jacket.

Music from the Age of Shakespeare

Music from the Age of Shakespeare PDF Author: Suzanne Lord
Publisher: Bloomsbury Publishing USA
ISBN: 0313052689
Category : Music
Languages : en
Pages : 264

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Book Description
This book introduces every important aspect of the Elizabethan music world. In ten scrupulously researched yet accessible chapters, Lord examines the lives of composers, the evolution of musical instruments, the Elizabethan system of musical notation, and the many textures and traditions of Elizabethan music. Biographical entries introduce the most significant and prolific composers as well as the members of royal society who influenced Elizabethan musical culture. Both familiar and obscure instruments of the era are described with focus on their musical and social contexts. Various types of music are defined and illustrated, along with an explanation of the musical notation used during this era. Chapter bibliographies, glossaries, and an index provide additional tools for both the novice and the experienced student of music and music history. When Elizabeth ascended to the throne in 1558, England was undergoing tremendous upheaval. Power struggles between Protestants and Catholics shaped the English music world as musicians' livelihoods were directly linked to their religious allegiances. Music became a form of strategy within court politics, and secular music evolved through the musical and poetic influences of the Italian Renaissance. Events of the day were told and retold through music, class and social differences were sung with relish, and rituals of love and life were set to story and song. When England defeated the vaunted Spanish Armada in 1588, a victorious nation expressed its jubilance through music.

Shakespeare's Songbook

Shakespeare's Songbook PDF Author: Ross W. Duffin
Publisher: W. W. Norton & Company
ISBN: 9780393058895
Category : Art
Languages : en
Pages : 536

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Book Description
Eight years in the making, "Shakespeare's Songbook" is a meticulously researched collection of 160 songs--ballads and narratives, drinking songs, love songs, and rounds--that appear in, are quoted in, or alluded to in Shakespeare's plays.

Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries

Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries PDF Author: David J. Smith
Publisher: Routledge
ISBN: 1317088808
Category : Music
Languages : en
Pages : 362

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Book Description
Peter Philips (c.1560-1628) was an English organist, composer, priest and spy. He was embroiled in multifarious intersecting musical, social, religious and political networks linking him with some of the key international players in these spheres. Despite the undeniable quality of his music, Philips does not fit easily into an overarching, progressive view of music history in which developments taking place in centres judged by historians to be of importance are given precedence over developments elsewhere, which are dismissed as peripheral. These principal loci of musical development are given prominence over secondary ones because of their perceived significance in terms of later music. However, a consideration of the networks in which Philips was involved suggests that he was anything but at the periphery of the musical, cultural, religious and political life of his day. In this book, Philips’s life and music serve as a touchstone for a discussion of various kinds of network in the late sixteenth and early seventeenth centuries. The study of networks enriches our appreciation and understanding of musicians and the context in which they worked. The wider implication of this approach is a constructive challenge to orthodox historiographies of Western art music in the Early Modern Period.