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Author: Charles Edward McGuire
Publisher: Ashgate Publishing
ISBN:
Category : Music
Languages : en
Pages : 368
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Book Description
From the end of the 18th century to the beginning of World War I, the oratorio was Britain's most important and accesible musical genre. Understanding Elgar's four oratorios within this history should add a great deal to our understanding of Elgar, musical life at the time, and the differences between the public and private spaces of Britain's religious worship.
Author: Charles Edward McGuire
Publisher: Ashgate Publishing
ISBN:
Category : Music
Languages : en
Pages : 368
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Book Description
From the end of the 18th century to the beginning of World War I, the oratorio was Britain's most important and accesible musical genre. Understanding Elgar's four oratorios within this history should add a great deal to our understanding of Elgar, musical life at the time, and the differences between the public and private spaces of Britain's religious worship.
Author: Howard E. Smither
Publisher: UNC Press Books
ISBN: 9780807825112
Category : Music
Languages : en
Pages : 900
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Book Description
With this volume, Howard Smither completes his monumental History of the Oratorio. Volumes 1 and 2, published by the University of North Carolina Press in 1977, treated the oratorio in the Baroque era, while Volume 3, published in 1987, explored th
Author: Daniel M. Grimley
Publisher: Cambridge University Press
ISBN: 1139827081
Category : Music
Languages : en
Pages : 280
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Book Description
Edward Elgar occupies a pivotal place in the British cultural imagination. His music has been heard as emblematic of Empire and the English landscape. The recent success of Anthony Payne's elaboration of the sketches for Elgar's Third Symphony has prompted a critical revaluation of his music. This Companion provides an accessible and vivid account of Elgar's work in its historical and cultural context. Established authorities on British music and scholars new in the field examine Elgar's music from a range of critical perspectives, including nationalism, post-colonialism, decadence, reception and musical influences. There are also chapters on interpretation, including his own (Elgar was the first major composer to commit a representative quantity of his own work to record), and on Elgar's relationships with the BBC and with his publishers. The book includes much new material, drawing on original research, as well as providing a comprehensive introduction to Elgar's major musical achievements.
Author: Howard E. Smither
Publisher: UNC Press Books
ISBN: 0807837784
Category : Music
Languages : en
Pages : 854
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Book Description
With this volume, Howard Smither completes his monumental History of the Oratorio. Volumes 1 and 2, published by the University of North Carolina Press in 1977, treated the oratorio in the Baroque era, while Volume 3, published in 1987, explored the genre in the Classical era. Here, Smither surveys the history of nineteenth- and twentieth-century oratorio, stressing the main geographic areas of oratorio composition and performance: Germany, Britain, America, and France. Continuing the approach of the previous volumes, Smither treats the oratorio in each language and geographical area by first exploring the cultural and social contexts of oratorio. He then addresses aesthetic theory and criticism, treats libretto and music in general, and offers detailed analyses of the librettos and music of specific oratorios (thirty-one in all) that are of special importance to the history of the genre. As a synthesis of specialized literature as well as an investigation of primary sources, this work will serve as both a springboard for further research and an essential reference for choral conductors, soloists, choral singers, and others interested in the history of the oratorio. Originally published 2000. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: Nicholas Tarling
Publisher: Rowman & Littlefield
ISBN: 1442234539
Category : Music
Languages : en
Pages : 233
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Book Description
In Choral Masterpieces: Major and Minor, historian Nicholas Tarling surveys the landscape of choral works, some standard masterpieces that are commonly performed by choruses around the world, others deserving a second, closer look. As noted in the foreword by Uwe Grodd , music director of the Auckland Choral Society, this work “is a collection of essays about a number of outstanding works, including Beethoven’s Miss Solemnis and Britten’s War Requiem, but he also invites attention to lesser masterpieces. If the choral movement, which includes both singers and listeners, is to survive, new works must be created and repertory expanded. The book is an easy and captivating read even if you are not a chorister.” Choral Masterpieces: Major and Minor features short essays on over 28 works, from major masterpieces such as Handel’s Messiah and Bach’s St. Matthew’s Passion to off-the-beaten path choral works such as Samuel Coleridge-Taylor’s Hiawatha and Frederick Delius’ A Mass of Life. Throughout, Tarling offers assessments that sparkle with unique insights and at the same time ground listener’s in the historical contexts of the work’s production and performance. Each work is transformed in Tarling’s able hands from musical work into a window into the mind and milieu of the composer. Choral Masterpieces: Major and Minor mixes choral mainstays with works that demand revisiting. Choral singers and their audiences, as well as choral societies and their directions and promoters, will find ample food for thoughts in these meditations on the choral tradition.
Author: Martin Clarke
Publisher: Routledge
ISBN: 1317092260
Category : Music
Languages : en
Pages : 281
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Book Description
The interrelationship of music and theology is a burgeoning area of scholarship in which conceptual issues have been explored by musicologists and theologians including Jeremy Begbie, Quentin Faulkner and Jon Michael Spencer. Their important work has opened up opportunities for focussed, critical studies of the ways in which music and theology can be seen to interact in specific repertoires, genres, and institutions as well as the work of particular composers, religious leaders and scholars. This collection of essays explores such areas in relation to the religious, musical and social history of nineteenth-century Britain. The book does not simply present a history of sacred music of the period, but examines the role of music in the diverse religious life of a century that encompassed the Oxford Movement, Catholic Emancipation, religious revivals involving many different denominations, the production of several landmark hymnals and greater legal recognition for religions other than Christianity. The book therefore provides a valuable guide to the music of this complex historical period.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 418
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Book Description
Author: Donna Marie Di Grazia
Publisher: Routledge
ISBN: 0415988527
Category : Music
Languages : en
Pages : 543
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Book Description
Nineteenth-Century Choral Music is a collection of essays studying choral music making as a cultural phenomenon, one that had an impact on multiple parts of society. Rather than merely offering a collection of raw descriptions of works, the contributors focus their discussions on what these pieces reveal about their composers as craftsmen/women. Major works as well as other equally rich parts of the repertoire are discussed, including smaller choral works and contributions by composers such as Fanny Mendelssohn, Amy Beach, Charles Stanford,
Author:
Publisher: Routledge
ISBN: 0415875579
Category : Music
Languages : en
Pages : 510
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Book Description
This updated second edition is an in-depth exploration of Elgar's compositions and of writings by and about the composer and his music. The past 16 years have seen a steady increase in scholarly publications and the emergence of The Elgar Society Journal, as well as further discoveries of the composer's MSS and letters, and the new edition incorporates this latest research. The compositions are examined in a work-by-work catalog, in chronological order, in which each entry gives a complete census and collation of manuscript, proof, text, biographical, printed edition and bibliographical sources for each item. The listing also includes unfinished sketches and details of much unpublished material. The bibliography section covers selected established literature as well as details of reviews and articles contained in the European periodicals at the climax of Elgar's career. Christopher Kent was nominated unanimously by the Scrutiny Panel of the International Association of Music Libraries, Archives and Research Centres for the 2014 C.B. Oldman Prize for the most outstanding reference resource published in 2014. He received the award at their Annual Conference held at the University of Aston, Birmingham in April.
Author: Christopher Grogan
Publisher: Pen and Sword History
ISBN: 1526764652
Category : Music
Languages : en
Pages : 274
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Book Description
The first full-length study of the English composer’s complex interaction with his physical environment, and its new relevance in the 21st century. More perhaps than any other composer, Edward Elgar (1857-1934) has gained the status of an “icon of locality,” his music seemingly inextricably linked to the English landscape in which he worked. This, the first full-length study of Elgar’s complex interaction with his physical environment, explores how it is that such associations are formed and whether it is in any sense true that Elgar alchemized landscape into music. It argues that Elgar stands at the apex of an English tradition, going back to Blake, in which creative artists in all media have identified and warned against the self-harm of environmental degradation and that, following a period in which these ideas were swept away by the swift but shallow tide of Modernism in the decades after the First World War, they have since resurfaced with a new relevance and urgency for twenty-first century society. Written with the non-specialist in mind, yet drawing on the rich resources of post-millennial scholarship on Elgar, as well as geographical studies of place, the book also includes many new insights relating to such aspects of Elgar’s output as his use of landscape typology in The Apostles, and his encounter with Modernism in the late chamber music. It also calls on the resources of contemporary social commentary, poetry and, especially, English landscape art to place Elgar and his thought in the broader cultural milieu of his time. A survey of recent recordings is included, in the hope that listeners, both familiar and unfamiliar with Elgar’s music, will feel inspired to embark on a voyage of (re)discovery of its endlessly rewarding treasures.
