El tratado de la pintura por Leonardo de Vinci,y los tres Libros que sobre el mismo Arte escribió León Bautista Alberti PDF Download
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Author: Leonardo (da Vinci)
Publisher:
ISBN:
Category :
Languages : es
Pages : 398
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Book Description
Author: Leonardo (da Vinci)
Publisher:
ISBN:
Category :
Languages : es
Pages : 398
Get Book Here
Book Description
Author: Leonardo da Vinci
Publisher:
ISBN:
Category :
Languages : es
Pages :
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Book Description
![El tratado de la pintura por Leonardo de Vinci [Microforma] PDF](https://books.google.com/books/content/images/frontcover/FDkuNQEACAAJ?fife=w80-h100)
Author: Leonardo, da Vinci
Publisher:
ISBN: 9789728673178
Category :
Languages : es
Pages :
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Book Description
Author: Claire Farago
Publisher: Routledge
ISBN: 1351551299
Category : Art
Languages : en
Pages : 648
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Book Description
For nearly three centuries Leonardo da Vinci's work was known primarily through the abridged version of his Treatise on Painting, first published in Paris in 1651 and soon translated into all the major European languages. Here for the first time is a study that examines the historical reception of this vastly influential text. This collection charts the varied interpretations of Leonardo's ideas in French, Italian, Spanish, English, German, Dutch, Flemish, Greek, and Polish speaking environments where the Trattato was an important resource for the academic instruction of artists, one of the key sources drawn upon by art theorists, and widely read by a diverse network of artists, architects, biographers, natural philosophers, translators, astronomers, publishers, engineers, theologians, aristocrats, lawyers, politicians, entrepreneurs, and collectors. The cross-cultural approach employed here demonstrates that Leonardo's Treatise on Painting is an ideal case study through which to chart the institutionalization of art in Europe and beyond for 400 years. The volume includes original essays by scholars studying a wide variety of national and institutional settings. The coherence of the volume is established by the shared subject matter and interpretative aim: to understand how Leonardo's ideas were used. With its focus on the active reception of an important text overlooked in studies of the artist's solitary genius, the collection takes Leonardo studies to a new level of historical inquiry. Leonardo da Vinci's most significant contribution to Western art was his interpretation of painting as a science grounded in geometry and direct observation of nature. One of the most important questions to emerge from this study is, what enabled the same text to produce so many different styles of painting?
Author: Leonardo da Vinci
Publisher:
ISBN: 9788430035229
Category : Painting
Languages : es
Pages : 0
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Book Description
Author: Claire Farago
Publisher: BRILL
ISBN: 900435378X
Category : Art
Languages : en
Pages : 1371
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Book Description
The basis for our understanding of Leonardo’s theory of art was, for over 150 years, his Treatise on Painting, which was issued in 1651 in Italian and French. This present volume offers both the first scholarly edition of the Italian editio princeps as well as the first complete English translation of this seminal work. In addition, It provides a comprehensive study of the Italian first edition, documenting how each editorial campaign that lead to it produced a different understanding of the artist’s theory. What emerges is a rich cultural and textual history that foregrounds the transmission of artisanal knowledge from Leonardo’s workshop in the Duchy of Milan to Carlo Borromeo’s Milan, Cosimo I de’ Medici’s Florence, Urban VIII’s Rome, and Louis XIV’s Paris.
Author: Leonardo da Vinci
Publisher:
ISBN: 9788460041719
Category : Painting
Languages : es
Pages : 266
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Book Description
Author: Leonardo (da Vinci)
Publisher:
ISBN:
Category :
Languages : es
Pages : 390
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Book Description
Author: Leonardo (da Vinci)
Publisher:
ISBN:
Category :
Languages : es
Pages : 266
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Book Description
Author: León Bautista Alberti
Publisher:
ISBN:
Category :
Languages : es
Pages : 224
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Book Description
Aunque el Tratado de pintura de Leonardo da Vinci no fue impreso hasta el siglo XVIII, los fragmentarios manuscritos que para componerlo reunieron sus primeros escritores habían circulado profusamente por Europa y suscitado la admirada curiosidad de artistas y eruditos. El Tratado es obra de las empresas imposibles de Leonardo, un fracaso más de los que, por muy dispares caminos, se cebaron en su empeño de refundir todas las formulaciones empíricas y todos los tópicos conceptuosos del Renacimiento y ordenarlos en una sistema universal.
