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Author: Theodore L. Kassier
Publisher: Tamesis
ISBN: 9780729300063
Category : Literary Criticism
Languages : en
Pages : 176
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Book Description
Author: Theodore L. Kassier
Publisher: Tamesis
ISBN: 9780729300063
Category : Literary Criticism
Languages : en
Pages : 176
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Book Description
Author: Baltasar Gracián y Morales
Publisher:
ISBN:
Category :
Languages : es
Pages :
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Book Description
Author: Marcia L. Welles
Publisher:
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 224
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Book Description
Author: Baltasar Gracián y Morales
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 296
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Book Description
Author: Patricia Manning
Publisher: BRILL
ISBN: 9004178511
Category : History
Languages : en
Pages : 339
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Book Description
Although the Spanish Inquisition looms large in many conceptions of the early modern Hispanic world, relatively few studies have been made of the Spanish state and Inquisition s approach to book censorship in the seventeenth century. Merging archival and rare book research with a case study of the fiction of Baltasar Gracián, this book argues that privileged authors, like the Jesuit Gracián, circumvented publication strictures that were meant to ensure that printed materials conformed to the standards of Catholicism and supported the goals of the absolute monarchy. In contrast to some elite authors who composed readily transparent critiques of authorities and encountered difficulties with the state and Inquisition, others, like Gracián, made their criticisms covertly in complicated texts like El Criticón.
Author: Nicholas Spadaccini
Publisher: U of Minnesota Press
ISBN: 9780816629114
Category : Literary Criticism
Languages : en
Pages : 434
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Book Description
Printbegrænsninger: Der kan printes 10 sider ad gangen og max. 40 sider pr. session
Author: Jeremy Robbins
Publisher: Routledge
ISBN: 1134708610
Category : Drama
Languages : en
Pages : 333
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Book Description
Arts of Perception offers a new account of a key period in Spanish history and culture and a fundamental reassessment of its major writers and intellectuals, including Gracián, Quevedo, Calderón, Saavedra Fajardo, López de Vega, and Sor Juana. Reading these figures in the context of European thought and the new science, and philosophy, the study considers how they developed various ‘arts of perception’ - complex perceptual strategies designed to overcome and exploit epistemic problems to enable an individual to act effectively in the moral, political, social or religious sphere. The study takes as its subject the distinctive epistemological mentality behind such ‘arts of perception’. This mentality was fostered by the creative interaction of scepticism and Stoicism, and found expression in the key concepts ser/parecer and engaño/desengaño. The work traces the emergence, development, and impact of these concepts on Spanish thought and culture. As well as offering new interpretations of specific major figures, Arts of Perception offers an interpretation of the mentality of an entire culture as it made the fraught transition to intellectual modernity. As such it ranges over numerous discourses and formative contexts and provides a wealth of new material which will be of use to all those seeking to understand and interpret the literature, culture and thought of Golden Age Spain. This book was previously published as a special issue of The Bulletin of Spanish Studies.
Author: Frédéric Conrod
Publisher: Peter Lang
ISBN: 9781433104978
Category : Literary Collections
Languages : en
Pages : 270
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Book Description
The Baroque imagination has its roots in Ignatius of Loyola's Spiritual Exercises (1547), which defined for the Counter-Reformation era the parameters in which Catholic believers must confront the Enemy and the temporal corruption he embodies in order to enter a state of grace and obtain salvation. Through complex interactions of different imaginative functions, Loyola's text is able to superpose a variety of simultaneous narrative levels. In order to reformulate the «greater narrative» (the Magisterium) of the Roman faith beyond what is revealed in Scripture, the Spiritual Exercises require their exercitant to become an active participant in this narrative through constant visual contact with «orders of corruption», that is, spaces in which virtue can be confronted with physical decay and sin. Through these spaces Counter-Reformation Rome (La Roma Ignaziana) would redefine the economy of salvation and diffuse the visual dynamics of the Spiritual Exercises throughout the Catholic world. In their writings, Spanish Golden Age authors Miguel de Cervantes and Baltasar Gracián use the rising modernity of the novel to transform Loyola's notion of «orders of corruption» by adapting it to the secular world. Their encoded criticism of Loyolan imagination contributed to the epistemological crisis that marks the Baroque age, but also prepared the way for the crucial debates that would take place during the Enlightenment (such as the deconstruction of the Catholic «greater narrative» reflected in Loyola). This book concludes with a discussion of the eventual negation of Loyolan imagination in the novels of the Marquis de Sade, which undermine the Roman faith by parodying the Baroque forms of spiritual visual experience and negate the Loyolan projection into «orders of corruption».
Author: Peter William Evans
Publisher: Manchester University Press
ISBN: 9780719031922
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
Author: Richard Rabone
Publisher: Oxford University Press
ISBN: 0192677233
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
This book presents the first sustained analysis of the reception of the Aristotelian golden mean and related ideas of moderation in the literature and thought of early modern Spain (1500-1700). It explores the Golden-Age understanding of Aristotle's doctrine as a prolegomenon to literary study, and its allegorical reformulation in the myths of Icarus and Phaethon, before arguing that scrutiny of how the mean and the related concept of ethical moderation are treated by early modern authors represents a vital but underexploited tool for literary analysis. Particular attention is paid to detailed case studies of works by three canonical authors—Garcilaso, Calderón, Gracián—demonstrating the value of the mean as a locus of critical attention, as analysis of its presentation allows several long-standing disputes in the scholarship on these authors to be newly resolved.
