Some Examples of the New World Auto de Los Reyes Magos PDF Download
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Author: Michael John Doudoroff
Publisher:
ISBN:
Category : Magi
Languages : en
Pages : 224
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Book Description
Author: Michael John Doudoroff
Publisher:
ISBN:
Category : Magi
Languages : en
Pages : 224
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Book Description
Author: Charles Edwin Stebbins
Publisher:
ISBN:
Category :
Languages : en
Pages : 171
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Author:
Publisher:
ISBN:
Category : Mysteries and miracle-plays, Spanish
Languages : en
Pages : 12
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Book Description
Author:
Publisher:
ISBN:
Category : Spain
Languages : en
Pages : 0
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Author: Anónimo
Publisher: Linkgua Digital
ISBN: 9788499539317
Category : Literary Collections
Languages : es
Pages : 0
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Book Description
El Auto de los Reyes Magos fue escrito en la segunda mitad del siglo XII. Algún amanuense lo copió en las páginas sobrantes de un Códice (Códice de la Biblioteca Nacional de Madrid va 5-9). El texto no tiene separaciones y se desconoce su autor. Es el primero de los autos sacramentales y también la obra teatral más antigua de la literatura española. La composición debe remontarse a mediados del siglo XII, puesto que la voz auto, en su acepción teatral, no se documenta hasta, aproximadamente, el año 1300. El sacerdote Felipe Fernández Vallejo lo encontró en la catedral de Toledo. En Auto de los Reyes Magos se recoge el tema de la adoración de los Magos, común a la tradición del drama litúrgico del Ordo Stellae. Y el título con que ahora es conocido se lo dio Ramón Menéndez Pidal. Del texto original, únicamente se conservan 147 versos que tienen diferentes tipos de métrica (alejandrinos, eneasílabos y heptasílabos) y, por tanto, es polimétrico. Estamos pues, ante un texto teatral sin terminar y que muestra un estilo muy particular: cada uno de los reyes hace un parlamento. El códice del Auto de los Reyes Magos no tenía separaciones ni marcas tal y como hacemos actualmente en el género dramático. Y en resumen la trama relata la aventura de Melchor, Gaspar y Baltasar en camino a Belén.
Author: Gerold Hilty
Publisher:
ISBN:
Category :
Languages : es
Pages : 12
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Book Description
Author: David William Foster
Publisher: University of Texas Press
ISBN: 0292789173
Category : Foreign Language Study
Languages : en
Pages : 292
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Book Description
Writers and editors of Spanish have long needed an authoritative guide to written language usage, similar to The MLA Style Manual and The Chicago Manual of Style. And here it is! This reference guide provides comprehensive information on how the Spanish language is copyedited for publication. The book covers these major areas: Language basics: capitalization, word division, spelling, and punctuation. Language conventions: abbreviations, professional and personal titles, names of organizations, and nationalities. Bibliographic format, particularly how Spanish differs from English. Spanish language forms of classical authors' names. Literary and grammatical terminology. Linguistic terminology. Biblical names and allusions. A dictionary of grammatical doubts, including usage, grammatical constructions of particular words and phrases, verbal irregularities, and gender variations.
Author: Henry K. Ziomek
Publisher: University Press of Kentucky
ISBN: 0813183561
Category : Literary Criticism
Languages : en
Pages : 323
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Book Description
Spain's Golden Age, the seventeenth century, left the world one great legacy, the flower of its dramatic genius—the comedia. The work of the Golden Age playwrights represents the largest combined body of dramatic literature from a single historical period, comparable in magnitude to classical tragedy and comedy, to Elizabethan drama, and to French neoclassical theater. A History of Spanish Golden Age Drama is the first up-to-date survey of the history of the comedia, with special emphasis on critical approaches developed during the past ten years. A history of the comedia necessarily focuses on the work of Lope de Vega and Calderon de la Barca, but Ziomek also gives full credit to the host of lesser dramatists who followed in the paths blazed by Lope and Calderon, and whose individual contributions to particular genres added to the richness of Spanish theater. He also examines the profound influence of the comedia on the literature of other cultures.
Author: María Josefa Pascual
Publisher:
ISBN:
Category :
Languages : es
Pages : 539
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Book Description
Author: Ronald W. Vince
Publisher: Bloomsbury Publishing USA
ISBN: 1440808058
Category : Performing Arts
Languages : en
Pages : 458
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Book Description
Vince has provided a useful and, for the most part, usable reference work. His introduction should be required reading for anyone approaching medieval theater. Choice Scholars increasingly see medieval theatre as a complex and vital performance medium related more closely to political, religious, and social life than to literature as we know it. Reflecting the current interest in performance, A Companion to the Medieval Theatre presents 250 alphabetically arranged entries offering a panoramic view of European and British theatrical productions between the years 900 and 1550. The volume features 30 essays contributed by an international group of specialists and includes many shorter entries as well as systematic cross-referencing, a chronology, a bibliography, and a full complement of indexes. Major entries focus on the theatres of the principal linguistic areas (the British Isles, France, Germany, Iberia, Italy, Scandinavia, the Low Countries, and Eastern Europe), and on dramatic forms and genres such as liturgical drama, Passion and saint plays, morality plays, folk drama, and Humanist drama. Other articles examine costume, acting, pageantry, and music, and explore the theatrical dimension of courtly entertainment, the dance, and the tournament. Short entries supply information on over one hundred playwrights, directors, actors and antiquarians whose contributions to the theatre have been documented. This informative guide brings new depth to our appreciation of the richness and color of medieval public entertainments and the symbolism and pageantry that were a part of daily life in the Middle Ages. Designed to appeal to general reader, this volume is also an attractive choice for libraries serving students and scholars of theatre history, English and European literatures, medieval history, cultural history, drama, and performance.
