Eighteenth-century Counterpoint and Tonal Structure PDF Download
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Author: Richard S. Parks
Publisher: Prentice Hall
ISBN:
Category : Counterpoint
Languages : en
Pages : 372
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Book Description
Author: Richard S. Parks
Publisher: Prentice Hall
ISBN:
Category : Counterpoint
Languages : en
Pages : 372
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Book Description
Author: Robert Gauldin
Publisher: Waveland Press
ISBN: 1478608765
Category : Music
Languages : en
Pages : 351
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Book Description
Practical work in writing counterpoint! This volume emphasizes developing analytical and writing skills in the contrapuntal technique of the eighteenth century. The orientation is strongly stylistic, dealing mainly with the polyphony of the late Baroque period. Three aspects are stressed throughout: practical work in writing counterpoint, utilizing various textures, devices, and genre of the period; historical background, to establish the origins of different forms and justify the pedagogical method employed here; analysis of selections from music literature, often in voice-leading reductions. After an opening chapter that reviews some general features of the late Baroque period, there is a brief survey of melodic characteristics, and a study of procedures associated with two, three, and four voices.
Author: Thomas Benjamin
Publisher: Routledge
ISBN: 1135946639
Category : Art
Languages : en
Pages : 429
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Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Author: William G. Andrews
Publisher: Alfred Music
ISBN: 9781457496707
Category : Music
Languages : en
Pages : 164
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Book Description
Provides students with music from the great composers to study before attempting to write themselves. Discussion of the elements of music pertinent to an understanding of the 18th century counterpoint are included.
Author: Teresa Davidian
Publisher: Rowman & Littlefield
ISBN: 1442234601
Category : Music
Languages : en
Pages : 260
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Book Description
Students today have grown up in the age of digital technology. As a result, they process information in radically different ways than preceding generations. They like their information fast and consider visual images as important as textual content. In Tonal Counterpoint for the 21st-Century Musician, Teresa Davidian finally provides students a textbook that is quick, direct, and visual—a direct reflection of the age in which they live. This book is easy to understand, comprehensive, and distinctly modern in its approach to the study of counterpoint. Written in a style that is clear, simple, and informal writing style, Davidian artfully mixes the history of counterpoint with an outline of its structure, placing musical examples from J. S. Bach side by side with those from The Beatles to illustrate the universality and currency of counterpoint in music analysis and composition. Designed as a single-semester introduction, Tonal Counterpoint brings the study of counterpoint into the present by: Making ample use of diagrams and flow charts Including helpful step-by-step prompt sheets for analyzing inventions and fugues Placing just as much emphasis on the composition as on the analysis of counterpoint Offering a broad array of musical examples, including the work of women composers, American songwriters, current students, and pop music composers Throughout, Davidian explains how the techniques of 18th-century contrapoint still readily apply to how music is composed today. Tonal Counterpoint for the 21st-Century Musician is ideal for students in the fields of music theory, composition, music history, and performance.
Author: Joel Lester
Publisher: Harvard University Press
ISBN: 9780674155237
Category : Language Arts & Disciplines
Languages : en
Pages : 370
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Book Description
This is the most comprehensive account ever given of the theory behind the music of Baroque and Classical composers, from Bach to Beethoven. While giving preeminent theorists their due in this panoramic survey of musical thought, Joel Lester also examines the works of more than one hundred seventeenth- and eighteenth century writers.
Author: Carl Schachter
Publisher: Pendragon Press
ISBN: 9781576471128
Category : Juvenile Nonfiction
Languages : en
Pages : 300
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Book Description
Introduction -- Expression. The two curious moments in Chopin's E-flat major prelude / Charles Burkhart ; Circular motion in Chopin's late B-major nocturne (op. 62, no. 1) / William Rothstein ; Of species counterpoint, gondola songs, and sordid boons / Poundie Burstein -- Theory. The spirit and technique of Schenker pedagogy / David Gagné and Allen Cadwallader ; Prolongational and hierarchical structures in 18th-century theory / Joel Lester ; Thoughts on Schenker's treatment of diminution and repetition in part III of Free composition, and its implications for analysis / Wayne Petty ; Looking at the Urlinie / Hedi Siegel -- Style. Rhythmic displacement in the music of Bill Evans / Steven Larson ; Levels of voice leading in the music of Louis Couperin / Drora Pershing ; The analysis of east Asian music / David Loeb ; Baroque styles and the analysis of baroque music / Channan Willner -- Words and music. Schumann's Das ist ein Flöten und Geigen : conflicts between local and global perspectives / Lauri Suurpaa ; Reinterpreting the past : Brahms's link to Bach in the setting of Mit Fried und Freud ich fahr dahin, from the motet op. 74, no. 1 / Robert Cuckson ; Hinauf strebt's : song study with Carl Schachter / Timothy Jackson ; Intimate immensity in Schubert's The shepherd on the rock / Frank Samarotto -- Form. Tonal conflicts in Haydn's development sections : the role of C major in symphonies nos. 93 and 102 / Mark Anson-Cartwright ; Aspects of structure in Bach's F-minor fugue, WTC II / William Renwick ; The andante from Mozart's symphony no. 40, K. 5
Author: Gilbert Trythall
Publisher: McGraw-Hill Humanities, Social Sciences & World Languages
ISBN:
Category : Music
Languages : en
Pages : 332
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Book Description
This text begins with a species approach to counterpoint supported by a simultaneous synthesis of the resources of 18th-century harmony. Graded exercises seek to unify the principles of counterpoint and harmony in an expanding craft. Chapters on melodic transformation and variation, invertible counterpoint, imitation and canon follow the introductory section and these chapters are, in turn, followed by chapters addressing the harmonic, melodic, and formal organization of model 18th-century works. The last chapters cover, in order, guided original composition in Two-Part Invention, Chorale Prelude, Three Voice Fugue, Passacaglia, and Double Fugue form.
Author: H. Owen Reed
Publisher: Alfred Music Publishing
ISBN: 9780757916663
Category : Music
Languages : en
Pages : 212
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Book Description
A revision of the classic 1964 edition exploring counterpoint techniques beyond the stylistic base of the baroque tradition. This practical 194-page book contains a glossary of terms, a bibliography for further study, and a subject index. There is also an index of musical examples, and the included CDs contain recordings of musical examples from the text. Includes perforated exercise pages for students.
Author: Johann Fux
Publisher: W. W. Norton & Company
ISBN: 9780393002775
Category : Music
Languages : en
Pages : 164
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Book Description
The most celebrated book on counterpoint is Fux's great theoretical work GRADUS AD PARNASSUM. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the great composers, including J.S. Bach, Haydn, and Beethoven. Originally written in Latin, this work has been translated in to the principal European languages. The present translation by Alfred Mann is the first faithful rendering in English, presenting the essence of Fux's teachings.
