Author: Bethany Hughes
Publisher: NYU Press
ISBN: 1479829374
Category : Art
Languages : en
Pages : 288
Book Description
"Redface is the first book to consider Native American representation in U.S. theatre, how creating a racialized character severely constrains Indigenous nationhood and sovereignty, and what steps could be taken to address the challenges of representing Indigenous people on the stage"--
Redface
Author: Bethany Hughes
Publisher: NYU Press
ISBN: 1479829374
Category : Art
Languages : en
Pages : 288
Book Description
"Redface is the first book to consider Native American representation in U.S. theatre, how creating a racialized character severely constrains Indigenous nationhood and sovereignty, and what steps could be taken to address the challenges of representing Indigenous people on the stage"--
Publisher: NYU Press
ISBN: 1479829374
Category : Art
Languages : en
Pages : 288
Book Description
"Redface is the first book to consider Native American representation in U.S. theatre, how creating a racialized character severely constrains Indigenous nationhood and sovereignty, and what steps could be taken to address the challenges of representing Indigenous people on the stage"--
Pilots
Author:
Publisher: WoodenBoat Books
ISBN: 0937822698
Category : Pilot boats
Languages : en
Pages : 360
Book Description
Tom Cunliffe is a well-known British writer and sailing enthusiast who's Bristol Channel Pilot cutter Hirta is familiar to TV viewers in the UK.
Publisher: WoodenBoat Books
ISBN: 0937822698
Category : Pilot boats
Languages : en
Pages : 360
Book Description
Tom Cunliffe is a well-known British writer and sailing enthusiast who's Bristol Channel Pilot cutter Hirta is familiar to TV viewers in the UK.
Life of Edwin Forrest, the American Tragedian
Author: William Rounseville Alger
Publisher:
ISBN:
Category :
Languages : en
Pages : 492
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 492
Book Description
Passing Performances
Author: Robert A. Schanke
Publisher: University of Michigan Press
ISBN: 9780472066810
Category : History
Languages : en
Pages : 356
Book Description
Passing Performances gathers a range of critical and biographical essays on notable personalities whose major contributions to the stage occurred before 1969, the year of the Stonewall riots that kicked off the gay rights movement in the United States. How these theater practitioners variously "passed"-- i.e., managed unconventional sexual inclinations both on- and offstage--significantly determined the course of their personal and professional lives and thus the course of U.S. theater history. The actors, directors, producers, and agents examined here include Edwin Forrest, Charlotte Cushman, and Adah Isaacs Menken, whose personal lives and careers traded on the same-sex erotics of "true love" in the antebellum period; Elisabeth Marbury, Elsie de Wolfe, Elsie Janis, Nance O'Neil, and Alla Nazimova, whose intimate female liaisons were variously interpreted around the turn of the century; the "lavender marriages" of Alfred Lunt to Lynne Fontanne and Guthrie McClintic to Katharine Cornell; the lesbian collaborations of Margaret Webster and Cheryl Crawford; the comic antics of Monty Woolley, which negotiated codified constructions of homosexual perversion in the post-Freudian interwar years; and the on- and offstage performances of Mary Martin and Joe Cino, which resisted the paranoid enforcements of heterosexual normality in the McCarthy era. Central to these investigations are the complex connections of performances of sexuality and gender and their different implications for men and women practitioners working under pervasive sexism and homophobia. The volume also includes striking archival photographs of the performers and their performances, and an index to facilitate the cross-referencing of subjects' intersecting careers. Passing Performances will engage both general and academic readers interested in theater, gay and lesbian history, American studies, and biography. Robert A. Schanke is Professor of Theatre and Chair of the Division of Fine Arts, Central College, Iowa. Kim Marra is Associate Professor of Theatre Arts, University of Iowa.
Publisher: University of Michigan Press
ISBN: 9780472066810
Category : History
Languages : en
Pages : 356
Book Description
Passing Performances gathers a range of critical and biographical essays on notable personalities whose major contributions to the stage occurred before 1969, the year of the Stonewall riots that kicked off the gay rights movement in the United States. How these theater practitioners variously "passed"-- i.e., managed unconventional sexual inclinations both on- and offstage--significantly determined the course of their personal and professional lives and thus the course of U.S. theater history. The actors, directors, producers, and agents examined here include Edwin Forrest, Charlotte Cushman, and Adah Isaacs Menken, whose personal lives and careers traded on the same-sex erotics of "true love" in the antebellum period; Elisabeth Marbury, Elsie de Wolfe, Elsie Janis, Nance O'Neil, and Alla Nazimova, whose intimate female liaisons were variously interpreted around the turn of the century; the "lavender marriages" of Alfred Lunt to Lynne Fontanne and Guthrie McClintic to Katharine Cornell; the lesbian collaborations of Margaret Webster and Cheryl Crawford; the comic antics of Monty Woolley, which negotiated codified constructions of homosexual perversion in the post-Freudian interwar years; and the on- and offstage performances of Mary Martin and Joe Cino, which resisted the paranoid enforcements of heterosexual normality in the McCarthy era. Central to these investigations are the complex connections of performances of sexuality and gender and their different implications for men and women practitioners working under pervasive sexism and homophobia. The volume also includes striking archival photographs of the performers and their performances, and an index to facilitate the cross-referencing of subjects' intersecting careers. Passing Performances will engage both general and academic readers interested in theater, gay and lesbian history, American studies, and biography. Robert A. Schanke is Professor of Theatre and Chair of the Division of Fine Arts, Central College, Iowa. Kim Marra is Associate Professor of Theatre Arts, University of Iowa.
Edwin Forrest, First Star of the American Stage
Author: Richard Moody
Publisher: New York : Alfred A. Knopf
ISBN:
Category : Actors
Languages : en
Pages : 482
Book Description
The life story of the eccentric American stage actor who publicly feuded with British actor William Macready and was a participant in one of the most scandalous divorce trials of the time; he also was a patron of American playwrights and a benefactor of retired actors.
Publisher: New York : Alfred A. Knopf
ISBN:
Category : Actors
Languages : en
Pages : 482
Book Description
The life story of the eccentric American stage actor who publicly feuded with British actor William Macready and was a participant in one of the most scandalous divorce trials of the time; he also was a patron of American playwrights and a benefactor of retired actors.
The Gay & Lesbian Theatrical Legacy
Author: Billy J. Harbin
Publisher: University of Michigan Press
ISBN: 9780472098583
Category : Biography & Autobiography
Languages : en
Pages : 454
Book Description
Recovers the hidden history of theater professionals who transgressed the gendered expectations of their time
Publisher: University of Michigan Press
ISBN: 9780472098583
Category : Biography & Autobiography
Languages : en
Pages : 454
Book Description
Recovers the hidden history of theater professionals who transgressed the gendered expectations of their time
Dressing In Feathers
Author: S. Elizabeth Bird
Publisher: Routledge
ISBN: 0429969457
Category : Social Science
Languages : en
Pages : 334
Book Description
One hundred members of NatChat, an electronic mail discussion group concerned with Native American issues, responded to the recent Disney release Pocahontas by calling on parents to boycott the movie, citing its historical inaccuracies and saying that "Disney has let us down in a cruel, irresponsible manner." Their anger was rooted in the fact that, although Disney had claimed that the film's portrayal of American Indians would be "authentic," the Pocahontas story the movie told was really white cultural myth. The actual histories of the characters were replaced by mythic narratives depicting the crucial moments when aid was given to the white settlers. As reconstructed, the story serves to reassert for whites their right to be here, easing any lingering guilt about the displacement of the native inhabitants. To understand current imagery, it is essential to understand the history of its making, and these essays mesh to create a powerful, interconnected account of image creation over the past 150 years. The contributors, who represent a range of disciplines and specialties, reveal the distortions and fabrications white culture has imposed on significant historical and current events, as represented by treasured artifacts such as photographic images taken of Sitting Bull following his surrender, the national monument at the battlefield of Little Bighorn, nineteenth-century advertising, the television phenomenon Northern Exposure, and the film Dances with Wolves. Well illustrated, this volume demonstrates the complacency of white culture in its representation of its troubled relationship with American Indians.
Publisher: Routledge
ISBN: 0429969457
Category : Social Science
Languages : en
Pages : 334
Book Description
One hundred members of NatChat, an electronic mail discussion group concerned with Native American issues, responded to the recent Disney release Pocahontas by calling on parents to boycott the movie, citing its historical inaccuracies and saying that "Disney has let us down in a cruel, irresponsible manner." Their anger was rooted in the fact that, although Disney had claimed that the film's portrayal of American Indians would be "authentic," the Pocahontas story the movie told was really white cultural myth. The actual histories of the characters were replaced by mythic narratives depicting the crucial moments when aid was given to the white settlers. As reconstructed, the story serves to reassert for whites their right to be here, easing any lingering guilt about the displacement of the native inhabitants. To understand current imagery, it is essential to understand the history of its making, and these essays mesh to create a powerful, interconnected account of image creation over the past 150 years. The contributors, who represent a range of disciplines and specialties, reveal the distortions and fabrications white culture has imposed on significant historical and current events, as represented by treasured artifacts such as photographic images taken of Sitting Bull following his surrender, the national monument at the battlefield of Little Bighorn, nineteenth-century advertising, the television phenomenon Northern Exposure, and the film Dances with Wolves. Well illustrated, this volume demonstrates the complacency of white culture in its representation of its troubled relationship with American Indians.
Laws of the State of New York
Author: New York (State)
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 1080
Book Description
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 1080
Book Description
Laws of the State of New York Passed at the ... Session of the Legislature
Author: New York (State)
Publisher:
ISBN:
Category : Legislation
Languages : en
Pages : 1086
Book Description
Publisher:
ISBN:
Category : Legislation
Languages : en
Pages : 1086
Book Description
Theatre Magazine
Author: W. J. Thorold
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 530
Book Description
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 530
Book Description