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Author: John Lawrence Ward
Publisher: University of Delaware Press
ISBN: 0874137837
Category : Art
Languages : en
Pages : 262
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Book Description
Featuring 19 color plates and 65 b&w illustrations, this text critically examines the imagery, process, and pictorial structure of works by American painter Edwin Dickinson (1891-1978). Drawing upon 56 years of the artist's journals and several thousand pages of his letters, Ward makes connections b
Author: John Lawrence Ward
Publisher: University of Delaware Press
ISBN: 0874137837
Category : Art
Languages : en
Pages : 262
Get Book Here
Book Description
Featuring 19 color plates and 65 b&w illustrations, this text critically examines the imagery, process, and pictorial structure of works by American painter Edwin Dickinson (1891-1978). Drawing upon 56 years of the artist's journals and several thousand pages of his letters, Ward makes connections b
Author: Edwin De Witt Dickinson
Publisher:
ISBN:
Category : Congresses and conventions
Languages : en
Pages : 448
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Book Description
Author: Judith Farr
Publisher: Harvard University Press
ISBN: 9780674656666
Category : Biography & Autobiography
Languages : en
Pages : 428
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Book Description
In a profound new analysis of Dickinson's life and work, Judith Farr explores the desire, suffering, exultation, spiritual rapture, and intense dedication to art that characterize Dickinson's poems, deciphering their many complex and witty references to texts and paintings of the day.
Author: Scott Donaldson
Publisher: Columbia University Press
ISBN: 9780231138420
Category : Biography & Autobiography
Languages : en
Pages : 572
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Book Description
The best of Edwin Arlington Robinson's poetry rings with a lyrical and emotional purity and singularity that should assure his place as one of the treasured poets of his generation ... Scott Donaldson's book should help to revive appreciation for this solitary figure and the unique resonance of his work. --W.S. Merwin.
Author: Emiy Dickinson
Publisher:
ISBN: 9781947032118
Category : Juvenile Nonfiction
Languages : en
Pages : 36
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Book Description
Poetry by American Poet Emily Dickinson. This book contains 3 poems, the first and second poems are about the power of words and books and the final poem is about the journey of raindrops.
Author: Deborah Solomon
Publisher: Other Press, LLC
ISBN: 1590517148
Category : Biography & Autobiography
Languages : en
Pages : 593
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Book Description
Deborah Solomon’s definitive biography of Joseph Cornell, one of America’s most moving and unusual twentieth-century artists, now reissued twenty years later with updated and extensively revised text Few artists ever led a stranger life than Joseph Cornell, the self-taught American genius prized for his enigmatic shadow boxes, who stands at the intersection of Surrealism, Abstract Expressionism, and Pop Art. Legends about Cornell abound—the shy hermit, the devoted family caretaker, the artistic innocent—but never before has he been presented for what he was: a brilliant, relentlessly serious artist whose stature has now reached monumental proportions.
Author: John Dickinson
Publisher:
ISBN:
Category : Administrative courts
Languages : en
Pages : 428
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Book Description
Author: Francis Cunningham
Publisher: 5 Continents Editions
ISBN: 9788874399062
Category :
Languages : en
Pages : 176
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Book Description
- A new take on perception and preconceptions about the unclothed body and how, through art, the naked becomes the nudeWhile the art world was turning its eyes towards abstract art and action painting, Cunningham's interest in figurative art and the human form never waned. This is the underlying reason for his lukewarm reception, keeping him out of the limelight, although this is not to say his art was second rate. In a sense, this marginal status was a blessing in disguise, enabling Cunningham to broaden and develop his thinking on his personal artistic sensibility and thus on the central role played by 'colour-spot' painting, the technique borrowed from his master Edwin Dickinson, and on the importance of teaching, of which he had personal experience at the New Brooklyn School of Life, Painting, Drawing, and Sculpture and at the New York Academy of Art. These last two aspects, which were of fundamental importance in his life, are brought to the forefront in the very title of the book: Learning How to See. The book chronicles Cunningham's development from his earliest, small, and mostly abstract canvases characterized by large color fields suggesting landscapes, to his later figurative work, in which the study of anatomy takes over, only to give way, as if coming full circle, to paintings containing large empty spaces and a drastically reduced number of elements. Most of Cunningham's paintings are large and depict nude subjects, sometimes portrayed alone and sometimes in triptychs. A feature of his works from this 'second period' is what might be called their 'vertical' nature, which contrasts strongly with his very last, mostly still life paintings, which stand out for their horizontal orientation. The human figure has virtually disappeared and Cunningham seems almost to have returned to the preoccupations of his youth. The artist's many facets are explored in essays by art historians and art critics, including Christopher Knight, Edward Lifson, John Walsh, and Valentina De Pasca, as well through the reminiscences of his favorite model, Regina Hawkins-Balducci.
Author: Charles W. Hawthorne
Publisher: Courier Corporation
ISBN: 048620653X
Category : Art
Languages : en
Pages : 98
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Book Description
Look around and select a subject that you can see painted. That will paint itself. Do the obvious thing before you do the superhuman thing. It may have been accidental, but you knew enough to let this alone. The good painter is always making use of accidents. Never try to repeat a success. Swing a bigger brush — you don’t know what fun you are missing. For 31 years, Charles Hawthorne spoke in this manner to students of his famous Cape Cod School of Art. The essence of that instruction has been collected from students’ notes and captured in this book, retaining the personal feeling and the sense of on-the-spot inspiration of the original classroom. Even though Hawthorne is addressing himself to specific problems in specific paintings, his comments are so revealing that they will be found applicable a hundred times to your own work. The book is divided into sections on the outdoor model, still life, landscape, the indoor model, and watercolor. Each section begins with a concise essay and continues with comments on basic elements: general character, color, form, seeing, posture, etc. It is in the matter of color that students will especially feel themselves in the presence of a master guide and critic. Hawthorne’s ability to see color and, more important, to make the student see color, is a lesson that will aid student painters and anyone else interested in any phase of art. Although it does not pretend to be a comprehensive or closely ordered course, this book does have much to offer. It also represents the artistic insight of one of the finest painter-teachers of the twentieth century. "An excellent introduction for laymen and students alike." — Time "To read these notes and comments … is in itself an education. One cannot help but gain great help." — School Arts
Author: Gary Lee Stonum
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
Lists place names, mostly in former British colonies, derived from place names in Great Britain or from personal English names. The entries indentify the source, and recount what is known of who chose the name, when, and why. Appendixes list the names by type of source (place name, royal name, founder, etc.) and illustrate the naming process with entries from the ships log of Frederick Jackson's Arctic explorations, 1894-97. Stonum (English, Case Western Reserve U.) presents readings of key poems, analyzes the origins and implications of Dickinson's idiosyncratic style, and generalizes about her aesthetics within the context of romantic theories of the sublime. Annotation copyrighted by Book News, Inc., Portland, OR
