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Author:
Publisher: BRILL
ISBN: 9004324968
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
In Edward Albee and Absurdism—the inaugural volume in the new book series, New Perspectives in Edward Albee Studies—Michael Y. Bennett has assembled an outstanding team of Edward Albee scholars to address Albee’s affiliation with Martin Esslin’s label, “Theatre of the Absurd,” examining whether or not this label is appropriate. From scholarly essays and lengthy review-essays to an important interview with the noted playwright and director, Emily Mann, the aim of this collection is to, at last, directly (and indirectly) confront Esslin’s label in regards to Albee’s plays in order to create a scholarly atmosphere that allows future Albee scholars to move on to new and, frankly, more relevant lines of inquiry. Contributors are: Michael Y. Bennett, Linda Ben-Zvi, David A. Crespy, Colin Enriquez, Lincoln Konkle, David Marcia, Dena Marks, Brenda Murphy, Tony Jason Stafford, and Kevin J Wetmore Jr.
Author:
Publisher: BRILL
ISBN: 9004324968
Category : Literary Criticism
Languages : en
Pages : 244
Get Book Here
Book Description
In Edward Albee and Absurdism—the inaugural volume in the new book series, New Perspectives in Edward Albee Studies—Michael Y. Bennett has assembled an outstanding team of Edward Albee scholars to address Albee’s affiliation with Martin Esslin’s label, “Theatre of the Absurd,” examining whether or not this label is appropriate. From scholarly essays and lengthy review-essays to an important interview with the noted playwright and director, Emily Mann, the aim of this collection is to, at last, directly (and indirectly) confront Esslin’s label in regards to Albee’s plays in order to create a scholarly atmosphere that allows future Albee scholars to move on to new and, frankly, more relevant lines of inquiry. Contributors are: Michael Y. Bennett, Linda Ben-Zvi, David A. Crespy, Colin Enriquez, Lincoln Konkle, David Marcia, Dena Marks, Brenda Murphy, Tony Jason Stafford, and Kevin J Wetmore Jr.
Author: B. D. Pandey
Publisher: Bhartiya Sahitya Inc.
ISBN: 1613015925
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
Edward Albee (b. 1928) is recognized as one of the major American dramatists of our time. He is considered the most powerful and controversial writer of America after the eras of O’Neill, Tennessee Williams and Arthur Miller. Critical assessments of his work as a playwright vary from passionate applause to downright denigration. He has occasioned critical responses proving himself an enigma for critics, scholars and reviewers who have failed to reach a consensus on him as a playwright. Robert Brustein, one of America’s leading theatrical observers, displayed an arbitrary mentality of astounding presumptuousness in a review of The Zoo Story printed in Seasons of Discontent (1966) and hinted at a ‘masochistic-homosexual perfume’ in it. Similarly, in approaching The American Dream and Death of Bessie Smith, he adopted a dismissive attitude and felt only the slightest obligation to discuss the plays, preferring to attack the general decadence of American theatre. Martin Esslin precipitated a host of articles in which Albee was alternately praised and denounced for his success or failure. Philip Roth assailed him for writing ‘thinly-veiled homosexual fantasies’. Richard Schechner’s violent denunciation is based on the ‘morbidity and sexual perversity’ in Albee’s first three-act play. He dismissed the playwright as a ‘plague in our midst’ and a ‘corrosive influence on our theatre’. Who is Afraid of Virginia Woolf? invited the adverse remark as “a filthy play.” There are other critics as Gerald Weals, Brian Way, Rose A. Zimbardo, Gilbert Debusscher, Alan Schneider, Harold Clurman, Diana Trilling, Michael E. Rutenberg, Anne Paolucci, C.W.E. Bigsby, Richard E. Amacher etc., who have approached the plays of Edward Albee and expressed their views in favour of or against , them. To record all that has been said on Albee and his plays, or to give a survey of the critical material on Albee, the dramatist, is not possible in the limited space at my disposal here. Further, the present study is not intended to establish the reputation of Albee. Its direct and main drive is to analyze and expose the Absurdist themes which form the fundamentals of his significant plays.
Author: Barry Michael Harlow
Publisher:
ISBN:
Category :
Languages : en
Pages : 186
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Book Description
Author: Marcus Hilton Ollington
Publisher:
ISBN:
Category :
Languages : en
Pages : 164
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Book Description
Author: Julia M. Sánchez
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 104
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Book Description
Author: M. Bennett
Publisher: Palgrave Macmillan
ISBN: 9781349295203
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
Fifty years after the publication of Martin Esslin's The Theatre of the Absurd , which suggests that 'absurd' plays purport the meaninglessness of life, this book uses the works of five major playwrights of the 1950s to provide a timely reassessment of one of the most important theatre 'movements' of the 20th century.
Author: Martin Esslin
Publisher: Vintage
ISBN: 0307548015
Category : Performing Arts
Languages : en
Pages : 480
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Book Description
In 1953, Samuel Beckett’s Waiting for Godot premiered at a tiny avant-garde theatre in Paris; within five years, it had been translated into more than twenty languages and seen by more than a million spectators. Its startling popularity marked the emergence of a new type of theatre whose proponents—Beckett, Ionesco, Genet, Pinter, and others—shattered dramatic conventions and paid scant attention to psychological realism, while highlighting their characters’ inability to understand one another. In 1961, Martin Esslin gave a name to the phenomenon in his groundbreaking study of these playwrights who dramatized the absurdity at the core of the human condition. Over four decades after its initial publication, Esslin’s landmark book has lost none of its freshness. The questions these dramatists raise about the struggle for meaning in a purposeless world are still as incisive and necessary today as they were when Beckett’s tramps first waited beneath a dying tree on a lonely country road for a mysterious benefactor who would never show. Authoritative, engaging, and eminently readable, The Theatre of the Absurd is nothing short of a classic: vital reading for anyone with an interest in the theatre.
Author: M. Bennett
Publisher: Springer
ISBN: 0230118828
Category : Performing Arts
Languages : en
Pages : 295
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Book Description
Fifty years after the publication of Martin Esslin's The Theatre of the Absurd , which suggests that 'absurd' plays purport the meaninglessness of life, this book uses the works of five major playwrights of the 1950s to provide a timely reassessment of one of the most important theatre 'movements' of the 20th century.
Author: Valentina Prevolnik
Publisher:
ISBN:
Category :
Languages : en
Pages : 34
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Book Description
Author: Carmen Dominte
Publisher: Cambridge Scholars Publishing
ISBN: 1527559882
Category : Literary Criticism
Languages : en
Pages : 198
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Book Description
Using the character as a central element, this volume provides insights into the Theatre of the Absurd, highlighting its specific key characteristics. Adopting both semiotic-structuralist and mathematical approaches, its analysis of the absurdist character introduces new models of investigation, including a possible algebraic model operating on the scenic, dramatic and paradigmatic level of a play, not only exploring the relations, configurations, confrontations, functions and situations but also providing necessary information for a possible geometric model. The book also takes into consideration the relations established among the most important units of a dramatic work, character, cue, décor and régie, re-configuring the basic pattern. It will be useful for any reader interested in analyzing, staging or writing a play starting from a single character.
