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Author: Francesca Berry
Publisher: Bloomsbury Publishing
ISBN: 1350186759
Category : Art
Languages : en
Pages : 289
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Book Description
This ground-breaking book is the first to address the feminine and feminist politics of Intimiste art - a modernist mode of art making developed in the 1890s by Édouard Vuillard while associated with the Nabi 'brotherhood'. Coined by contemporary critics, 'intimisme' encapsulated the shared approach of these artists to depicting intimate settings and themes. Vuillard's paintings, which are typically small, employ bold pigments and economic brushstrokes to depict female figures in tightly composed apartment interiors. Those portrayed include his mother and sister, just as wives and lovers dominate the art of other Nabis, including Maurice Denis and Pierre Bonnard. Francesca Berry comparatively analyses the gender politics of Nabi art to reveal real differences. Through skilled visual interpretation she argues that Vuillard attempted a profound engagement with the material conditions of feminine domesticity in cooperation with his first and most sustained audience: women. He did so, the author reveals, in artworks that explore a complex range of feminine experiences such as sexual initiation, stillbirth, illicit work, and unceasing housework. The personal gender politics of Intimiste practice also are foregrounded. Vuillard's studio-bedroom afforded him access to quotidian femininity. But at what risks to his sister's privacy and to his mother's subjectivity? Making an artistic project of feminine domesticity also meant entering the field of politics. The 1890s was the decade of state legislation and feminist demands with respect to work in the home and women's familial rights. Personal in motif and Symbolist in form, Berry's extensive historical research reveals these artworks also to have been social and political, sometimes even feminist, in meaning. Transcending the structural repression of domesticity in histories of modernist art, this book powerfully overturns residual myths of aesthetic introspection and social retreat that for too long have been attached to Nabi Symbolism.
Author: Francesca Berry
Publisher: Bloomsbury Publishing
ISBN: 1350186759
Category : Art
Languages : en
Pages : 289
Get Book Here
Book Description
This ground-breaking book is the first to address the feminine and feminist politics of Intimiste art - a modernist mode of art making developed in the 1890s by Édouard Vuillard while associated with the Nabi 'brotherhood'. Coined by contemporary critics, 'intimisme' encapsulated the shared approach of these artists to depicting intimate settings and themes. Vuillard's paintings, which are typically small, employ bold pigments and economic brushstrokes to depict female figures in tightly composed apartment interiors. Those portrayed include his mother and sister, just as wives and lovers dominate the art of other Nabis, including Maurice Denis and Pierre Bonnard. Francesca Berry comparatively analyses the gender politics of Nabi art to reveal real differences. Through skilled visual interpretation she argues that Vuillard attempted a profound engagement with the material conditions of feminine domesticity in cooperation with his first and most sustained audience: women. He did so, the author reveals, in artworks that explore a complex range of feminine experiences such as sexual initiation, stillbirth, illicit work, and unceasing housework. The personal gender politics of Intimiste practice also are foregrounded. Vuillard's studio-bedroom afforded him access to quotidian femininity. But at what risks to his sister's privacy and to his mother's subjectivity? Making an artistic project of feminine domesticity also meant entering the field of politics. The 1890s was the decade of state legislation and feminist demands with respect to work in the home and women's familial rights. Personal in motif and Symbolist in form, Berry's extensive historical research reveals these artworks also to have been social and political, sometimes even feminist, in meaning. Transcending the structural repression of domesticity in histories of modernist art, this book powerfully overturns residual myths of aesthetic introspection and social retreat that for too long have been attached to Nabi Symbolism.
Author: Francesca Berry
Publisher: Bloomsbury Visual Arts
ISBN: 1350186732
Category : Art
Languages : en
Pages : 0
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Book Description
"Highly influential, and - as this book shows - also politically engaged, the art of the Nabis (1888-1900) lay the groundwork for the transition from impressionism to modernism in French art. This ground-breaking book is the first to address the feminine and feminist politics of domesticity in the Intimiste art of âEdouard Vuillard and the Nabis. Personal in motif and decorative in form, Francesca Berry's extensive historical research and skilled visual analysis reveal the social and political, sometimes even feminist, meanings of these artworks. Transcending the structural repression of domesticity in histories of modernist art, this book powerfully overturns residual myths of aesthetic introspection and social retreat that for too long have been attached to Nabi Synthetism"--
Author: Francesca Berry
Publisher:
ISBN: 9781911300465
Category :
Languages : en
Pages : 83
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Book Description
Madame Vuillard is a particular focus of the work produced during the initial decade of Edouard Vuillard's (1868 - 1940) career, the 1890s, when Vuillard was a member of the Nabis and forging an artistic identity as part of the Parisian avant-garde. During this period Vuillard and his widowed mother shared a series of modest rented apartments in central Paris in which the artist sustained a works-on-paper and (from 1897) amateur photographic practice out of his 'studio-bedroom', whilst in the dining room Madame Vuillard ran the corsetry business employing a handful of seamstresses including Vuillard's sister. In these apartments Vuillard and Madame Vuillard operated mutually supportive, parallel working practices, to the extent that Vuillard put his mother and the fabric of her atelier 'in the picture' whilst she posed for his pencil and camera or developed his photographs in the kitchen. Their Parisian co-habitation, and Vuillard's portrayal of his mother across a range of pictorial media, lasted until Madame Vuillard's death as an elderly woman in 1928.00Exhibition: The Barber Institute of Fine Arts, Birmingham, UK (19.10.2018 - 20.01.2019).
Author: Gloria Lynn Groom
Publisher: Yale University Press
ISBN: 0300089252
Category : Design
Languages : en
Pages : 318
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Book Description
"The Contributions of Artists Pierre Bonnard, Edouard Vuillard, Maurice Denis, and Ker Xavier Roussel to the French avant-garde of the 1890s, as members of the Nabis, are widely recognized. What is less known about these artists' careers is their extraordinary work in decorative painting - work on a large or unusual scale for private interiors. This illustrated book focuses on the many decorative works carried out by the four artists between 1890 and 1930. During these years, they moved beyond the narrow parameters of easel painting and applied their wholly untraditional aesthetic of decoration to a wide range of works for domestic interiors, from wall-size ensembles to folding screens. The cosmopolitan group of patrons who made this work possible ranged from the avant-garde circle of La Revue Blanche to prominent members of the French establishment. An examination of their role and tastes is another fascinating feature of this publication." "The book and accompanying exhibition reunite paintings that have long been dispersed, introducing contemporary viewers to a group of bold and evocative works, which had a wide-ranging, though little-recognized, influence on modern art. As the book's authors argue, the aesthetic embodied by these works indeed helped set the stage for the large, non-narrative paintings by artists as diverse as Rothko and Lichtenstein that came to dominate the avant-garde after World War II."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: KatherineM. Kuenzli
Publisher: Routledge
ISBN: 1351542052
Category : Art
Languages : en
Pages : 303
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Book Description
Providing a fresh perspective on an important but underappreciated group of late nineteenth-century French painters, this is the first book to provide an in-depth account of the Nabis' practice of the decorative, and its significance for twentieth-century modernism. Over the course of the ten years that define the Nabi movement (1890-1900), its principal artists included Edouard Vuillard, Pierre Bonnard, Maurice Denis, Paul S?sier, and Paul Ranson. The author reconstructs the Nabis' relationship to Impressionism, mass culture, literary Symbolism, Art Nouveau, Wagnerianism, and a revolutionary artistic tradition in order to show how their painterly practice emerges out of the pressing questions defining modernism around 1900. She shows that the Nabis were engaged, nonetheless, with issues that are always at stake in accounts of nineteenth-century modernist painting, issues such as the relationship of high and low art, of individual sensibility and collective identity, of the public and private spheres. The Nabis and Intimate Modernism is a rigorous study of the intellectual and artistic endeavors that inform the Nabis' decorative domestic paintings in the 1890s, and argues for their centrality to painterly modernism. The book ends up not only re-positioning the Nabis to occupy a crucial place in modernism's development from 1860 to 1914, but also challenges that narrative to place more emphasis on notions of decoration, totality and interiority.
Author: Julia Frey
Publisher:
ISBN: 9781789141603
Category : ART
Languages : en
Pages : 0
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Book Description
"Marvelous, beautifully illustrated."--Wall Street Journal Édouard Vuillard was so secretive that he berated himself for betraying his emotions in conversation. He was a reticent, impassioned man, at once a timid stalker and a social climbing anarchist, caught in conflicting desires. From the 1880s until the advent of World War II, using styles from academic to pointillist to Nabi to Fauve, Vuillard's abundant paintings revealed his turmoil of love and hatred: models pose beside a plaster torso cast from the Venus of Milo, women appear without faces, anxiety radiates from many masterpieces--while other works were left unfinished for months or years. Drawing on insights and images from Vuillard's still unpublished diaries, Julia Frey takes us into Vuillard's private world of cabarets, experimental theaters, holiday resorts, and intimate boudoirs, showing how his art reflects his fraught personal relations and his artistic struggles. Frey highlights many of his finest works, from his famous intimate interior scenes to book illustrations and poster designs, and she examines his complex relationships with iconic friends like Pierre Bonnard, Henri de Toulouse-Lautrec, Stéphane Mallarmé, and Felix Vallotton, as well as with the women he loved--his mother and sister, penniless models, and rich men's wives.
Author: Mary Weaver Chapin
Publisher: Cleveland Museum of Art
ISBN: 9780300257595
Category : Art, French
Languages : en
Pages : 278
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Book Description
Four "prophets" of art whose luminous work unfolds the mysteries of domestic life
Author: Freya Gowrley
Publisher: Bloomsbury Publishing USA
ISBN: 1501343351
Category : Design
Languages : en
Pages : 360
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Book Description
Between 1750 and 1840, the home took on unprecedented social and emotional significance. Focusing on the design, decoration, and reception of a range of elite and middling class homes from this period, Domestic Space in Britain, 1750-1840 demonstrates that the material culture of domestic life was central to how this function of the home was experienced, expressed, and understood at this time. Examining craft production and collection, gift exchange and written description, inheritance and loss, it carefully unpacks the material processes that made the home a focus for contemporaries' social and emotional lives. The first book on its subject, Domestic Space in Britain, 1750-1840 employs methodologies from both art history and material culture studies to examine previously unpublished interiors, spaces, texts, images, and objects. Utilising extensive archival research; visual, material, and textual analysis; and histories of emotion, sociability, and materiality, it sheds light on the decoration and reception of a broad array of domestic spaces. In so doing, it writes a new history of late eighteenth- and early nineteenth-century domestic space, establishing the materiality of the home as a crucial site for identity formation, social interaction, and emotional expression.
Author: David Cottington
Publisher: Yale University Press
ISBN: 0300265077
Category : Art
Languages : en
Pages : 418
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Book Description
An authoritative re-definition of the social, cultural and visual history of the emergence of the “avant-garde” in Paris and London Over the past fifty years, the term "avant-garde" has come to shape discussions of European culture and modernity, ubiquitously taken for granted but rarely defined. This ground-breaking book develops an original and searching methodology that fundamentally reconfigures the social, cultural, and visual context of the emergence of the artistic avant-garde in Paris and London before 1915, bringing the material history of its formation into clearer and more detailed focus than ever before. Drawing on a wealth of disciplinary evidence, from socio-economics to histories of sexuality, bohemia, consumerism, politics, and popular culture, David Cottington explores the different models of cultural collectivity in, and presumed hierarchies between, these two focal cities, while identifying points of ideological influence and difference between them. He reveals the avant-garde to be at once complicit with, resistant to, and a product of the modernizing forces of professionalization, challenging the conventional wisdom on this moment of cultural formation and offering the means to reset the terms of avant-garde studies.
Author: Claudia Mesch
Publisher: Bloomsbury Publishing
ISBN: 0857734105
Category : Art
Languages : en
Pages : 300
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Book Description
Contemporary art is increasingly concerned with swaying the opinions of its viewier. To do so, the art employs various strategies to convey a political message. This book provides readers with the tools to decode and appreciate political art, a crucial and understudied direction in post-war art. From the postwar works of Pablo Picasso and Alexander Deineka to thie Border Film Project and web-based works of Beatriz da Costa, Art and Politics: a Small History of Art for Social Change after 1945 considers how artists visual or otherwise have engaged with major political and grassroots movements, particularly after 1960. With its broad definition of the political, this book features chapters on postcolonialism, feminism, the anti-war movement, environmentalism, gay rights and anti-globiliaztion. It charts how individual artworks reverberated with enormous idealogical shifts. While emphasising the West, Art and Politics takes global developments into account as well - looking at art production practiced by postcolonial African, Latin American and Middle Eastern artists. Its case-study approach to the subject provides the reader with an overview of a most complex subject. This book will also challenge its readers to consider often devalued and marginalised political artworks as properly part of the history of modern and contemporary art.
