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Author: Lewis Foreman
Publisher: Theodore Front Musical Literature
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 122
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Book Description
Author: Lewis Foreman
Publisher: Theodore Front Musical Literature
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 122
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Book Description
Author: Ralph Scott Grover
Publisher: Ashgate Publishing
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 652
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Book Description
The music of Edmund Rubbra is the first comprehensive study of the work of this important but neglected twentieth century British composer. Written by an American musicologist, it features detailed discussions of the music in each genre: the eleven symphonies; other important orchestral music; concertos for piano, violin, and viola together with other concerto-related works; solo instrumental music; chamber music, including four string quartets, two piano trios, and music for various combinations such as recorders and harpsichord; a vast quanitity of choral music; songs; and, finally, miscellaneous works. Supporting these discussions are many detailed analysis, illustrated by 277 music examples. Together, these demonstrate the considerable contrapuntal and rhythmic complexities that are integral parts of Rubbra's musical thought, together with a distinctive and individual style. Rubbra wrote analytical articles on his music, and excerpts from these are often intertwined with the author's analyses. In addition, significant reviews of his music, gathered from leading musical journals, are included.
Author: Leo Black
Publisher: Boydell & Brewer Ltd
ISBN: 1843839334
Category : Biography & Autobiography
Languages : en
Pages : 258
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Book Description
Leo Black, a pupil of Rubbra in the 1950s, presents a full-scale study of his symphonies (the first for twenty years). A biographical sketch throws light on legends about the BBC and Rubbra; there are full programme notes on eachsymphony, with accounts of important non-symphonic works. The music of Edmund Rubbra (1901-1986) has been unjustly neglected - arguably because its wide-ranging nature makes it difficult to categorise. He is perhaps best known as a symphonist; his eleven symphonies covered a period of musical and political upheaval [1934 - 1980], the first four reflecting the uneasy later 1930s, with a second global conflict no longer avoidable. The immediately-post-war ones document new emotional depths and his conversion, whilethe final symphonies show a man still in search of peace and reconciliation, overlooked by the world but certain he was on the right path. Leo Black, a pupil of Rubbra at Oxford in the 1950s, here presents a sympatheticfull-scale study of these works (the first for some twenty years). A succinct biographical sketch throws light on legends about the BBC and Rubbra; there are full programme notes on each symphony, with shorter accounts of important non-symphonic works, in particular a 'triptych' of concertos from the 1950s and major liturgical pieces composed around the time of the Second Vatican Council, after Rubbra's conversion to Catholicism. He also deals with the vexed question of Rubbra's mysticism. LEO BLACK is a former BBC chief producer for music and author of the highly-acclaimed Franz Schubert: Music and Belief [2003].
Author: Edmund Rubbra
Publisher: London : Triad Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 66
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Book Description
Author: Lucinda Cradduck
Publisher: Taylor & Francis
ISBN: 1000803759
Category : Music
Languages : en
Pages : 297
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Book Description
Edmund Rubbra’s music has given him a reputation as a ‘spiritual’ composer, who had an interest in Eastern thought, and a mid-life conversion to Roman Catholicism. This book takes a wide and detailed view of ‘spiritual’ dimensions or strands that were important in his life, positioning them both biographically and within the context of contemporaneous English culture. It proceeds to interpret through detailed analysis the ways these spiritual aspects are reflected in specific compositions. Thematical treatment of these spiritual issues, touching on Theosophy, dance, Eastern religions and thought, nature, the evolutionary theory of Teilhard de Chardin and the Christ figure, presents a multi-faceted view of Rubbra’s life and music. Its contribution to a scholarly re-evaluation of his place within twentieth-century British music and culture engages and meshes with several areas of current scholarly research in the arts and humanities, including academic interest in Theosophy, modernism and the arts, experimental dance and the Indian cultural renaissance and East–West musical interactions of the late nineteenth and early twentieth centuries. It also adds to a burgeoning body of writings on music and spirituality, fuelled by the popularity of later twentieth-century and contemporary composers who make more overt spiritual references in their music.
Author:
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 26
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Book Description
Author: Ernest John Moeran
Publisher:
ISBN:
Category : String quartets
Languages : en
Pages : 48
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Book Description
Author: Edmund Rubbra
Publisher:
ISBN: 9780907689607
Category :
Languages : en
Pages :
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Book Description
Author: Stephen Town
Publisher: Routledge
ISBN: 1317181867
Category : Music
Languages : en
Pages : 387
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Book Description
The rehabilitation of British music began with Hubert Parry and Charles Villiers Stanford. Ralph Vaughan Williams assisted in its emancipation from continental models, while Gerald Finzi, Edmund Rubbra and George Dyson flourished in its independence. Stephen Town's survey of Choral Music of the English Musical Renaissance is rooted in close examination of selected works from these composers. Town collates the substantial secondary literature on these composers, and brings to bear his own study of the autograph manuscripts. The latter form an unparalleled record of compositional process and shed new light on the compositions as they have come down to us in their published and recorded form. This close study of the sources allows Town to identify for the first time instances of similarity and imitation, continuities and connections between the works.
Author: Diana McVeagh
Publisher: Boydell & Brewer
ISBN: 1843836025
Category : Biography & Autobiography
Languages : en
Pages : 334
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Book Description
Critically acclaimed biography of one of England's best loved composers, with a full discussion and evaluation of his works. Gerald Finzi is one of the best-known modern English composers. While he is especially famous as a song-writer, for his sensitive settings of poets such as Hardy and Wordsworth, he also wrote in other genres; notable works includethe exquisite cantata Dies Natalis, and his cello concerto. He also exerted a major influence in the musical world as a whole, championing the neglected Ivor Gurney and reviving eighteenth-century composers with the amateur orchestra he founded. In this lively and sensitive study of his life and works, Diana McVeagh, the renowned Elgar and Finzi scholar, has made use of interviews with the main figures in his life, correspondence with contemporaries such as Vaughan Williams, Edmund Blunden, Arthur Bliss, Edmund Rubbra, Howard Ferguson and Herbert Howells, and her access to previously unpublished material in the form of his widow, Joy's, unpublished journal. The Finzithat emerges is a multi-faceted and complex character. The author shows how he developed from a solitary, introverted youth into a man with strong views and a myriad of interests: everything from education, pacifism, vegetarianism, to the Arts and Crafts movement, the English pastoral tradition, English apple varieties, and the significance of ancestry, friendship and marriage in an artist's life. She also discusses every work within the narrative of Finzi's life, and shows what makes his output so outstanding. Diana McVeagh is the author of the highly acclaimed Elgar the Music Maker [2007]; of the entries on Elgar and Finzi for The New Grove Dictionary of Music and Musicians [1980, 2001]; and of the Finzi entry in The Oxford Dictionary of National Biography [2004].
