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Author: Molly G. Yarn
Publisher: Cambridge University Press
ISBN: 1316518353
Category : Drama
Languages : en
Pages : 353
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Book Description
This bold and compelling revisionist history tells the remarkable story of the forgotten lives and labours of Shakespeare's women editors.
Author: Molly G. Yarn
Publisher: Cambridge University Press
ISBN: 1316518353
Category : Drama
Languages : en
Pages : 353
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Book Description
This bold and compelling revisionist history tells the remarkable story of the forgotten lives and labours of Shakespeare's women editors.
Author: Peter Holland
Publisher: Cambridge University Press
ISBN: 0521868386
Category :
Languages : en
Pages : 384
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Book Description
Published with academic researchers and graduate students in mind, this volume of the 'Shakespeare Survey' presents a number of contributions on the theme of editing Shakespeare's works.
Author: Peter Seary
Publisher: Oxford University Press, USA
ISBN:
Category : Drama
Languages : en
Pages : 272
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Book Description
Since his death in 1744, Theobald's reputation as a scholar and critic has been determined chiefly by Pope's Dunciad Variorum (1729) and Johnson's Preface to Shakespeare (1765). This study, while putting the hostile views of Pope and Johnson into their intellectual and social contexts,reassesses Theobald's aims and achievements from the perspective of twentieth-century textual scholarship: his concerns with Elizabethan philology, palaeography, and bibliography, which were usually ignored or ridiculed in his own time, are seen to be distinctly modern. At the same time, attentionis paid to his critical understanding of Shakespeare. The result is a radical alteration of our view of him: instead of appearing a contemptible dunce, Theobald takes his place as the pioneer of techniques of modern literary scholarship whose critical acumen still illuminates our understanding ofShakespeare today.
Author: Sonia Massai
Publisher: Cambridge University Press
ISBN: 0521878055
Category : Drama
Languages : en
Pages : 154
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Book Description
A study into the prehistory of editorial tradition, focusing on Shakespeare and his earliest 'editors'.
Author: Paul Werstine
Publisher: Cambridge University Press
ISBN: 1107020425
Category : Drama
Languages : en
Pages : 447
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Book Description
This book argues for editing Shakespeare's plays in a new way, without pretending to distinguish authorial from theatrical versions.
Author: Molly G. Yarn
Publisher: Cambridge University Press
ISBN: 1009006290
Category : Literary Criticism
Languages : en
Pages : 353
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Book Description
From novelists and professors to suffragists and Irish revolutionaries, Shakespeare's women editors lived extraordinary lives and produced editions that, throughout England and America, were read and used by people of all ages. This compelling book draws on book history, literary studies and women's history alike to tell their remarkable stories.
Author: Stephen Orgel
Publisher: Taylor & Francis
ISBN: 9780815329657
Category : Drama
Languages : en
Pages : 426
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Book Description
Shakespeare has never been more ubiquitous, not only on the stage and in academic writing, but in film, video and the popular press. On television, he advertises everything from cars to fast food. His birthplace, the tiny Warwickshire village of Stratford-Upon-Avon, has been transformed into a theme park of staggering commercialism, and the New Globe, in its second season, is already a far bigger business than the old Globe could ever have hoped to be. If popular culture cannot do without Shakespeare, continually reinventing him and reimagining his drama and his life, neither can the critical and scholarly world, for which Shakespeare has, for more than two centuries, served as the central text for analysis and explication, the foundation of the western literary canon and the measure of literary excellence.The Shakespeare the essays collected in these volumes reveal is fully as multifarious as the Shakespeare of theme parks, movies and television. Indeed, it is part of the continuing reinvention of Shakespeare. The essays are drawn for the most part from work done in the past three decades, though a few essential, enabling essays from an earlier period have been included. They not only chart the directions taken by Shakespeare studies in the recent past, but they serve to indicate the enormous and continuing vitality of the enterprise, and the extent to which Shakespeare has become a metonym for literary and artistic endeavor generally.
Author: José Manuel González Fernández de Sevilla
Publisher: University of Delaware Press
ISBN: 9780874139037
Category : Biography & Autobiography
Languages : en
Pages : 342
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Book Description
Spanish Studies in Shakespeare and His Contemporaries offers aselection of the most significant studies on Shakespeare and hiscontemporaries from a variety of perspectives in order to present a freshand inclusive vision of Shakespearean criticism in Spain to reach aworldwide readership. Plurality, maturity, and diversity are itsoutstanding characteristics as the transition has given shape to newcritical attitudes, readings, and approaches in the analysis and study ofShakespeare in the new Spain.
Author: Lukas Erne
Publisher: Bloomsbury Publishing
ISBN: 1350080659
Category : Literary Criticism
Languages : en
Pages : 408
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Book Description
The Arden Research Handbook of Shakespeare and Textual Studies is a wide-ranging, authoritative guide to research on Shakespeare and textual studies by an international team of leading scholars. It contains chapters on all the major areas of current research, notably the Shakespeare manuscripts; the printed text and paratext in Shakespeare's early playbooks and poetry books; Shakespeare's place in the early modern book trade; Shakespeare's early readers, users, and collectors; the constitution and evolution of the Shakespeare canon from the sixteenth to the twenty-first century; Shakespeare's editors from the eighteenth to the twenty-first century; and the modern editorial reproduction of Shakespeare. The Handbook also devotes separate chapters to new directions and developments in research in the field, specifically in the areas of digital editing and of authorship attribution methodologies. In addition, the Companion contains various sections that provide non-specialists with practical help: an A-Z of key terms and concepts, a guide to research methods and problems, a chronology of major publications and events, an introduction to resources for study of the field, and a substantial annotated bibliography. The Arden Research Handbook of Shakespeare and Textual Studies is a reference work aimed at advanced undergraduate and graduate students as well as scholars and libraries, a guide to beginning or developing research in the field, an essential companion for all those interested in Shakespeare and textual studies.
Author: James J. Marino
Publisher: University of Pennsylvania Press
ISBN: 0812205774
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
Copyright is by no means the only device for asserting ownership of a work. Some writers, including playwrights in the early modern period, did not even view print copyright as the most important of their authorial rights. A rich vein of recent scholarship has examined the interaction between royal monopolies, which have been identified with later notions of intrinsic authorial ownership, and the internal copy registration practices of the English book trades. Yet this dialogue was but one part of a still more complicated conversation in early modern England, James J. Marino argues; other customs and other sets of professional demands were at least as important, most strikingly in the exercise of the performance rights of plays. In Owning William Shakespeare James Marino explores the actors' system of intellectual property as something fundamentally different from the property regimes exercised by the London printers or the royal monopolists. Focusing on Hamlet, The Taming of the Shrew, King Lear, and other works, he demonstrates how Shakespeare's acting company asserted ownership of its plays through intense rewriting combined with progressively insistent attribution to Shakespeare. The familiar versions of these plays were created through ongoing revision in the theater, a process that did not necessarily begin with Shakespeare's original manuscript or end when he died. An ascription by the company of any play to "Shakespeare" did not imply that it was following a fixed, authorial text; rather, Marino writes, it indicates an attempt to maintain exclusive control over a set of open-ended, theatrically revised scripts. Combining theater history, textual studies, and literary theory, Owning William Shakespeare rethinks both the way Shakespeare's plays were created and the way they came to be known as his. It overturns a century of scholarship aimed at re-creating the playwright's lost manuscripts, focusing instead on the way the plays continued to live and grow onstage.
