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Author: Laura Bradley
Publisher: Camden House
ISBN: 1571134921
Category : Drama
Languages : en
Pages : 252
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Book Description
While Bertold Brecht became identified internationally as the cultural figurehead of the GDR, his relationship with the authorities was always complex. This book examines his activities in the GDR and the regime's marginalizing response and posthumous appropriation of his legacy.
Author: Laura Bradley
Publisher: Camden House
ISBN: 1571134921
Category : Drama
Languages : en
Pages : 252
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Book Description
While Bertold Brecht became identified internationally as the cultural figurehead of the GDR, his relationship with the authorities was always complex. This book examines his activities in the GDR and the regime's marginalizing response and posthumous appropriation of his legacy.
Author: Helmut Schmitz
Publisher: Boydell & Brewer
ISBN: 1571139788
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
New essays exploring the resurgence of the theme of romantic relationships and love in German literature since around the turn of the millennium. While sociologists have long agreed that the problems of modern and contemporary subjectivity crystallize in the issue of romantic relationships and love (e.g., Luhmann, Illouz, Beck, etc.), the theme of love, so crucial to the foundational text of modern German literature, Goethe's Werther, all but disappeared from German prose literature in the second half of the twentieth century. Yet over the past fifteen years German-language literature has witnessed an explosion of novels with "Liebe" in their titles as well as novels that centrally focus on intersubjective erotic and emotional relationships. A number of major contemporary writers (Treichel, Walser, Kermani, Ortheil, Maron, Zaimoglu, Genazino) have written Liebesromane or novels in which significant sociohistorical questions are refracted through the love relationships of their protagonists. German film likewise has increasingly thematized love relationships under postromantic conditions, e.g. in the films of the Berlin school. Simultaneously, the development of both feminist and LGBTQ politics over the past decades has exploded the heteronormative discourses ofdesire in a way that has both expanded and enriched the lovers' discourse, while recent developments of urban (hetero)sexuality have expanded the previously available models of expressing erotic relationships in ways that are reminiscent of the utopian ending of Goethe's first version of Stella. The present collection offers a wide-ranging set of essays on these developments. Contributors: Esther K. Bauer, Sven Glawion, Silke Horstkotte, Sarra Kassem, Maria Roca Lizarazu, Helmut Schmitz, Angelika Vybiral. Helmut Schmitz is Reader in German at the University of Warwick. Peter Davies is Professor and Head of German at the University of Edinburgh.
Author: Jennifer V. Evans
Publisher: Duke University Press
ISBN: 1478024364
Category : History
Languages : en
Pages : 193
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Book Description
In The Queer Art of History Jennifer V. Evans examines postwar and contemporary German history to broadly argue for a practice of queer history that moves beyond bounded concepts and narratives of identity. Drawing on Black feminism, queer of color critique, and trans studies, Evans points out that although many rights for LGBTQI people have been gained in Germany, those rights have not been enjoyed equally. There remain fundamental struggles around whose bodies, behaviors, and communities belong. Evans uses kinship as an analytic category to identify the fraught and productive ways that Germans have confronted race, gender nonconformity, and sexuality in social movements, art, and everyday life. Evans shows how kinship illuminates the work of solidarity and intersectional organizing across difference and offers an openness to forms of contemporary and historical queerness that may escape the archive’s confines. Through forms of kinship, queer and trans people test out new possibilities for citizenship, love, and public and family life in postwar Germany in ways that question claims about liberal democracy, the social contract, and the place of identity in rights-based discourses.
Author: Kyle Frackman
Publisher: Boydell & Brewer
ISBN: 1571139168
Category : History
Languages : en
Pages : 276
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Book Description
Approaches the topic of classical music in the GDR from an interdisciplinary perspective, questioning the assumption that classical music functioned purely as an ideological support for the state.
Author: Ela E. Gezen
Publisher: Boydell & Brewer
ISBN: 1640140247
Category : Drama
Languages : en
Pages : 176
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Book Description
Uncovers the central role of Brecht reception in Turkish theater and Turkish-German literature, examining interactions between Turkish and German writers, texts, and contexts.
Author: Emily Jeremiah
Publisher: Boydell & Brewer
ISBN: 1571135502
Category : Literary Criticism
Languages : en
Pages : 185
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Book Description
Building on a long tradition in German-language literature and culture, this volume focuses on contemporary engagements with ethical concerns in literary texts, essays, and films. There has been an "ethical turn" in the literature, culture, and theory of recent years. Questions of morality are urgent at a time of increasing global insecurities. Yet it is becoming ever more difficult to make ethical judgments in multicultural, relativist societies. The European economic meltdown has raised further ethical difficulties, widening the gap between rich and poor. Such divisions and difficulties heighten the widespread fear of "the other"in its various manifestations. And in the German context especially, the past and its representation offer ongoing moral challenges. These ethical concerns have found their way into recent German-language literature andculture in texts that deal with history and memory (Timm, Petzold, Schoch, Strubel); materiality (Krauß, Overath); gender (Berg, Schneider); age and generation (Moster, Pehnt, Schalansky); religion, especially Islam (Senocak, Kermani, Ruete); and nomadism (Tawada). The relationship between self and other; the connection between particular and general; the personal and political consequences of individuals' actions; and the potential, and danger, of representation itself are issues that are vital to the shaping of our future ethical landscapes, as this volume demonstrates. Contributors: Monika Albrecht, Angelika Baier, David N. Coury, Anna Ertel & Tilmann Köppe, Emily Jeremiah, Alasdair King, Frauke Matthes, Aine McMurtry, Gillian Pye, Kate Roy. Emily Jeremiah is Senior Lecturer in German at Royal Holloway, University of London. Frauke Matthes is Lecturer in German at the University ofEdinburgh.
Author: Marc Silberman
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110273454
Category : Art
Languages : en
Pages : 356
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Book Description
Motion picture production, distribution, exhibition and reception has always been a transnational phenomenon, yet East Germany, situated at the edge of the post-war Iron Curtain, separated by a boundary that became materialized in the Berlin Wall in 1961, resembles nothing if not an island, a protected space where film production developed under the protection of government subsidy and ideological purity. This volume proposes on the contrary that the GDR cinema was never just a monologue. Rather, its media landscape was characterized by constant dialogue, if not competition, with both the capitalist West and socialist East. These thirteen essays reshape DEFA cinema studies by exploring international networks, identifying lines of influence beyond national boundaries and recognizing genre qualities that surpass the temporal and spatial confines. The international team of film specialists present detailed analyses of over fifty films, including fiction features, adaptations of literary classics, children's films, documentaries, and examples from genres such as music, sci-fi, Westerns and crime films. With contributions by Seán Allan, Hunter Bivens, Benita Blessing, Barton Byg, Jaimey Fisher, Sabine Hake, Nick Hodgin, Manuel Köppen, Anke Pinkert, Larson Powell, Brad Prager, Marc Silberman, Stefan Soldovieri, and Henning Wrage.
Author: Dora Osborne
Publisher: Boydell & Brewer
ISBN: 1571139230
Category : Art
Languages : en
Pages : 220
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Book Description
Explores the changing relationship between memory and the archive in German-language literature and culture since 1945.
Author: Mary Cosgrove
Publisher: Camden House
ISBN: 1571135286
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
Focusing on "Sadness and Melancholy in German-language Literature and Culture," volume 6 investigates the often subversive function and meaning of sadness and melancholy in German-language literature and culture from the seventeenth century to the present where, arguably, it has fallen from the heights of melancholy genius and artistic creativity of earlier epochs to become the embarrassing other of a Western civilization that prizes happiness as the mark of successful modern living. Interrogating the distinction between sadness as an anthropological constant and melancholy as a shifting cultural discourse, the contributions explore how different authors use established literary and cultural topoi from melancholy discourses to comment on topics as diverse as war, religion, gender inequality, and modernity. As well as essays on canonical figures including Goethe and Thomas Mann, the volume features studies of sadness in lesser-known writers such as Betty Paoli and Julia Schoch. -- From publisher's website.
Author: Clare Bielby
Publisher: Camden House
ISBN: 1571135308
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
West Germany's terrorist period of the 1970s is still a troubling and fascinating subject for Germans, not least because of the high proportion of women involved, most notoriously Ulrike Meinhof. The present study examines the West German print media of the 1960s and 1970s, from the right-wing 'Bild' to the left-leaning 'Der Spiegel'to explore how violent women - both terrorists and others - were represented in image and text. This is the first book to explore print-media representations of German terrorism from an explicitly gendered perspective, and one of very few books in English to addres.
