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Author: Alexandra Schwartz
Publisher: MIT Press
ISBN:
Category : Art
Languages : en
Pages : 352
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Book Description
Schwartz examines Ruscha's diverse body of work, including paintings, drawings, prints, photographs, books, and films, and discusses his relationship with other artists with whom he sparked the movement known as West Coast pop.
Author: Alexandra Schwartz
Publisher: MIT Press
ISBN:
Category : Art
Languages : en
Pages : 352
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Book Description
Schwartz examines Ruscha's diverse body of work, including paintings, drawings, prints, photographs, books, and films, and discusses his relationship with other artists with whom he sparked the movement known as West Coast pop.
Author: Edward Ruscha
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Virginia Heckert
Publisher: Getty Publications
ISBN: 1606061380
Category : Architecture
Languages : en
Pages : 90
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Book Description
"Published to accompany the exhibition In Focus: Ed Ruscha, on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from April 9 to September 29, 2013, this book focuses on Ruscha's photographic work, specifically the thirty-eight images he made for his 1965 photobook Some Los Angeles Apartments"--Provided by publisher.
Author: Karin Breuer
Publisher: Univ of California Press
ISBN: 0520290690
Category : Art
Languages : en
Pages : 246
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Book Description
The renowned artist Ed Ruscha was born in Nebraska, grew up in Oklahoma, and has lived and worked in Southern California since the late 1950s. Beginning in 1956, road trips across the American Southwest furnished a conceptual trove of themes and motifs that he mined throughout his career. The everyday landscapes of the West, especially as experienced from the automobileÑgas stations, billboards, building facades, parking lots, and long stretches of roadwayÑare the primary motifs of his often deadpan and instantly recognizable paintings and works on paper, as well as his influential artist books such as Twentysix Gasoline Stations and All the Buildings on the Sunset Strip. His iconic word imagesÑdeclaring Adios, Rodeo, Wheels over Indian Trails, and Honey . . . I Twisted through More Damn Traffic to Get HereÑfurther underscore a contemporary Western sensibility. RuschaÕs interest in what the real West has becomeÑand HollywoodÕs version of itÑplays out across his oeuvre. The cinematic sources of his subject matter can be seen in his silhouette pictures, which often appear to be grainy stills from old Hollywood movies. They feature images of the contemporary West, such as parking lots and swimming pools, but also of its historical past: covered wagons, buffalo, teepees, and howling coyotes. Featuring essays by Karin Breuer and D.J. Waldie, plus a fascinating interview with the artist conducted by Kerry Brougher, this stunning catalogue, produced in close collaboration with the Ruscha studio, offers the first full exploration of the painterÕs lifelong fascination with the romantic concept and modern reality of the evolving American West. Published in association with the Fine Arts Museums of San Francisco Exhibition dates: de Young, San Francisco: July 16ÐOctober 9, 2016
Author: Ed Ruscha
Publisher: MIT Press
ISBN: 9780262681520
Category : Art
Languages : en
Pages : 484
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Book Description
An anthology of writings, interviews, and images by artist Ed Ruscha. Ed Ruscha is among the most innovative artists of the last forty years. He is also one of the first Americans to introduce a critique of popular culture and an examination of language into the visual arts. Although he first made his reputation as a painter, Ruscha is also celebrated for his drawings (made both with conventional materials and with food, blood, gunpowder, and shellac), prints, films, photographs, and books. He is often associated with Los Angeles as a Pop and Conceptualist hub, but tends to regard such labels with a satirical, if not jaundiced, eye. Indeed, his work is characterized by the tensions between high and low, solemn and irreverent, and serious and nonsensical, and it draws on popular culture as well as Western art traditions. Leave Any Information at the Signal not only documents the work of this influential artist as he rose to prominence but also contains his writings and commentaries on other artistic developments of the period. The book is divided into three parts, each of which is arranged chronologically. Part one contains statements, letters, and other writings. Part two consists of more than fifty interviews, some of which have never before been published or translated into English. Part three contains sketchbook pages, word groupings, and other notes that chart how Ruscha develops ideas and solves artistic problems. They are published here for the first time. The book also contains more than eighty illustrations, selected and arranged by the artist.
Author: Edward Ruscha
Publisher: Phaidon Press Limited
ISBN:
Category : Art
Languages : en
Pages : 594
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Book Description
American artist Ed Ruscha began making prints and drawings consisting of one word or phrase in the late 1950s and has continued to explore the language-based imagery that has become a hallmark of his work. Pictured here are 500 of his "word" drawings which transcend their apparent randomness to become visual icons of universal emotions and places known and imagined. Full color.
Author: Edward Ruscha
Publisher: Steidl
ISBN: 9783865218339
Category :
Languages : en
Pages : 0
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Book Description
Not every artist is suited to catalogue raisonné treatment, but the oeuvre of Ed Ruscha, comprised as it is of series, repetitions and documentations, looks great under such clerical scrutiny. Projected as a seven-volume edition under the guidance of Robert Dean and Lisa Turvey, the Ruscha Catalogue Raisonné Project lends the serial quality of Ruscha's early artist's books to the entire body of his work, while providing a definitive resource for fans, scholars and collectors in the most efficient style possible. The three previous volumes collected works from 1958-1970, 1971-1982 and 1983-1987. Such esteemed artists and critics as Walter Hopps, Lawrence Weiner, Dave Hickey, Peter Wollen and Yves-Alain Bois have contributed essays celebrating and reviewing Ruscha's steadily incremental accomplishment. Each volume of the catalogue has a stitched binding and a cloth cover with silver-colored embossing, protected with an embossed slipcase. Volume 4 is a co-publication of Gagosian Gallery and Steidl and documents 198 paintings from 1988 to 1992. In addition to almost 200 color reproductions, it includes a comprehensive exhibition history, bibliography and biographical chronology, as well as a text by artist Mel Bochner and an essay by art historian Briony Fer.
Author: Sylvia Wolf
Publisher: Steidl
ISBN:
Category : Art
Languages : en
Pages : 300
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Book Description
Edited and with an Essay by Sylvia Wolf.
Author: Edward Ruscha
Publisher: Prestel Publishing
ISBN: 9783791350837
Category : Artistic collaboration
Languages : en
Pages : 0
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Book Description
A trialogue between the paintings of Ruscha, the music of Cline and the poetry of Breskin. Pictures in the book are from Ruscha's "Silhouettes" and "Cityscapes;" music and ghazals are on the cd-roms. Book is bound dos à dos, with sides A and B. A dime is imbedded on the cover of side A.
Author: Ed Ruscha
Publisher: Jrp Ringier
ISBN: 9783037645383
Category : Art
Languages : en
Pages : 0
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Book Description
Since the mid-1960s, Ed Ruscha has developed an iconic body of works, simultaneously as a painter, a photographer (with such historical books as Twentysix Gasoline Stations, 1963), a filmmaker, and an acute commentator on American culture. Born in 1937 and based in Los Angeles, Ruscha is a central figure of the last few decades and one of the first artists to have introduced a critique of popular culture and an examination of language into the visual arts.0Conceived as a reader to Ruscha?s practice, this publication brings together original contributions and case studies by an international array of renowned art critics and writers including Robert Dean, Lisa Turvey, Cécile Whiting, Jean-Pierre Criqui, Anne Moeglin-Delcroix, Benoît Buquet, Briony Fer, Linda Norden, Michel Gauthier, Elizabeth A. Kessler, Margit Rowell, and John Tain. Among the specific areas discussed and developed in this book are Ruscha?s early drawings, his relationship to literature and the Picture Generation, and the legacy of his artist?s book practice. Figures close to the artist propose their own subjective readings of his work as a way to renew our understanding of it. The volume includes a previously unpublished text by the artist, and a visual essay by Jean-Pierre Criqui spanning Ruscha?s entire oeuvre.0Published with the Centre Pompidou, Paris, and the Terra Foundation. The book stems from an international symposium held in 2015 at the Centre Pompidou, Paris.
