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Author: Natalie Adamson
Publisher: Routledge
ISBN: 1351555189
Category : Art
Languages : en
Pages : 331
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Book Description
Painting, Politics and the Struggle for the ?ole de Paris, 1944-1964 is the first book dedicated to the postwar or 'nouvelle' ?ole de Paris. It challenges the customary relegation of the ?ole de Paris to the footnotes, not by arguing for some hitherto 'hidden' merit for the art and ideas associated with this school, but by establishing how and why the ?ole de Paris was a highly significant vehicle for artistic and political debate. The book presents a sustained historical study of how this 'school' was constituted by the paintings of a diverse group of artists, by the combative field of art criticism, and by the curatorial policies of galleries and state exhibitions. By thoroughly mining the extensive resources of the newspaper and art journal press, gallery and government archives, artists' writings and interviews with surviving artists and art critics, the book traces the artists, exhibitions, and art critical debates that made the ?ole de Paris a zone of aesthetic and political conflict. Through setting the ?ole de Paris into its artistic, social, and political context, Natalie Adamson demonstrates how it functioned as the defining force in French postwar art in its defence of the tradition of easel painting, as well as an international point of reference for the expansion of modernism. In doing so, she presents a wholly new perspective on the vexed relationships between painting, politics, and national identity in France during the two decades following World War II.
Author: Natalie Adamson
Publisher: Routledge
ISBN: 1351555189
Category : Art
Languages : en
Pages : 331
Get Book Here
Book Description
Painting, Politics and the Struggle for the ?ole de Paris, 1944-1964 is the first book dedicated to the postwar or 'nouvelle' ?ole de Paris. It challenges the customary relegation of the ?ole de Paris to the footnotes, not by arguing for some hitherto 'hidden' merit for the art and ideas associated with this school, but by establishing how and why the ?ole de Paris was a highly significant vehicle for artistic and political debate. The book presents a sustained historical study of how this 'school' was constituted by the paintings of a diverse group of artists, by the combative field of art criticism, and by the curatorial policies of galleries and state exhibitions. By thoroughly mining the extensive resources of the newspaper and art journal press, gallery and government archives, artists' writings and interviews with surviving artists and art critics, the book traces the artists, exhibitions, and art critical debates that made the ?ole de Paris a zone of aesthetic and political conflict. Through setting the ?ole de Paris into its artistic, social, and political context, Natalie Adamson demonstrates how it functioned as the defining force in French postwar art in its defence of the tradition of easel painting, as well as an international point of reference for the expansion of modernism. In doing so, she presents a wholly new perspective on the vexed relationships between painting, politics, and national identity in France during the two decades following World War II.
Author: Christian Briend
Publisher: Art Book Magazine Distribution
ISBN: 2821601336
Category : Art
Languages : en
Pages : 193
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Book Description
Featuring a broad selection of paintings, sculptures and photographs coming mainly from the Centre Pompidou collections, Louvre Abu Dhabi’s exhibition catalogue “Rendezvous in Paris: Picasso, Chagall, Modigliani & Co.” focuses on this highly distinctive period in French art when young painters, sculptors and photographers flocked to early-20th-century Paris from all over the world to make a decisive contribution to the city’s art scene. Most notably from Germany, Spain, Italy, the Netherlands, Russia and even Japan, these formally inventive artists – Constantin Brancusi, Marc Chagall, Kees van Dongen, Tsuguharu Foujita, Amedeo Modigliani and Pablo Picasso among them – who would later become known as the “School of Paris”, rivalled the greatest French artists of the time.
Author: Richard D. Sonn
Publisher: Bloomsbury Publishing
ISBN: 1350185329
Category : Art
Languages : en
Pages : 393
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Book Description
In the years before, during, and after the First World War, hundreds of young Jews flocked to Paris, artistic capital of the world and center of modernist experimentation. Some arrived with prior training from art academies in Kraków, Vilna, and Vitebsk; others came armed only with hope and a few memorized phrases in French. They had little Jewish tradition in painting and sculpture to draw on, yet despite these obstacles, these young Jews produced the greatest efflorescence of art in the long history of the Jewish people. The paintings of Marc Chagall, Amedeo Modigliani, Chaim Soutine, Sonia Delaunay-Terk, and Emmanuel Mané-Katz, the sculptures of Jacques Lipchitz, Ossip Zadkine, Chana Orloff, and works by many other artists now grace the world's museums. As the École de Paris was the most cosmopolitan artistic movement the world had seen, the left-bank neighborhood of Montparnasse became a meeting place for diverse cultures. How did the tolerant, bohemian atmosphere of Montparnasse encourage an international style of art in an era of bellicose nationalism, not to mention racism and antisemitism? How did immigrants not only absorb but profoundly influence a culture? This book examines how the clash of cultures produced genius.
Author: Eliane Strosberg
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 230
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Book Description
Illustrated with more than one hundred full-color reproductions of works by the artists under discussion, The Human Figure and Jewish Culture is an essential addition to any library of art history or Judaica. --
Author: Natalie Adamson
Publisher: Routledge
ISBN:
Category : Art
Languages : en
Pages : 344
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Book Description
By thoroughly mining the extensive resources of the newspaper and art journal press, gallery and government archives, artists' writings and interviews with surviving artists and art critics, Natalie Adamson traces the artists, exhibitions, and art critical debates that made the École de Paris a zone of aesthetic and political conflict. This study presents a wholly new perspective on the vexed relationships between painting, politics, and national identity in postwar France.
Author: Glenda Abramson
Publisher: Routledge
ISBN: 1134428650
Category : Education
Languages : en
Pages : 1011
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Book Description
The Companion to Jewish Culture - From the Eighteenth Century to the Present was first published in 1989. It is a single-volume encyclopedia containing biographical and topic entries ranging from 200 to 1000 word each.
Author: Klaus H. Carl
Publisher: Parkstone International
ISBN: 1785250426
Category : Art
Languages : en
Pages : 200
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Book Description
Chaïm Soutine (1893-1943), the unconventional and controversial painter of Belorussian origin, combines influences of classic European painting with Post-Impressionism and Expressionism. As a member of the Artists from Belarus, a group within the Parisian School, he created an oeuvre mainly consisting of landscapes, still lifes, and portraits. His individual style, characterised by displays of humour and despair and by use of luminous colours, makes him a modern master who is still little understood.
Author: Susan Waller
Publisher: Routledge
ISBN: 135156692X
Category : Art
Languages : en
Pages : 289
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Book Description
Foreign Artists and Communities in Modern Paris, 1870-1914 examines Paris as a center of international culture that attracted artists from Western and Eastern Europe, Asia and the Americas during a period of burgeoning global immigration. Sixteen essays by a group of emerging and established international scholars - including several whose work has not been previously published in English - address the experiences of foreign exiles, immigrants, students and expatriates. They explore the formal and informal structures that permitted foreign artists to forge connections within and across national communities and in some cases fashion new, transnational identities in the City of Light. Considering Paris from an innovative global perspective, the book situates both important modern artists - such as Edvard Munch, Sonia Delaunay-Terk, Marc Chagall and Gino Severini - and lesser-known American, Czech, Italian, Polish, Welsh, Russian, Japanese, Catalan, and Hungarian painters, sculptors, writers, dancers, and illustrators within the larger trends of international mobility and cultural exchange. Broadly appealing to historians of modern art and history, the essays in this volume characterize Paris as a thriving transnational arts community in which the interactions between diverse cultures, peoples and traditions contributed to the development of a hybrid and multivalent modern art.
Author: Klaus H. Carl
Publisher: Parkstone International
ISBN: 1785250566
Category : Art
Languages : en
Pages : 323
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Book Description
Chaïm Soutine (1893-1943), the unconventional and controversial painter of Belorussian origin, combines influences of classic European painting with Post-Impressionism and Expressionism. As a member of the Artists from Belarus, a group within the Parisian School, he created an oeuvre mainly consisting of landscapes, still lifes, and portraits. His individual style, characterised by displays of humour and despair and by use of luminous colours, makes him a modern master who is still little understood.
Author: Giuseppe Motta
Publisher: Cambridge Scholars Publishing
ISBN: 1527512215
Category : History
Languages : en
Pages : 276
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Book Description
This volume focuses on the consequences that the First World War had on the Jews living in the notorious Pale of Settlement within the frontiers of the Tsarist Empire. The research is entirely based on a solid documentary study, consisting of the documents of the Joint Distribution Committee and references to many historiographic works. Rather than dealing with the military aspects of war, the book focuses on the political consequences, and in particular on the economic and social changes that the conflict generated. The Jewish communities experienced a personal tragedy within the general tragedy of war, as they were particularly “damaged”, not only by violence and persecutions – suffering from the pogroms of Cossacks and local populations – but also by the evacuations and expulsions ordered by the military. It meant that a great part of the Jewish population was forced to leave their residence and, in many cases, compelled to wander for several years or even to emigrate. In addition to this, after the outbreak of World War I, the Russian Jews became “hostile elements” who were viewed as potential spies and traitors, and were subsequently targeted by a new wave of discriminatory measures that were based on two myths of contemporary antisemitism: the “stab in the back” and the conspiracy of Jewish Bolshevism. From this perspective, what happened during the Great War could be seen as an anticipation of the tragedy that affected Eastern European Jewry in the following decades.
