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Author: Ann C. Gunter
Publisher: John Wiley & Sons
ISBN: 1118336755
Category : Literary Criticism
Languages : en
Pages : 703
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Book Description
Provides a broad view of the history and current state of scholarship on the art of the ancient Near East This book covers the aesthetic traditions of Mesopotamia, Iran, Anatolia, and the Levant, from Neolithic times to the end of the Achaemenid Persian Empire around 330 BCE. It describes and examines the field from a variety of critical perspectives: across approaches and interpretive frameworks, key explanatory concepts, materials and selected media and formats, and zones of interaction. This important work also addresses both traditional and emerging categories of material, intellectual perspectives, and research priorities. The book covers geography and chronology, context and setting, medium and scale, while acknowledging the diversity of regional and cultural traditions and the uneven survival of evidence. Part One of the book considers the methodologies and approaches that the field has drawn on and refined. Part Two addresses terms and concepts critical to understanding the subjects and formal characteristics of the Near Eastern material record, including the intellectual frameworks within which monuments have been approached and interpreted. Part Three surveys the field’s most distinctive and characteristic genres, with special reference to Mesopotamian art and architecture. Part Four considers involvement with artistic traditions across a broader reach, examining connections with Egypt, the Aegean, and the Mediterranean. And finally, Part Five addresses intersections with the closely allied discipline of archaeology and the institutional stewardship of cultural heritage in the modern Middle East. Told from multiple perspectives, A Companion to Ancient Near Eastern Art is an enlightening, must-have book for advanced undergraduate and graduate students of ancient Near East art and Near East history as well as those interested in history and art history.
Author: Michael Sullivan
Publisher: Univ of California Press
ISBN: 9780520212367
Category : Art
Languages : en
Pages : 360
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Book Description
The exchange of art provides a vehicle for creative interaction between East and West, a process in which great civilizations preserve their own character while stimulating and enriching each other. Here scholar Michael Sullivan leads the reader through four centuries of exciting interaction between the artists of China and Japan and those of Western Europe. 24 color plates. 174 halftones.
Author: Saeb Eigner
Publisher:
ISBN: 9781858946283
Category : Art, Middle Eastern
Languages : en
Pages : 0
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Book Description
"Artistic expression in the Middle East is experiencing something of a renaissance. This book provides an overview of modern and contemporary art of the Middle East and Arab world from 1945 to the present, with an emphasis on artists active today"-OCLC
Author: Ann C. Gunter
Publisher: John Wiley & Sons
ISBN: 1118336755
Category : Literary Criticism
Languages : en
Pages : 703
Get Book Here
Book Description
Provides a broad view of the history and current state of scholarship on the art of the ancient Near East This book covers the aesthetic traditions of Mesopotamia, Iran, Anatolia, and the Levant, from Neolithic times to the end of the Achaemenid Persian Empire around 330 BCE. It describes and examines the field from a variety of critical perspectives: across approaches and interpretive frameworks, key explanatory concepts, materials and selected media and formats, and zones of interaction. This important work also addresses both traditional and emerging categories of material, intellectual perspectives, and research priorities. The book covers geography and chronology, context and setting, medium and scale, while acknowledging the diversity of regional and cultural traditions and the uneven survival of evidence. Part One of the book considers the methodologies and approaches that the field has drawn on and refined. Part Two addresses terms and concepts critical to understanding the subjects and formal characteristics of the Near Eastern material record, including the intellectual frameworks within which monuments have been approached and interpreted. Part Three surveys the field’s most distinctive and characteristic genres, with special reference to Mesopotamian art and architecture. Part Four considers involvement with artistic traditions across a broader reach, examining connections with Egypt, the Aegean, and the Mediterranean. And finally, Part Five addresses intersections with the closely allied discipline of archaeology and the institutional stewardship of cultural heritage in the modern Middle East. Told from multiple perspectives, A Companion to Ancient Near Eastern Art is an enlightening, must-have book for advanced undergraduate and graduate students of ancient Near East art and Near East history as well as those interested in history and art history.
Author: Dominique Collon
Publisher: Univ of California Press
ISBN: 9780520203075
Category : Art
Languages : en
Pages : 254
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Book Description
Based on the unrivaled collections of the British Museum, this extensively illustrated book is a superb introduction to the art of the ancient Near East from the eighth millennium B.C. to Alexander the Great. Often described as the cradle of civilization, the ancient Near East was the birthplace of writing, monumental sculpture, and wheel-made pottery. Dominique Collon provides a unique view into this ancient world, from village settlements to grand palaces to burial sites. Collon situates the Museum's most beautiful and interesting artifacts against their historical and cultural background. Among the works featured are painted pottery, figurines, cylinder seals, and stone amulets from the earliest village cultures before 3000 B.C. Also here are magnificent finds from graves at Alaca Huyuk in Turkey and the Royal Cemetery at Ur, including jewelry, musical instruments, and the famous Royal Standard. Sculpted reliefs from Assyrian palaces and Sasanian metalwork round out the collection. In her final chapter, Collon shows how art from the ancient Near East resonates in our own world today. A welcome addition is a Mesopotamian chronology summarizing recent astronomical and textual data, compiled by C.B.F. Walker especially for this book. Based on the unrivaled collections of the British Museum, this extensively illustrated book is a superb introduction to the art of the ancient Near East from the eighth millennium B.C. to Alexander the Great. Often described as the cradle of civilization, the ancient Near East was the birthplace of writing, monumental sculpture, and wheel-made pottery. Dominique Collon provides a unique view into this ancient world, from village settlements to grand palaces to burial sites. Collon situates the Museum's most beautiful and interesting artifacts against their historical and cultural background. Among the works featured are painted pottery, figurines, cylinder seals, and stone amulets from the earliest village cultures before 3000 B.C. Also here are magnificent finds from graves at Alaca Huyuk in Turkey and the Royal Cemetery at Ur, including jewelry, musical instruments, and the famous Royal Standard. Sculpted reliefs from Assyrian palaces and Sasanian metalwork round out the collection. In her final chapter, Collon shows how art from the ancient Near East resonates in our own world today. A welcome addition is a Mesopotamian chronology summarizing recent astronomical and textual data, compiled by C.B.F. Walker especially for this book.
Author: Jack Cheng
Publisher: BRILL
ISBN: 9004157026
Category : Art
Languages : en
Pages : 541
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Book Description
Through her published works and in the classroom, Irene J. Winter has served as a mentor for the latest generation of scholars of Mesopotamian visual culture. The various contributions to this volume in her honor represent a cross section of the state of scholarship today. Topics by the twenty authors include palatial and temple architecture, royal sculpture, gender in the ancient Near East, and interdisciplinary studies that range from the fourth millennium BCE to modern ethnography and cover Sumer, Assyria, Babylonia, Iran, Syria, Urartu, and the Levant. Reflections on Winter's scholarship and teaching accompany her bibliography. The volume will be useful for scholars who are curious about how visual culture is being used to study the ancient Near East.
Author: Dominique Collon
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 72
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Book Description
Author: Amy Gansell
Publisher: Oxford University Press
ISBN: 0190673176
Category : Art
Languages : en
Pages : 448
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Book Description
Testing the Canon of Ancient Near Eastern Art and Archaeology invites readers to reconsider the contents and agendas of the art historical and world-culture canons by looking at one of their most historically enduring components: the art and archaeology of the ancient Near East. Ann Shafer, Amy Rebecca Gansell, and other top researchers in the field examine and critique the formation and historical transformation of the ancient Near Eastern canon of art, architecture, and material culture. Contributors flesh out the current boundaries of regional and typological sub-canons, analyze the technologies of canon production (such as museum practices and classroom pedagogies), and voice first-hand heritage perspectives. Each chapter, thereby, critically engages with the historiography behind our approach to the Near East and proposes alternative constructs. Collectively, the essays confront and critique the ancient Near Eastern canon's present configuration and re-imagine its future role in the canon of world art as a whole. This expansive collection of essays covers the Near East's many regions, eras, and types of visual and archaeological materials, offering specific and actionable proposals for its study. Testing the Canon of Ancient Near Eastern Art and Archaeology stands as a vital benchmark and offers a collective path forward for the study and appreciation of Near Eastern cultural heritage. This book acts as a model for similar inquiries across global art historical and archaeological fields and disciplines.
Author: T. Volker
Publisher: BRILL
ISBN: 9004545301
Category : Religion
Languages : en
Pages : 217
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Book Description
Author: Maja Fowkes
Publisher: Thames and Hudson Limited
ISBN: 9780500775349
Category : Art
Languages : en
Pages :
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Book Description
In this path-breaking new history, Maja and Reuben Fowkes introduce outstanding artworks and major figures from across central and eastern Europe to reveal the movements, theories and styles that have shaped artistic practice since 1950. They emphasize the particularly rich and varied art scenes of Poland, Czechoslovakia, Hungary and Yugoslavia, extending their gaze at intervals to East Germany, Romania, the Baltic states and the rest of the Balkans. While politics in the region have been marked by unstable geography and dramatic transitions, artists have forged a path of persistent experiment and innovation. This generously illustrated overview explores the richness of their singular contribution to recent art history. Tracing art-historical changes from the short-lived unison of the socialist realist period to the incredible diversity of art in the post-communist era, the authors examine the repercussions of political events on artistic life notably the uprisings in Hungary and Czechoslovakia, the Solidarity movement in Poland, and the collapse of the communist bloc. But their primary interest is in the experimental art of the neo-avant-garde that resisted official agendas and engaged with global currents such as performance art, video, multimedia and net art.
Author: Agnieszka Chmielewska
Publisher: Taylor & Francis
ISBN: 100065561X
Category : Art
Languages : en
Pages : 317
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Book Description
This volume offers a comprehensive perspective on the relationship between the art scene and agencies of the state in countries of the region, throughout four consecutive yet highly diverse historical periods: from the period of state integration after World War I, through the communist era post 1945 and the time of political transformation after 1989, to the present-day globalisation (including counter-reactions to westernisation and cultural homogenisation). With twenty-three theoretically and/or empirically oriented articles by authors from sixteen countries (East Central Europe and beyond, including the United States and Australia), the book discusses interconnections between state policies and artistic institutions, trends and the art market from diverse research perspectives. The contributors explore subjects such as the impact of war on the formation of national identities, the role of artists in image-building for the new national states emerging after 1918, the impact of political systems on artists’ attitudes, the discourses of art history, museum studies, monument conservation and exhibition practices. The book will be of interest to scholars working in art history, cultural politics, cultural history, and East Central European studies and history.
