Author: Robert Stark
Publisher: Edinburgh University Press
ISBN: 0748646183
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
Traces the lyricism and musicality in Pound's early verse through to his radical Modernist style. Robert Stark argues that Pound learned how to write poetry more or less as if it was a foreign tongue - or poetic 'jargon' - with a unique lexicon, grammar, and even morphology, and that his most innovative poetry is the result of his ambivalent orientation towards different European literary traditions.Stark contextualizes Pound's poetic craft by examining his relationship to the Mediaeval and Classical originators of the methods he employs and by considering the practice and criticism of his immediate Victorian and Romantic predecessors. He explores the influence of poets such as Francois Villon, Guido Cavalcanti, Robert Burns, Robert Browning, Algernon Charles Swinburne and Walt Whitman on Pound's lyrical style. For Stark, Pound's multi-vocalism arises out of his interest in dialect and the acoustic qualities of speech which leads to a 'modern' barbarous language marked by polysemy and heterogeneity.
Ezra Pound's Early Verse and Lyric Tradition
Author: Robert Stark
Publisher: Edinburgh University Press
ISBN: 0748646183
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
Traces the lyricism and musicality in Pound's early verse through to his radical Modernist style. Robert Stark argues that Pound learned how to write poetry more or less as if it was a foreign tongue - or poetic 'jargon' - with a unique lexicon, grammar, and even morphology, and that his most innovative poetry is the result of his ambivalent orientation towards different European literary traditions.Stark contextualizes Pound's poetic craft by examining his relationship to the Mediaeval and Classical originators of the methods he employs and by considering the practice and criticism of his immediate Victorian and Romantic predecessors. He explores the influence of poets such as Francois Villon, Guido Cavalcanti, Robert Burns, Robert Browning, Algernon Charles Swinburne and Walt Whitman on Pound's lyrical style. For Stark, Pound's multi-vocalism arises out of his interest in dialect and the acoustic qualities of speech which leads to a 'modern' barbarous language marked by polysemy and heterogeneity.
Publisher: Edinburgh University Press
ISBN: 0748646183
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
Traces the lyricism and musicality in Pound's early verse through to his radical Modernist style. Robert Stark argues that Pound learned how to write poetry more or less as if it was a foreign tongue - or poetic 'jargon' - with a unique lexicon, grammar, and even morphology, and that his most innovative poetry is the result of his ambivalent orientation towards different European literary traditions.Stark contextualizes Pound's poetic craft by examining his relationship to the Mediaeval and Classical originators of the methods he employs and by considering the practice and criticism of his immediate Victorian and Romantic predecessors. He explores the influence of poets such as Francois Villon, Guido Cavalcanti, Robert Burns, Robert Browning, Algernon Charles Swinburne and Walt Whitman on Pound's lyrical style. For Stark, Pound's multi-vocalism arises out of his interest in dialect and the acoustic qualities of speech which leads to a 'modern' barbarous language marked by polysemy and heterogeneity.
The Etiquette of Early Northern Verse
Author: Roberta Frank
Publisher: University of Notre Dame Pess
ISBN: 0268202516
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
In The Etiquette of Early Northern Verse, Roberta Frank peers into the northern poet’s workshop, eavesdropping as Old English and Old Norse verse reveal their craft secrets. This book places two vernacular poetries of the long Viking Age into conversation, revealing their membership in a single community of taste, a traditional stylistic ecology that did serious political and historical work. Each chapter seeks the codes of a now-extinct verse technique. The first explores the underlying architecture of the two poetries, their irregularities of pace, startling formal conventions, and tight verbal detail work. The passage of time has worn away most of the circumstantial details that literary scholars in later periods take for granted, but the public relations savvy and aural and syntactic signals of early northern verse remain to some extent retrievable and relatable, an etiquette prized and presumably understood by its audiences. The second and longest chapter investigates the techniques used by early northern poets to retrieve and organize the symmetries of language. It illustrates how supererogatory alliteration and rhyme functioned as aural punctuation, marking off structural units and highlighting key moments in the texts. The third and final chapter describes the extent to which both corpora reveled in negations, litotes, indirection, and down-toners, modes that forced audiences to read between half-lines, to hear what was not said. By decluttering and stripping away excess, by drawing words through a tight mesh of meter, alliteration, and rhyme, the early northern poet filtered out dross and stitched together a poetics of stark contrasts and forebodings. Poets and lovers of poetry of all periods and places will find much to enjoy here. So will students in Old English and Old Norse courses.
Publisher: University of Notre Dame Pess
ISBN: 0268202516
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
In The Etiquette of Early Northern Verse, Roberta Frank peers into the northern poet’s workshop, eavesdropping as Old English and Old Norse verse reveal their craft secrets. This book places two vernacular poetries of the long Viking Age into conversation, revealing their membership in a single community of taste, a traditional stylistic ecology that did serious political and historical work. Each chapter seeks the codes of a now-extinct verse technique. The first explores the underlying architecture of the two poetries, their irregularities of pace, startling formal conventions, and tight verbal detail work. The passage of time has worn away most of the circumstantial details that literary scholars in later periods take for granted, but the public relations savvy and aural and syntactic signals of early northern verse remain to some extent retrievable and relatable, an etiquette prized and presumably understood by its audiences. The second and longest chapter investigates the techniques used by early northern poets to retrieve and organize the symmetries of language. It illustrates how supererogatory alliteration and rhyme functioned as aural punctuation, marking off structural units and highlighting key moments in the texts. The third and final chapter describes the extent to which both corpora reveled in negations, litotes, indirection, and down-toners, modes that forced audiences to read between half-lines, to hear what was not said. By decluttering and stripping away excess, by drawing words through a tight mesh of meter, alliteration, and rhyme, the early northern poet filtered out dross and stitched together a poetics of stark contrasts and forebodings. Poets and lovers of poetry of all periods and places will find much to enjoy here. So will students in Old English and Old Norse courses.
Rich Wounds
Author: David Mathis
Publisher: The Good Book Company
ISBN: 1784986887
Category : Religion
Languages : en
Pages : 170
Book Description
Profound reflections on the cross that help you to meditate on and marvel at the sacrificial love of Jesus. This book can be used as a devotional, especially during Lent and Easter. These profound reflections on the cross from David Mathis, author of The Christmas We Didn’t Expect, will help you to meditate on and marvel at Jesus’ life, sacrificial death, and spectacular resurrection-enabling you to treasure anew who Jesus is and what he has done. Many of us are so familiar with the Easter story that it becomes easy to miss subtle details and difficult to really enjoy its meaning. This book will help you to pause and marvel at Jesus, whose now-glorified wounds are a sign of his unfailing love and the decisive victory that he has won: “He was pierced for our transgressions, he was crushed for our iniquities; the punishment that brought us peace was on him, and by his wounds we are healed.” (Isaiah 53:5) This book can be used as a devotional. The chapters on Holy Week make it especially helpful during the Lent season and at Easter.
Publisher: The Good Book Company
ISBN: 1784986887
Category : Religion
Languages : en
Pages : 170
Book Description
Profound reflections on the cross that help you to meditate on and marvel at the sacrificial love of Jesus. This book can be used as a devotional, especially during Lent and Easter. These profound reflections on the cross from David Mathis, author of The Christmas We Didn’t Expect, will help you to meditate on and marvel at Jesus’ life, sacrificial death, and spectacular resurrection-enabling you to treasure anew who Jesus is and what he has done. Many of us are so familiar with the Easter story that it becomes easy to miss subtle details and difficult to really enjoy its meaning. This book will help you to pause and marvel at Jesus, whose now-glorified wounds are a sign of his unfailing love and the decisive victory that he has won: “He was pierced for our transgressions, he was crushed for our iniquities; the punishment that brought us peace was on him, and by his wounds we are healed.” (Isaiah 53:5) This book can be used as a devotional. The chapters on Holy Week make it especially helpful during the Lent season and at Easter.
Collected Verse
Author: Paul Val?ry
Publisher: Oxford University Press
ISBN: 0192551965
Category : Poetry
Languages : en
Pages : 385
Book Description
'The wind is rising!... Let us try to live!' One of the preeminent intellectuals of modern French culture, Val?ry is widely considered one of the country's greatest poets of the twentieth century. Following a flurry of sonnets in his late teens, he abruptly abandoned verse for twenty years. If the publication of The Young Fate in 1917 won him immediate and immense acclaim, his status as the outstanding poet of the era was firmly consolidated with the Album of Early Verse and Charms with its beautiful meditation on mortality, 'The Graveyard by the Sea', considered one of the finest poems in French. A classical voice in an era of avant-garde modernism, Val?ry's often sensuous work was inspired by mysticism, myth, the Mediterranean, and above all passionate love. This bilingual edition brings together for the first time the complete verse with many unknown and previously unpublished poems taken from his abundant correspondence, which offers intimate insight into a private side of the writer.
Publisher: Oxford University Press
ISBN: 0192551965
Category : Poetry
Languages : en
Pages : 385
Book Description
'The wind is rising!... Let us try to live!' One of the preeminent intellectuals of modern French culture, Val?ry is widely considered one of the country's greatest poets of the twentieth century. Following a flurry of sonnets in his late teens, he abruptly abandoned verse for twenty years. If the publication of The Young Fate in 1917 won him immediate and immense acclaim, his status as the outstanding poet of the era was firmly consolidated with the Album of Early Verse and Charms with its beautiful meditation on mortality, 'The Graveyard by the Sea', considered one of the finest poems in French. A classical voice in an era of avant-garde modernism, Val?ry's often sensuous work was inspired by mysticism, myth, the Mediterranean, and above all passionate love. This bilingual edition brings together for the first time the complete verse with many unknown and previously unpublished poems taken from his abundant correspondence, which offers intimate insight into a private side of the writer.
Verses and Versions
Author: Brian Boyd
Publisher: Houghton Mifflin Harcourt
ISBN: 9780151012640
Category : Poetry
Languages : en
Pages : 492
Book Description
Vladimir Nabokov was hailed by Salman Rushdie as the most important writer ever to cross the boundary between one language and another. A Russian emigre who began writing in English after his forties, Nabokov was a trilingual author, equally competent in Russian, English, and French. A gifted and tireless translator, he bridged the gap between languages nimbly and joyously. Here, collected for the first time in one volume as Nabokov always wished, are many of his English translations of Russian verse, presented next to the Russian originals. Here, also, are some of his notes on the dangers and thrills of translation. With an introduction by Brian Boyd, author of "Vladimir Nabokov, "a prize-winning two-volume biography," ""Verses and Versions" is a momentous and authoritative contribution to Nabokov's literary legacy.
Publisher: Houghton Mifflin Harcourt
ISBN: 9780151012640
Category : Poetry
Languages : en
Pages : 492
Book Description
Vladimir Nabokov was hailed by Salman Rushdie as the most important writer ever to cross the boundary between one language and another. A Russian emigre who began writing in English after his forties, Nabokov was a trilingual author, equally competent in Russian, English, and French. A gifted and tireless translator, he bridged the gap between languages nimbly and joyously. Here, collected for the first time in one volume as Nabokov always wished, are many of his English translations of Russian verse, presented next to the Russian originals. Here, also, are some of his notes on the dangers and thrills of translation. With an introduction by Brian Boyd, author of "Vladimir Nabokov, "a prize-winning two-volume biography," ""Verses and Versions" is a momentous and authoritative contribution to Nabokov's literary legacy.
Early Shakespeare, 1588–1594
Author: Rory Loughnane
Publisher: Cambridge University Press
ISBN: 1108853749
Category : Literary Criticism
Languages : en
Pages : 339
Book Description
Early Shakespeare, 1588–1594 draws together leading scholars of text, performance, and theatre history to offer a rigorous re-appraisal of Shakespeare's early career. The contributors offer rich new critical insights into the theatrical and poetic context in which Shakespeare first wrote and his emergence as an author of note, while challenging traditional readings of his beginnings in the burgeoning theatre industry. Shakespeare's earliest works are treated on their own merit and in their own time without looking forward to Shakespeare's later achievements; contributors situate Shakespeare, in his twenties, in a very specific time, place, and cultural moment. The volume features essays about Shakespeare's early style, characterisation, and dramaturgy, together with analysis of his early co-authors, rivals, and influences (including Lyly, Spenser and Marlowe). This collection provides essential entry points to, and original readings of, the poet-dramatist's earliest extant writings and shines new light on his first activities as a professional author.
Publisher: Cambridge University Press
ISBN: 1108853749
Category : Literary Criticism
Languages : en
Pages : 339
Book Description
Early Shakespeare, 1588–1594 draws together leading scholars of text, performance, and theatre history to offer a rigorous re-appraisal of Shakespeare's early career. The contributors offer rich new critical insights into the theatrical and poetic context in which Shakespeare first wrote and his emergence as an author of note, while challenging traditional readings of his beginnings in the burgeoning theatre industry. Shakespeare's earliest works are treated on their own merit and in their own time without looking forward to Shakespeare's later achievements; contributors situate Shakespeare, in his twenties, in a very specific time, place, and cultural moment. The volume features essays about Shakespeare's early style, characterisation, and dramaturgy, together with analysis of his early co-authors, rivals, and influences (including Lyly, Spenser and Marlowe). This collection provides essential entry points to, and original readings of, the poet-dramatist's earliest extant writings and shines new light on his first activities as a professional author.
Early Tudor Poetry, 1485-1547
Author: John Milton Berdan
Publisher: Hamden, Conn., Shoe String
ISBN:
Category : Literary Criticism
Languages : en
Pages : 600
Book Description
Publisher: Hamden, Conn., Shoe String
ISBN:
Category : Literary Criticism
Languages : en
Pages : 600
Book Description
Latin Verse
Author: Frank Smalley
Publisher:
ISBN:
Category : Latin language
Languages : en
Pages : 56
Book Description
Publisher:
ISBN:
Category : Latin language
Languages : en
Pages : 56
Book Description
Selected Verse Anthems
Author: John Blow
Publisher: A-R Editions, Inc.
ISBN: 0895796511
Category : Music
Languages : en
Pages : 128
Book Description
The eight verse anthems in this edition constitute the only full scores of works in Blow's hand that survive in this abundant genre. The scores are located in two manuscripts that are now parts of the collections at Christ Church, Oxford, and the Fitzwilliam Museum, Cambridge. The Oxford manuscript includes five anthems from the 1670s, and each displays a variety of structural and musical-rhetoric procedures, making them ideal representatives of Blow's multifaceted early style. The Cambridge manuscript dates from ca. 1704 and contains three late works on a much larger scale. As a group, the later anthems require considerably greater virtuosity from the solo singers, and individual verse sections grow both longer and more numerous. As representative examples within a much larger repertoire, the works selected for this edition help to reveal important facets in the career of the first person to hold the title, Composer of the Chapel Royal.
Publisher: A-R Editions, Inc.
ISBN: 0895796511
Category : Music
Languages : en
Pages : 128
Book Description
The eight verse anthems in this edition constitute the only full scores of works in Blow's hand that survive in this abundant genre. The scores are located in two manuscripts that are now parts of the collections at Christ Church, Oxford, and the Fitzwilliam Museum, Cambridge. The Oxford manuscript includes five anthems from the 1670s, and each displays a variety of structural and musical-rhetoric procedures, making them ideal representatives of Blow's multifaceted early style. The Cambridge manuscript dates from ca. 1704 and contains three late works on a much larger scale. As a group, the later anthems require considerably greater virtuosity from the solo singers, and individual verse sections grow both longer and more numerous. As representative examples within a much larger repertoire, the works selected for this edition help to reveal important facets in the career of the first person to hold the title, Composer of the Chapel Royal.
100 Poems
Author: Rudyard Kipling
Publisher: Cambridge University Press
ISBN: 1107471605
Category : Literary Criticism
Languages : en
Pages : 157
Book Description
Rudyard Kipling (1865–1936), winner of the 1907 Nobel Prize for Literature and author of one of the most popular poems in the English language, 'If–', has long captured the interest of poetry lovers. Here, Thomas Pinney brings together a selection of well-established favourites and the best of the previously uncollected and unpublished poems from The Cambridge Edition of the Poems of Rudyard Kipling (2013). The poems, whether exploring the colonial experience, exposing the injustice of war, or appreciating the beauties of nature, resonate with Kipling's keen observations of his world and strong sense of poetic rhythm. Discovered by Pinney in an array of unlikely hiding places, the uncollected and unpublished poems show the diversity and development of Kipling's talent over his lifetime, and, when combined with long-held favourites, offer readers a unique opportunity to experience Kipling's mastery of poetry in a new way.
Publisher: Cambridge University Press
ISBN: 1107471605
Category : Literary Criticism
Languages : en
Pages : 157
Book Description
Rudyard Kipling (1865–1936), winner of the 1907 Nobel Prize for Literature and author of one of the most popular poems in the English language, 'If–', has long captured the interest of poetry lovers. Here, Thomas Pinney brings together a selection of well-established favourites and the best of the previously uncollected and unpublished poems from The Cambridge Edition of the Poems of Rudyard Kipling (2013). The poems, whether exploring the colonial experience, exposing the injustice of war, or appreciating the beauties of nature, resonate with Kipling's keen observations of his world and strong sense of poetic rhythm. Discovered by Pinney in an array of unlikely hiding places, the uncollected and unpublished poems show the diversity and development of Kipling's talent over his lifetime, and, when combined with long-held favourites, offer readers a unique opportunity to experience Kipling's mastery of poetry in a new way.