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Languages : en
Pages : 166
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 166
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Book Description
Author: Rembrandt] 1778-1860 [Peale
Publisher: Legare Street Press
ISBN: 9781021939975
Category :
Languages : en
Pages : 0
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Book Description
A stunning portrayal in words and images of America's first president, as well as a fascinating look at the life and art of Rembrandt Peale. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Barbara J. Mitnick
Publisher: Hudson Hills
ISBN: 9781555951481
Category : Art
Languages : en
Pages : 176
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Book Description
It is also an image that has resisted fundamental revision over the course of two centuries because of the force of Washington's character, the clarity of his political purposes, and the intensity of his charisma.
Author: Robert L. O'Connell
Publisher: Random House
ISBN: 081299700X
Category : History
Languages : en
Pages : 401
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Book Description
From an acclaimed military historian, a bold reappraisal of young George Washington, an ambitious if reckless soldier destined to become the legendary general who took on the British and, through his leadership, defined the American character How did George Washington become an American icon? Robert L. O’Connell, the New York Times bestselling author of Fierce Patriot and The Ghosts of Cannae, introduces us to Washington before he was Washington: a young soldier champing at the bit for a commission in the British army, frustrated by his position as a minor Virginia aristocrat. Fueled by ego, Washington led a disastrous expedition in the Seven Years’ War, but then the commander grew up. We witness George Washington take up politics and join Virginia’s colonial governing body, the House of Burgesses, where he became ever more attuned to the injustices of life under the British Empire and the paranoid, revolutionary atmosphere of the colonies. When war seemed inevitable, he was the right man—the only man—to lead the nascent American army. We would not be here without George Washington, and O’Connell proves that Washington the general was at least as significant to the founding of the United States as Washington the president. He emerges here as cunning and manipulative, a subtle puppeteer among intimates, and a master cajoler—but all in the cause of rectitude and moderation. Washington became the embodiment of the Revolution itself. He draped himself over the revolutionary process and tamped down its fires. As O’Connell writes, the war was decisive because Washington managed to stop a cycle of violence with the force of personality and personal restraint. In his trademark conversational, witty style, Robert L. O’Connell has written a compelling reexamination of General Washington and his revolutionary world. He cuts through the enigma surrounding Washington to show how the general made all the difference and became a new archetype of revolutionary leader in the process. Revolutionary is a masterful character study of America’s founding conflict filled with lessons about conspiracy, resistance, and leadership that resonate today. Advance praise for Revolutionary “Given the amount of ink spilled over the years, it is not easy to offer a fresh look at George Washington’s leadership role during the war for American independence. But Robert L. O’Connell has done it in Revolutionary. The title announces the insight, which is the otherwise uncontrollable political and military energies released by the war that Washington was able to orchestrate.”—Joseph J. Ellis, author of American Dialogues: The Founders and Us
Author: Ellen Gross Miles
Publisher: University of Virginia Press
ISBN: 9780813918860
Category : Art
Languages : en
Pages : 56
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Book Description
RESPONDING TO a near-constant flow of requests, George and Martha Washington sat for about two dozen portraits from 1789 to 1797, collected here in this elegantly illustrated volume. From miniatures executed on ivory for family and friends to a historical portrait that depicts Washington during the Revolution, the../images vary widely in treatment and setting. What they all reflect, Ellen Miles suggests, is the great need the new republic had for portraits of its first chief executive, often to stand in for Washington himself. In the portraits, Martha Washington is usually dressed plainly, her round face composed in a benign but cheerful expression. Portraits of George Washington often show him in military uniform, the pin of the Society of the Cincinnati on his lapel; others have him in black velvet, wearing a simple ruffled white shirt, his hair tied back in a queue. Most observers agreed that Martha was short and pleasant-looking, and that George was nearly six feet tall, had a long nose, large and penetrating light eyes, and a noble forehead. The state of his teeth affects his appearance in some portraits. Washington responded to having his likeness taken with a characteristic mixture of pride in his position and mild irritation. Once, a painter in Boston hid behind a church pulpit to sketch him. Washington's mild chafing at requests for him to sit illustrates the conflict he felt between his obligation to the nation and his desire to return to private life. As Edmund Morgan writes in his preface, Washington "succeeded in clothing the new government with his own honor and left the presidency with a heritage of independence and respect which, despite the antics of so many of his successors, has never quite left it." George and Martha Washington: Portraits from the Presidential Years offers, quite literally, a unique portrait of the original First Couple.
Author: George Washington
Publisher: Wisconsin Historical Society
ISBN: 0870208268
Category : Biography & Autobiography
Languages : en
Pages : 287
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Book Description
Whether as a statesman, military man, or America's first president, George Washington was a legend in his own lifetime, so renowned in fact that the adulation has knit together making it difficult to find the real man. Here, constitutional scholar and editor John P. Kaminski has plumbed the depth of 30 years-worth of his own research to amass an extraordinary body of quotations by and about Washington to paint an intimate word portrait that brings us closer to the essence of America's "man of action."
Author: Xavier F. Salomon
Publisher: Giles
ISBN: 9781911282174
Category : Art
Languages : en
Pages : 0
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Book Description
This catalogue is published in conjunction with the exhibition Canova's "George Washington," on view at the Frick Collection, May 23-September 23, 2018, and the Canova Museum.
Author: Hugh Howard
Publisher: Bloomsbury Publishing USA
ISBN: 1596912448
Category : Art
Languages : en
Pages : 320
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Book Description
Traces the origins of art in the American republic as reflected in the portraits of George Washington and the lives of the artists who defined him, in an account that reveals the virtual absence of fine painters in early America and includes profiles of such artists as Charles Wilson Peale, John Trumbull, and Benjamin West. 25,000 first printing.
Author: Paul Staiti
Publisher: Bloomsbury Publishing USA
ISBN: 1632864673
Category : History
Languages : en
Pages : 546
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Book Description
A vibrant and original perspective on the American Revolution through the stories of the five great artists whose paintings animated the new American republic. The images accompanying the founding of the United States--of honored Founders, dramatic battle scenes, and seminal moments--gave visual shape to Revolutionary events and symbolized an entirely new concept of leadership and government. Since then they have endured as indispensable icons, serving as historical documents and timeless reminders of the nation's unprecedented beginnings. As Paul Staiti reveals in Of Arms and Artists, the lives of the five great American artists of the Revolutionary period--Charles Willson Peale, John Singleton Copley, John Trumbull, Benjamin West, and Gilbert Stuart--were every bit as eventful as those of the Founders with whom they continually interacted, and their works contributed mightily to America's founding spirit. Living in a time of breathtaking change, each in his own way came to grips with the history they were living through by turning to brushes and canvases, the results often eliciting awe and praise, and sometimes scorn. Their imagery has connected Americans to 1776, allowing us to interpret and reinterpret the nation's beginning generation after generation. The collective stories of these five artists open a fresh window on the Revolutionary era, making more human the figures we have long honored as our Founders, and deepening our understanding of the whirlwind out of which the United States emerged.
Author: Matthew R. Costello
Publisher: University Press of Kansas
ISBN: 0700633367
Category : History
Languages : en
Pages : 352
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Book Description
George Washington was an affluent slave owner who believed that republicanism and social hierarchy were vital to the young country’s survival. And yet, he remains largely free of the “elitist” label affixed to his contemporaries, as Washington evolved in public memory during the nineteenth century into a man of the common people, the father of democracy. This memory, we learn in The Property of the Nation, was a deliberately constructed image, shaped and reshaped over time, generally in service of one cause or another. Matthew R. Costello traces this process through the story of Washington’s tomb, whose history and popularity reflect the building of a memory of America’s first president—of, by, and for the American people. Washington’s resting place at his beloved Mount Vernon estate was at times as contested as his iconic image; and in Costello’s telling, the many attempts to move the first president’s bodily remains offer greater insight to the issue of memory and hero worship in early America. While describing the efforts of politicians, business owners, artists, and storytellers to define, influence, and profit from the memory of Washington at Mount Vernon, this book’s main focus is the memory-making process that took place among American citizens. As public access to the tomb increased over time, more and more ordinary Americans were drawn to Mount Vernon, and their participation in this nationalistic ritual helped further democratize Washington in the popular imagination. Shifting our attention from official days of commemoration and publicly orchestrated events to spontaneous visits by citizens, Costello’s book clearly demonstrates in compelling detail how the memory of George Washington slowly but surely became The Property of the Nation.
