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Author: Erwin Panofsky
Publisher:
ISBN:
Category : Painting
Languages : en
Pages :
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Book Description
Author: Erwin Panofsky
Publisher:
ISBN:
Category : Painting
Languages : en
Pages :
Get Book Here
Book Description
Author: Erwin Panofsky
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 628
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Book Description
"I have not attempted a presentation of Early Netherlandish Painting in its entirety ... but concentrated my efforts on Hubert and Jan van Eyck, the Master of Flémalle and Roger van der Weyden ... Like my previous book on Albrecht Dürer, this study has grown out of a series of public lectures - in this case, the Charles Eliot Norton Lectures delivered at Harvard University in 1947-1948"--Preface, v. 1, p. vii.
Author: Ingrid Falque
Publisher: BRILL
ISBN: 9004397604
Category : Art
Languages : en
Pages : 334
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Book Description
In Devotional Portraiture and Spiritual Experience Ingrid Falque analyses the meditative functions of early Netherlandish paintings including devotional portraits, that is portraits of people kneeling in prayer. Such paintings have been mainly studied in the context of commemorative and social practices, but as Ingrid Falque shows, they also served as devotional instruments. By drawing parallels between the visual strategies of these paintings and texts of the major spiritual writers of the medieval Low Countries, she demonstrates that paintings with devotional portraits functioned as a visualisation of the spiritual process of the sitters. The book is accompanied by the first exhaustive catalogue of paintings with devotional portraits produced in the Low Countries between c. 1400 and 1550. This catalogue is available at no costs in e-format (HERE) and can also be purchased as a printed hardcover book (HERE).
Author: Erwin Panofsky
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 376
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Book Description
Author: National Gallery of Art (U.S.)
Publisher: Cambridge University Press
ISBN: 9780894680939
Category : Art
Languages : en
Pages : 296
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Book Description
The volume contains entries for paintings in the National gallery that were produced in the fifteenth and sixteenth centuries by artists from the Netherlands. The entries are arranged alphabetically by artist; a short biography and bibliography for each artist is followed by individual entries on the paintings, each in order of acquisition. The authors address traditional questions of attributes and iconography; in addition, they examine the social, economic, and religious context in which the individual work of art functioned. The volume is also probable the first museum catalogue to include the results of examination by infrared reflectography and dendrochronological analysis.
Author: Maryan W. Ainsworth
Publisher: Metropolitan Museum of Art
ISBN: 1588390101
Category : Art
Languages : en
Pages : 132
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Book Description
The nine papers collected in this publication- which comprises the third and latest edition to the symposium volumes by the Metropolitan Museum of Art - were first presented in conjunction with the Museum's exhibition of Early Netherlandish painting culled from its own holdings in 1998. The essays, by an international roster of leading specialists, together uncover the circumstances underlying the creation of works of art and shed new light on their meaning, in the context of the growing interdisciplinary activity and burgeoning scholarship in the field. The importance of archival research into the socio-economic factors that existed in the late fifteenth and early sixteenth centuries is emphasized- especially, the impact of art markets on the production of paintings as well as sculpture. Much new material has surfaced as a result of advances in the technical investigation of works of art, underscoring the premise that the clues to the meaning of a work are often found not only in its method of manufacture but also in the specific audience for which it was intended and in the function that it originally served for that audience. -- Publisher description.
Author: Erwin Panofsky
Publisher:
ISBN: 9780064366823
Category : Painting
Languages : en
Pages : 626
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Book Description
"The book had a wide impact on studies of Renaissance art and Early Netherlandish painting in particular, but also studies in iconography, art history, and intellectual history in general. The book is particularly well-known for its iconographic treatment of Van Eyck's Arnolfini Portrait as a kind of marriage contract. The book remains influential despite its reliance on black-and-white reproductions of paintings, which led to some errors of analysis."--The books that shaped art history (p. 95).
Author: Richard Shone
Publisher: Thames & Hudson
ISBN: 0500771499
Category : Art
Languages : en
Pages : 432
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Book Description
An exemplary survey that reassesses the impact of the most important books to have shaped art history through the twentieth century Written by some of today’s leading art historians and curators, this new collection provides an invaluable road map of the field by comparing and reexamining canonical works of art history. From Émile Mâle’s magisterial study of thirteenth-century French art, first published in 1898, to Hans Belting’s provocative Likeness and Presence: A History of the Image before the Era of Art, the book provides a concise and insightful overview of the history of art, told through its most enduring literature. Each of the essays looks at the impact of a single major book of art history, mapping the intellectual development of the writer under review, setting out the premises and argument of the book, considering its position within the broader field of art history, and analyzing its significance in the context of both its initial reception and its afterlife. An introduction by John-Paul Stonard explores how art history has been forged by outstanding contributions to scholarship, and by the dialogues and ruptures between them.
Author: Pamela H. Smith
Publisher: University of Chicago Press
ISBN: 0226763293
Category : History
Languages : en
Pages : 373
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Book Description
Aims to bring together essays that explore how knowledge was obtained and demonstrated in Europe during an intellectually explosive four centuries, when standard methods of inquiry took shape across several fields of intellectual pursuit. This book looks at production and consumption of knowledge as a social process within different communities.
Author: Robert G. Sullivan
Publisher: Cambridge Scholars Publishing
ISBN: 1527563340
Category : Art
Languages : en
Pages : 225
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Book Description
This collection of essays explores the intersection of art and violence in the Middle Ages and the Renaissance. It will appeal primarily to students and scholars in the fields of Medieval and Renaissance Studies, and will also be of interest to readers with an interest in medieval and early modern art history.
