Author: Erwin Panofsky
Publisher:
ISBN:
Category : Painting
Languages : en
Pages :
Book Description
Early Netherlandish Painting: Plates
Author: Erwin Panofsky
Publisher:
ISBN:
Category : Painting
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Painting
Languages : en
Pages :
Book Description
Early Netherlandish Painting
Author: Erwin Panofsky
Publisher:
ISBN:
Category :
Languages : en
Pages : 334
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 334
Book Description
Early Netherlandish Painting, Its Origins and Character: Plates
Author: Erwin Panofsky
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 376
Book Description
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 376
Book Description
Devotional Portraiture and Spiritual Experience in Early Netherlandish Painting
Author: Ingrid Falque
Publisher: BRILL
ISBN: 9004397604
Category : Art
Languages : en
Pages : 334
Book Description
In Devotional Portraiture and Spiritual Experience Ingrid Falque analyses the meditative functions of early Netherlandish paintings including devotional portraits, that is portraits of people kneeling in prayer. Such paintings have been mainly studied in the context of commemorative and social practices, but as Ingrid Falque shows, they also served as devotional instruments. By drawing parallels between the visual strategies of these paintings and texts of the major spiritual writers of the medieval Low Countries, she demonstrates that paintings with devotional portraits functioned as a visualisation of the spiritual process of the sitters. The book is accompanied by the first exhaustive catalogue of paintings with devotional portraits produced in the Low Countries between c. 1400 and 1550. This catalogue is available at no costs in e-format (HERE) and can also be purchased as a printed hardcover book (HERE).
Publisher: BRILL
ISBN: 9004397604
Category : Art
Languages : en
Pages : 334
Book Description
In Devotional Portraiture and Spiritual Experience Ingrid Falque analyses the meditative functions of early Netherlandish paintings including devotional portraits, that is portraits of people kneeling in prayer. Such paintings have been mainly studied in the context of commemorative and social practices, but as Ingrid Falque shows, they also served as devotional instruments. By drawing parallels between the visual strategies of these paintings and texts of the major spiritual writers of the medieval Low Countries, she demonstrates that paintings with devotional portraits functioned as a visualisation of the spiritual process of the sitters. The book is accompanied by the first exhaustive catalogue of paintings with devotional portraits produced in the Low Countries between c. 1400 and 1550. This catalogue is available at no costs in e-format (HERE) and can also be purchased as a printed hardcover book (HERE).
Early Netherlandish Painting, Its Origins and Character: Text
Author: Erwin Panofsky
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 628
Book Description
"I have not attempted a presentation of Early Netherlandish Painting in its entirety ... but concentrated my efforts on Hubert and Jan van Eyck, the Master of Flémalle and Roger van der Weyden ... Like my previous book on Albrecht Dürer, this study has grown out of a series of public lectures - in this case, the Charles Eliot Norton Lectures delivered at Harvard University in 1947-1948"--Preface, v. 1, p. vii.
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 628
Book Description
"I have not attempted a presentation of Early Netherlandish Painting in its entirety ... but concentrated my efforts on Hubert and Jan van Eyck, the Master of Flémalle and Roger van der Weyden ... Like my previous book on Albrecht Dürer, this study has grown out of a series of public lectures - in this case, the Charles Eliot Norton Lectures delivered at Harvard University in 1947-1948"--Preface, v. 1, p. vii.
Landscape and Religion from Van Eyck to Rembrandt
Author: Boudewijn Bakker
Publisher: Routledge
ISBN: 1351561138
Category : Art
Languages : en
Pages : 394
Book Description
Offering a corrective to the common scholarly characterization of seventeenth-century Dutch landscape painting as modern, realistic and secularized, Boudewijn Bakker here explores the long history and purpose of landscape in Netherlandish painting. In Bakker's view, early Netherlandish as well as seventeenth-century Dutch painting can be understood only in the context of the intellectual climate of the day. Concentrating on landscape painting as the careful depiction of the visible world, Bakker's analysis takes in the thought of figures seldom consulted by traditional art historians, such as the fifteenth-century philosopher Dionysius the Carthusian, the sixteenth-century religious reformer John Calvin, the geographer Abraham Ortelius and the seventeenth-century poet Constantijn Huygens. Probing their conception of nature as 'the first Book of God' and art as its representation, Bakker identifies a world view that has its roots in the traditional Christian perceptions of God and creation. Landscape and Religion from Van Eyck to Rembrandt imposes a new layer of interpretation on the richly varied landscapes of the great masters. In so doing it adds a new dimension to the insights offered by modern art-historical research. Further, Bakker's explorations of early modern art and literature provide essential background for any student of European intellectual history.
Publisher: Routledge
ISBN: 1351561138
Category : Art
Languages : en
Pages : 394
Book Description
Offering a corrective to the common scholarly characterization of seventeenth-century Dutch landscape painting as modern, realistic and secularized, Boudewijn Bakker here explores the long history and purpose of landscape in Netherlandish painting. In Bakker's view, early Netherlandish as well as seventeenth-century Dutch painting can be understood only in the context of the intellectual climate of the day. Concentrating on landscape painting as the careful depiction of the visible world, Bakker's analysis takes in the thought of figures seldom consulted by traditional art historians, such as the fifteenth-century philosopher Dionysius the Carthusian, the sixteenth-century religious reformer John Calvin, the geographer Abraham Ortelius and the seventeenth-century poet Constantijn Huygens. Probing their conception of nature as 'the first Book of God' and art as its representation, Bakker identifies a world view that has its roots in the traditional Christian perceptions of God and creation. Landscape and Religion from Van Eyck to Rembrandt imposes a new layer of interpretation on the richly varied landscapes of the great masters. In so doing it adds a new dimension to the insights offered by modern art-historical research. Further, Bakker's explorations of early modern art and literature provide essential background for any student of European intellectual history.
Anonymous Art at Auction
Author: Anne-Sophie V. Radermecker
Publisher: BRILL
ISBN: 9004460209
Category : Art
Languages : en
Pages : 340
Book Description
In Anonymous Art at Auction, Anne-Sophie V. Radermecker takes the opposing view of the superstar economy by examining contemporary sales of Early Flemish paintings with unknown authorship and the effects of various substitutes for real names on price formation.
Publisher: BRILL
ISBN: 9004460209
Category : Art
Languages : en
Pages : 340
Book Description
In Anonymous Art at Auction, Anne-Sophie V. Radermecker takes the opposing view of the superstar economy by examining contemporary sales of Early Flemish paintings with unknown authorship and the effects of various substitutes for real names on price formation.
Early Netherlandish Paintings
Author: Bernhard Ridderbos
Publisher: Amsterdam University Press
ISBN: 9789053566145
Category : Art
Languages : en
Pages : 506
Book Description
An illustrated scholarly analysis of the art and the cultural interpretations of the Flemish Primitives.
Publisher: Amsterdam University Press
ISBN: 9789053566145
Category : Art
Languages : en
Pages : 506
Book Description
An illustrated scholarly analysis of the art and the cultural interpretations of the Flemish Primitives.
Early Netherlandish Painting at the Crossroads
Author: Maryan W. Ainsworth
Publisher: Metropolitan Museum of Art
ISBN: 1588390101
Category : Art
Languages : en
Pages : 132
Book Description
The nine papers collected in this publication- which comprises the third and latest edition to the symposium volumes by the Metropolitan Museum of Art - were first presented in conjunction with the Museum's exhibition of Early Netherlandish painting culled from its own holdings in 1998. The essays, by an international roster of leading specialists, together uncover the circumstances underlying the creation of works of art and shed new light on their meaning, in the context of the growing interdisciplinary activity and burgeoning scholarship in the field. The importance of archival research into the socio-economic factors that existed in the late fifteenth and early sixteenth centuries is emphasized- especially, the impact of art markets on the production of paintings as well as sculpture. Much new material has surfaced as a result of advances in the technical investigation of works of art, underscoring the premise that the clues to the meaning of a work are often found not only in its method of manufacture but also in the specific audience for which it was intended and in the function that it originally served for that audience. -- Publisher description.
Publisher: Metropolitan Museum of Art
ISBN: 1588390101
Category : Art
Languages : en
Pages : 132
Book Description
The nine papers collected in this publication- which comprises the third and latest edition to the symposium volumes by the Metropolitan Museum of Art - were first presented in conjunction with the Museum's exhibition of Early Netherlandish painting culled from its own holdings in 1998. The essays, by an international roster of leading specialists, together uncover the circumstances underlying the creation of works of art and shed new light on their meaning, in the context of the growing interdisciplinary activity and burgeoning scholarship in the field. The importance of archival research into the socio-economic factors that existed in the late fifteenth and early sixteenth centuries is emphasized- especially, the impact of art markets on the production of paintings as well as sculpture. Much new material has surfaced as a result of advances in the technical investigation of works of art, underscoring the premise that the clues to the meaning of a work are often found not only in its method of manufacture but also in the specific audience for which it was intended and in the function that it originally served for that audience. -- Publisher description.
Early Netherlandish Paintings
Author: Bernhard Ridderbos
Publisher: Getty Publications
ISBN: 9780892368167
Category : Art
Languages : en
Pages : 498
Book Description
"Any contemporary understanding of early Netherlandish paintings must take into account not only that historical data about them is fragmentary but also that art historians have used a variety of premises from which to study the works. This book, therefore, explores how the paintings of the period and the factual knowledge surrounding them have been assembled, analyzed, and interpreted from their rediscovery in the early nineteenth century to the present day." "Assembling these multiple perspectives in one volume, the editors underscore the common ground shared by their colleagues and intend thereby to advance the scholarly dialogue among them."--BOOK JACKET.
Publisher: Getty Publications
ISBN: 9780892368167
Category : Art
Languages : en
Pages : 498
Book Description
"Any contemporary understanding of early Netherlandish paintings must take into account not only that historical data about them is fragmentary but also that art historians have used a variety of premises from which to study the works. This book, therefore, explores how the paintings of the period and the factual knowledge surrounding them have been assembled, analyzed, and interpreted from their rediscovery in the early nineteenth century to the present day." "Assembling these multiple perspectives in one volume, the editors underscore the common ground shared by their colleagues and intend thereby to advance the scholarly dialogue among them."--BOOK JACKET.