Early English Text Society: Two Coventry Corpus Christi plays PDF Download
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Category : English literature
Languages : en
Pages : 208
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Book Description
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 208
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 516
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Book Description
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 282
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Book Description
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 250
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Book Description
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 330
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Book Description
Author: Katie Normington
Publisher: DS Brewer
ISBN: 9781843841289
Category : Drama
Languages : en
Pages : 234
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Book Description
A lively account of the modern staging of the medieval mystery plays, richly illustrated with stills and other photographs. The turn of the last millennium saw a sudden flourishing in the revival of the medieval mystery plays, with a number of different productions being staged across the country and further afield. But why were they staged? What features of the plays attracted the modern-day director? What can the mystery plays offer today's producers, directors, participants and audiences? This book seeks to answer these questions. Beginning with an exploration of the original staging conditions, the study goes on to examine the reasons why the plays are produced today, and through a series of case studies looks at how notions of community, identity and space are articulated within contemporary stagings: it considers productions at Chester, Chichester, Leeds, Lichfield, Lincoln, Toronto, Worsbrough, and York, as well as productions by the Royal National Theatre, Royal Shakespeare Company, and the Belgrade Theatre, Coventry. Importantly, the author uses evidence gleaned from interviews with directors and producers, and observation of rehearsals, and performances, to bring a fresh and modern perspective to bear. Richly illustrated. KATIENORMINGTON is Professor of Drama at Royal Holloway, University of London.
Author: Lawrence M. Clopper
Publisher: University of Chicago Press
ISBN: 0226110303
Category : Drama
Languages : en
Pages : 356
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Book Description
How was it possible for drama, especially biblical representations, to appear in the Christian West given the church's condemnation of the theatrum of the ancient world?In a book with radical implications for the study of medieval literature, Lawrence Clopper resolves this perplexing question. Drama, Play, and Game demonstrates that the theatrum repudiated by medieval clerics was not "theater" as we understand the term today. Clopper contends that critics have misrepresented Western stage history because they have assumed that theatrum designates a place where drama is performed. While theatrum was thought of as a site of spectacle during the Middle Ages, the term was more closely connected with immodest behavior and lurid forms of festive culture. Clerics were not opposed to liturgical representations in churches, but they strove ardently to suppress May games, ludi, festivals, and liturgical parodies. Medieval drama, then, stemmed from a more vernacular tradition than previously acknowledged-one developed by England's laity outside the boundaries of clerical rule.
Author: John Gassner
Publisher: Hal Leonard Corporation
ISBN: 9780936839844
Category : Drama
Languages : en
Pages : 484
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Book Description
Presents examples of folk drama, and morality plays, and the early tragedies and comedies following classical models
Author: Don LePan
Publisher: Broadview Press
ISBN: 9781551110813
Category : History
Languages : en
Pages : 394
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Book Description
Why are the plots of Shakespeare and his contemporaries so different from those of his predecessors? This book argues that the answer is in part that certain forms of expectation were largely undeveloped in the medieval period. More broadly, it suggests that many of the causal and temporal thought processes that are second nature to us operated very differently or had not been developed in the minds of most medieval people. And conversely, it suggests that other mental faculties (such as the ability to respond to some of the elemental appeal of poetry) may have become dulled by the post-renaissance rationalist emphasis in our culture. In addition to drawing on a broad range of etymological and literary evidence (from the 10th century Gnomic verses to 16th-century drama) the book delves into medieval history, and draws many anthropological parallels. This is a significant study in the nature of narrative and an important investigation into the mental and cultural worlds of Shakespeare and his predecessors.
Author: Naseeb Shaheen
Publisher: University of Delaware
ISBN: 1611493730
Category : Bibles
Languages : en
Pages : 982
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Book Description
The hundreds of biblical references in Shakespeare's plays give ample evidence that he was well acquainted with Scripture. Not only is the range of his biblical references impressive, but also the aptness with which he makes them. Hamlet and Othello each have more than fifty biblical references. No study of Shakespeare's plays is complete that ignores Shakespeare's use of scripture. The Bibles that Shakespeare knew, however, were not those that are in use today. By the time the King James Bible appeared in 1611, Shakespeare's career was all but over, and the Anglican liturgy that is evident in his plays is likewise one that few persons are acquainted with. This volume provides a comprehensive survey of the English Bibles of Shakespeare's day, notes their similarities and differences, and indicates which version the playwright knew best. The thorny question of what constitutes a valid biblical reference is also discussed. The study of Shakespeare's biblical references is not based on secondary sources. The author owned one of the world's largest collections of early English bibles, including over one hundred copies of the Geneva bible and numerous editions of other Bibles, prayer books, and books of homilies of Shakespeare's day. To be of real worth, a study of Shakespeare's biblical references should also enable the reader to determine which references Shakespeare borrowed from his plot sources and which he added from his own memory as part of his design for the play. The author studies every source that Shakespeare is known to have read or consulted before writing each play and has examined the biblical references in those sources. Shaheen then points out which biblical references in his literary sources Shakespeare accepted, and how he adapted them in his plays. This information is especially valuable when assessing the theological meanings that are sometimes imposed on his plays, meanings that often go beyond what Shakespeare intended or what his audience must have understood. Biblical References in Shakespeare's Plays is considerably broader in scope than any other study of its kind and provides the scholarly checks and balances in dealing with the subject that previous studies lacked. .
