Author: Barbara Owen
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 264
Book Description
E. Power Biggs, Concert Organist
Author: Barbara Owen
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 264
Book Description
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 264
Book Description
The Biggs Book of Organ Music
Author: Biggs, E. Power
Publisher: Alfred Music Publishing
ISBN: 9780769229904
Category : Music
Languages : en
Pages : 100
Book Description
A top-selling organ music book. Edited and arranged by E. Power Biggs (1906-1977). Includes a biographical sketch of the very influential Mr. Biggs. Titles: Adagio (for the Glass Harmonica or Musical Glasses) (W. A. Mozart) * All Glory Be to God on High (Festival Prelude for Organ) (J. S. Bach) * Andante (from Concerto No. 3 in B-flat) (W. Felton) * Prelude on Ave Verum Corpus (W. A. Mozart) * A Christmas Pastorale (from The Christmas Concerto) (G. Valentini) * The Cuckoo (L. C. d'Aquin) * The Emperor's Fanfare (from Sixth Double Concerto) (A. Soler) * The Faithful Shepherd (Pastorale) (G. F. Handel) * The Fifers (F. Dandrieu) * Firework Music (Suite from the Music for the Royal Fireworks) (G. F. Handel) * Fugue in C Major (The "Fanfare" Fugue) (J. S. Bach) * God's Time Is the Best (Sinfonia to Cantata No. 106) (J. S. Bach) * I Stand at the Threshold (Sinfonia to Cantata No. 156) (J. S. Bach) * Jesu, Joy of Man's Desiring (from Cantata No. 147) (J. S. Bach) * The Musical Clocks (from a Suite of Twelve Pieces) (F. J. Haydn) * Offertoire for Easter (On the Melody "O Filii et Filiae") (F. Dandrieu) * Sheep May Safely Graze (In G) (from Cantata No. 208 -- The "Birthday Cantata") (J. S. Bach) * The Shepherds at the Manger (from the Piano Suite "The Christmas Tree") (F. Liszt) * Sinfonia, Chorale and Variation (from the Easter Cantata -- No. 4 -- "Christ Lay in Death's Dark Prison") (J. S. Bach) * Slow Movement (from Concerto in D Minor) (A. Vivaldi/J. S. Bach) * A Solemn Prelude (from Cantata No. 21 -- "Sighing, Weeping, Sorrow, Need") (J. S. Bach) * The Trophy (F. Couperin). "Minuet Finale from Firework Music," "Overture from Firework Music," and "Rejoicing from Firework Music" are Federation Festivals 2016-2020 selections.
Publisher: Alfred Music Publishing
ISBN: 9780769229904
Category : Music
Languages : en
Pages : 100
Book Description
A top-selling organ music book. Edited and arranged by E. Power Biggs (1906-1977). Includes a biographical sketch of the very influential Mr. Biggs. Titles: Adagio (for the Glass Harmonica or Musical Glasses) (W. A. Mozart) * All Glory Be to God on High (Festival Prelude for Organ) (J. S. Bach) * Andante (from Concerto No. 3 in B-flat) (W. Felton) * Prelude on Ave Verum Corpus (W. A. Mozart) * A Christmas Pastorale (from The Christmas Concerto) (G. Valentini) * The Cuckoo (L. C. d'Aquin) * The Emperor's Fanfare (from Sixth Double Concerto) (A. Soler) * The Faithful Shepherd (Pastorale) (G. F. Handel) * The Fifers (F. Dandrieu) * Firework Music (Suite from the Music for the Royal Fireworks) (G. F. Handel) * Fugue in C Major (The "Fanfare" Fugue) (J. S. Bach) * God's Time Is the Best (Sinfonia to Cantata No. 106) (J. S. Bach) * I Stand at the Threshold (Sinfonia to Cantata No. 156) (J. S. Bach) * Jesu, Joy of Man's Desiring (from Cantata No. 147) (J. S. Bach) * The Musical Clocks (from a Suite of Twelve Pieces) (F. J. Haydn) * Offertoire for Easter (On the Melody "O Filii et Filiae") (F. Dandrieu) * Sheep May Safely Graze (In G) (from Cantata No. 208 -- The "Birthday Cantata") (J. S. Bach) * The Shepherds at the Manger (from the Piano Suite "The Christmas Tree") (F. Liszt) * Sinfonia, Chorale and Variation (from the Easter Cantata -- No. 4 -- "Christ Lay in Death's Dark Prison") (J. S. Bach) * Slow Movement (from Concerto in D Minor) (A. Vivaldi/J. S. Bach) * A Solemn Prelude (from Cantata No. 21 -- "Sighing, Weeping, Sorrow, Need") (J. S. Bach) * The Trophy (F. Couperin). "Minuet Finale from Firework Music," "Overture from Firework Music," and "Rejoicing from Firework Music" are Federation Festivals 2016-2020 selections.
E. Power Biggs, Concert Organist
Author: Barbara Owen
Publisher:
ISBN: 9780783787299
Category :
Languages : en
Pages : 254
Book Description
Publisher:
ISBN: 9780783787299
Category :
Languages : en
Pages : 254
Book Description
The Organ
Author: Douglas Earl Bush
Publisher: Psychology Press
ISBN: 0415941741
Category : Organ (Musical instrument)
Languages : en
Pages : 696
Book Description
Organ, Volume 3 of the Encyclopedia of Keyboard Instruments, includes articles on the organ family of instruments, including famous players, composers, instrument builders, the construction of the instruments and related terminology. It is the first complete reference on this important family of keyboard instruments that predated the piano. The contributors include major scholars of music and musical instruments from around the world.
Publisher: Psychology Press
ISBN: 0415941741
Category : Organ (Musical instrument)
Languages : en
Pages : 696
Book Description
Organ, Volume 3 of the Encyclopedia of Keyboard Instruments, includes articles on the organ family of instruments, including famous players, composers, instrument builders, the construction of the instruments and related terminology. It is the first complete reference on this important family of keyboard instruments that predated the piano. The contributors include major scholars of music and musical instruments from around the world.
Richard Purvis, Organist of Grace
Author: James Welch
Publisher:
ISBN: 9781481278010
Category : Organists
Languages : en
Pages : 508
Book Description
Richard Purvis-organist, choirmaster, and composer at historic Grace Cathedral-became a San Francisco legend and (along with Alexander Schreiner, E. Power Biggs, and Virgil Fox) a national celebrity who made mid-20th century American organ music popular with the masses through records, recitals, and the press. The only book of its kind, Richard Purvis, Organist of Grace is a major contribution to our understanding of the music, culture, and church politics of an era marked as much by social change as by a revolution in musical taste, technology, and compositional technique. Uniquely among his colleagues, Purvis was first and foremost a writer and performer of original music that thrilled church and concert audiences everywhere-a talent that won him more than one invitation to leave Grace to compose for Hollywood. (His closest ally at Grace described Purvis as writing "film music for the Episcopal church.") Child prodigy, conservatory virtuoso, prisoner of war-Purvis's early life reads like a movie. Then came his epic rise and fall at Grace, concertizing throughout the United States, and a teaching career that spawned a generation of organists who, like Purvis, were equally adept at playing theatre organs, unafraid to experiment-even with electronic organs-and trained to trust their ear, not just the page. Through scrupulous research and extensive interviews with those who knew Purvis best, James Welch captures the character, career, and legacy of "The Master of Grace" in the book that future scholars and readers will return to, again and again, as the Place Where it All Began in Purvis studies.Richard Purvis, Organist of Grace, 508 pages, is lavishly illustrated with never-before seen photos and a wealth of documents and interviews. It chronicles Purvis's early life in the Bay Area, his years at The Curtis Institute, his military service in World War II, and his tempestuous tenure at Grace Cathedral, where he made the stones sing and crowds cheer. The book includes detailed chapters about Purvis as composer, recitalist, and teacher; complete lists of his published (and unpublished) organ and choral works; the story of his strong interest in the theatre organ; and colorful anecdotes and reminiscences from those who knew him as a friend, teacher, and colleague. His legend continues-clarified, corrected, and completed-in this essential resource for organists, historians, and lovers of music.
Publisher:
ISBN: 9781481278010
Category : Organists
Languages : en
Pages : 508
Book Description
Richard Purvis-organist, choirmaster, and composer at historic Grace Cathedral-became a San Francisco legend and (along with Alexander Schreiner, E. Power Biggs, and Virgil Fox) a national celebrity who made mid-20th century American organ music popular with the masses through records, recitals, and the press. The only book of its kind, Richard Purvis, Organist of Grace is a major contribution to our understanding of the music, culture, and church politics of an era marked as much by social change as by a revolution in musical taste, technology, and compositional technique. Uniquely among his colleagues, Purvis was first and foremost a writer and performer of original music that thrilled church and concert audiences everywhere-a talent that won him more than one invitation to leave Grace to compose for Hollywood. (His closest ally at Grace described Purvis as writing "film music for the Episcopal church.") Child prodigy, conservatory virtuoso, prisoner of war-Purvis's early life reads like a movie. Then came his epic rise and fall at Grace, concertizing throughout the United States, and a teaching career that spawned a generation of organists who, like Purvis, were equally adept at playing theatre organs, unafraid to experiment-even with electronic organs-and trained to trust their ear, not just the page. Through scrupulous research and extensive interviews with those who knew Purvis best, James Welch captures the character, career, and legacy of "The Master of Grace" in the book that future scholars and readers will return to, again and again, as the Place Where it All Began in Purvis studies.Richard Purvis, Organist of Grace, 508 pages, is lavishly illustrated with never-before seen photos and a wealth of documents and interviews. It chronicles Purvis's early life in the Bay Area, his years at The Curtis Institute, his military service in World War II, and his tempestuous tenure at Grace Cathedral, where he made the stones sing and crowds cheer. The book includes detailed chapters about Purvis as composer, recitalist, and teacher; complete lists of his published (and unpublished) organ and choral works; the story of his strong interest in the theatre organ; and colorful anecdotes and reminiscences from those who knew him as a friend, teacher, and colleague. His legend continues-clarified, corrected, and completed-in this essential resource for organists, historians, and lovers of music.
The Organ Music of Johannes Brahms
Author: Barbara Owen
Publisher: Oxford University Press
ISBN: 0198042485
Category : Music
Languages : en
Pages : 197
Book Description
Influenced by Robert and Clara Schumann and Joseph Joachim, Johannes Brahms not only learned to play the organ at the beginning of his career, but also wrote significant compositions for the instrument as a result of his early counterpoint study. He composed for the organ only sporadically or as part of larger choral and instrumental works in his subsequent career. During the final year of his life, however, he returned to pure organ composition with a set of chorale preludes--though many of these are thought to have been revisions of earlier works. Today, the organ works of Johannes Brahms are recognized as beautifully-crafted compositions by church and concert organists across the world and have become a much-cherished component of the repertoire. Until now, however, most scholarly accounts of Brahms's life and work treat his works for the organ as a minor footnote in his development as a composer. Precisely because the collection of organ works is not extensive, the pieces--composed at different times during Brahms's lifetime--help to map his path as a composer, pinpointing various stages in his artistic development. In this volume, Barbara Owen offers the first in-depth study of this corpus, considering Brahms's organ works in relation to his background, methods, and overall artistic development, his contacts with organs and organists, the influence of his predecessors and contemporaries, and analyses of each specific work and its place in Brahms's career. Her expert history and analysis of Brahms's individual organ works and their interpretation also investigates contemporary practices relative to the performance of these pieces. The book's three valuable appendices present a guide to editions of Brahms's organ works, a discussion of the organ in Brahms's world that highlights some organs the composer would have heard, and a listing of the organ transcriptions of Brahms's work. Blending unique insights into composition and performance practice, this book will be read eagerly by performers, students, and scholars of the organ, Brahms, and the music of the Nineteenth Century.
Publisher: Oxford University Press
ISBN: 0198042485
Category : Music
Languages : en
Pages : 197
Book Description
Influenced by Robert and Clara Schumann and Joseph Joachim, Johannes Brahms not only learned to play the organ at the beginning of his career, but also wrote significant compositions for the instrument as a result of his early counterpoint study. He composed for the organ only sporadically or as part of larger choral and instrumental works in his subsequent career. During the final year of his life, however, he returned to pure organ composition with a set of chorale preludes--though many of these are thought to have been revisions of earlier works. Today, the organ works of Johannes Brahms are recognized as beautifully-crafted compositions by church and concert organists across the world and have become a much-cherished component of the repertoire. Until now, however, most scholarly accounts of Brahms's life and work treat his works for the organ as a minor footnote in his development as a composer. Precisely because the collection of organ works is not extensive, the pieces--composed at different times during Brahms's lifetime--help to map his path as a composer, pinpointing various stages in his artistic development. In this volume, Barbara Owen offers the first in-depth study of this corpus, considering Brahms's organ works in relation to his background, methods, and overall artistic development, his contacts with organs and organists, the influence of his predecessors and contemporaries, and analyses of each specific work and its place in Brahms's career. Her expert history and analysis of Brahms's individual organ works and their interpretation also investigates contemporary practices relative to the performance of these pieces. The book's three valuable appendices present a guide to editions of Brahms's organ works, a discussion of the organ in Brahms's world that highlights some organs the composer would have heard, and a listing of the organ transcriptions of Brahms's work. Blending unique insights into composition and performance practice, this book will be read eagerly by performers, students, and scholars of the organ, Brahms, and the music of the Nineteenth Century.
Concerto in C Major
Author: Antonio Vivaldi
Publisher: Alfred Music
ISBN: 1457463482
Category : Music
Languages : en
Pages : 22
Book Description
This piano reduction by Antonio Vivaldi was designed for use with the transcription for band by Alfred Reed.
Publisher: Alfred Music
ISBN: 1457463482
Category : Music
Languages : en
Pages : 22
Book Description
This piano reduction by Antonio Vivaldi was designed for use with the transcription for band by Alfred Reed.
The Art of Organ-building
Author: George Ashdown Audsley
Publisher:
ISBN:
Category : Organ
Languages : en
Pages : 794
Book Description
Publisher:
ISBN:
Category : Organ
Languages : en
Pages : 794
Book Description
Virgil Fox (the Dish)
Author: Richard Torrence
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 444
Book Description
A spicy biography of the late Virgil Fox (-), who was the most successful and famous organist in history. Prepared by the organists managers for years, the book is based on a -page memoir of Foxs artistic heir and protg, Ted Alan Worth, with contributions by other associates and students who knew Fox intimately.
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 444
Book Description
A spicy biography of the late Virgil Fox (-), who was the most successful and famous organist in history. Prepared by the organists managers for years, the book is based on a -page memoir of Foxs artistic heir and protg, Ted Alan Worth, with contributions by other associates and students who knew Fox intimately.
All The Stops
Author: Craig Whitney
Publisher: PublicAffairs
ISBN: 0786740256
Category : Music
Languages : en
Pages : 354
Book Description
For centuries, pipe organs stood at the summit of musical and technological achievement, admired as the most complex and intricate mechanisms the human race had yet devised. In All The Stops, New York Times journalist Craig Whitney journeys through the history of the American pipe organ and brings to life the curious characters who have devoted their lives to its music. From the mid-19th to the mid-20th century, organ music was wildly popular in America. Organ builders in New York and New England could hardly fill the huge demand for both concert hall and home organs. Master organbuilders found ingenious ways of using electricity to make them sound like orchestras. Organ players developed cult followings and bitter rivalries. One movement arose to restore to American organs the clarity and precision that baroque organs had in centuries past, while another took electronic organs to the rock concert halls, where younger listeners could be found. But while organbuilders and organists were fighting with each other, popular audiences lost interest in the organ. Today, organs are beginning to make a comeback in concert halls and churches across America. Craig Whitney brings the story to life and up to date in a humorous, engaging book about the instruments and vivid personalities that inspired his lifelong passion: the great art of the majestic pipe organ. Hear the sounds of some of the pipe organs featured in ALL THE STOPS
Publisher: PublicAffairs
ISBN: 0786740256
Category : Music
Languages : en
Pages : 354
Book Description
For centuries, pipe organs stood at the summit of musical and technological achievement, admired as the most complex and intricate mechanisms the human race had yet devised. In All The Stops, New York Times journalist Craig Whitney journeys through the history of the American pipe organ and brings to life the curious characters who have devoted their lives to its music. From the mid-19th to the mid-20th century, organ music was wildly popular in America. Organ builders in New York and New England could hardly fill the huge demand for both concert hall and home organs. Master organbuilders found ingenious ways of using electricity to make them sound like orchestras. Organ players developed cult followings and bitter rivalries. One movement arose to restore to American organs the clarity and precision that baroque organs had in centuries past, while another took electronic organs to the rock concert halls, where younger listeners could be found. But while organbuilders and organists were fighting with each other, popular audiences lost interest in the organ. Today, organs are beginning to make a comeback in concert halls and churches across America. Craig Whitney brings the story to life and up to date in a humorous, engaging book about the instruments and vivid personalities that inspired his lifelong passion: the great art of the majestic pipe organ. Hear the sounds of some of the pipe organs featured in ALL THE STOPS