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Author: Oscar Thompson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 2506
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Author: Oscar Thompson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 2506
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Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 712
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Author: Geoffrey Self
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 296
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Book Description
E.J. Moeran 1894-1950] is one of the outstanding British composers of his generation, his music championed by Sir Adrian Boult, Vernon Handley, Norman Del Mar and others. His work covers a considerable variety of forms, from the widely acclaimed Symphony in G minor to exquisite songs and piano miniatures. But hi life and career were far from easy. A grievous shrapnel wound in World War I left him with a tendency towards alcoholism, exacerbated by a riotous four-year sojourn with Peter Warlock, which inhibited his ability to compose. Freed from the weight of Warlock's personality, Moeran went on to complete his Symphony, two concertos, and much else of enduring value and importance. In this first-ever full-length study of his music, Geoffrey Self examines Moeran's output chronologically, from his early piano and chamber music and tone-poems to the late masterpieces of the Cello Concerto and Cello Sonata. GEOFFREY SELF was Head of Music at Cornwall Technical College until 1981. He received a B.Mus. from the University of London and an M.Phil. from Exeter.
Author: Jürgen Schaarwächter
Publisher: Georg Olms Verlag
ISBN: 3487152282
Category : Music
Languages : en
Pages : 619
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Die britische Sinfonik ist erst in jüngster Zeit ins allgemeine Interesse gerückt. Ein Überblick über die sinfonische Entwicklung im Vereinigten Königreich seit den Anfängen im 18. Jahrhundert bis ins 20. Jahrhundert blieb aber bis heute ein Desideratum. Der hier vorgelegte Überblick zeigt, wie sich die Identität einer britischen Sinfonik über mehr als hundert Jahre entwickelte, geprägt durch Einflüsse vom europäischen Kontinent und von dem Bedürfnis, eigene Wege zu finden. Gegen Ende des 19. Jahrhunderts nahm das sinfonische Schaffen in Großbritannien stark zu, brachte jedoch erst mit Edward Elgar einen prominenten Vertreter von internationalem Rang hervor. Ein besonderer Schwerpunkt dieser Publikation liegt auf jenen Werken, die zu einem gewissen Grade von anderen überschattet wurden, unveröffentlicht oder unaufgeführt blieben. Das Ergebnis ist das Bild einer vielgestaltigen sinfonischen Landschaft Großbritanniens, das die ästhetischen Perspektiven der einzelnen Komponisten wie auch ihre soziokulturellen Kontexte erhellt. Ein umfangreiches Verzeichnis aller bekannten Werke und eine ausführliche Bibliographie laden zu weiterer Erkundung des Sujets ein. Only in relatively recent times has any real attention been given to British symphonies. So a comprehensive survey, showing what exists and how the situation in the United Kingdom developed, from the beginnings in the 18th century until well into the 20th century, is long overdue. The preliminary survey presented here shows how a British symphonic identity gradually took shape over more than a century, through influences from abroad and, at home, enterprising attempts to find new ways of expression. By the end of the 19th century, British symphonists had produced an impressive body of work, yet only with the appearance of Elgar’s two symphonies in the following decade did this flourishing school find a champion of international renown. In this publication, light is shone on those works that have to some extent been overshadowed, as well as on those that have remained unpublished or unperformed. The result is a multi-faceted panorama of British symphonism, offering many insights into the composers’ thinking and their socio-cultural contexts. A comprehensive catalogue of all known works and an extensive bibliography invite readers to delve further into the subject.
Author: Arthur Eaglefield Hull
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 572
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Author: Folk-Song Society (Great Britain)
Publisher:
ISBN:
Category : Folk songs
Languages : en
Pages : 362
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List of members in each volume.
Author: New York Public Library. Reference Department
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 866
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1106
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Author: Geoffrey Self
Publisher: Routledge
ISBN: 1351560174
Category : Music
Languages : en
Pages : 263
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In many ways the history of British light music knits together the social and economic history of the country with that of its general musical heritage. Numerous 'serious' composers from Elgar to Britten composed light music, and the genre adapted itself to incorporate the changing fashions heralded by the rise and fall of music hall, the drawing room ballad, ragtime, jazz and the revue. From the 1950s the recording and broadcasting industries provided a new home for light music as an accompaniment to radio programmes and films. Geoffrey Self deftly handles a wealth of information to illustrate the immense role that light music has played in British culture over the last 130 years. His insightful assessments of the best and the most shameful examples of the genre help to pinpoint its enduring qualities; qualities which enable it to maintain a presence in the face of today's domination by commercial popular music.
Author: British Federation of Music Festivals
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 656
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