Dutch Flower Painting 1600-1750 PDF Download
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Author: Peter Mitchell
Publisher:
ISBN:
Category : Flowers in art
Languages : en
Pages : 108
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Book Description
Details of the lives of the painters and the story of the development of this genre
Author: Peter Mitchell
Publisher:
ISBN:
Category : Flowers in art
Languages : en
Pages : 108
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Book Description
Details of the lives of the painters and the story of the development of this genre
Author: Paul Taylor
Publisher:
ISBN: 9780300053906
Category :
Languages : en
Pages : 227
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Book Description
Author: Paul Taylor
Publisher:
ISBN: 9780300053906
Category : Art
Languages : en
Pages : 227
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Book Description
At the time of the great tulip speculation of the 1630s in Holland, the most desirable tulip bulbs were auctioned for more money than the most expensive houses in Amsterdam. At the same time flower paintings which were remarkable for their apparent realism were produced all over Holland and purchased by Dutch families as enduring substitutes for the real thing. This beautiful book reveals the fascinating genesis and growth of a whole genre of paintings that has rarely been studied. Paul Taylor begins by discussing Holland's 'tulipomania' and its effect on the way people thought about floral still lifes. He then considers the religious messages associated with the flower paintings, exploring how religious writers spoke of flowers as moral signposts from God and how some flower paintings were meant to remind viewers of the transience of earthly existence. Flower paintings were not bought only as records of luxury objects or for moral edification, however. They were also enjoyed as works of art, as masterpieces of illusion, composition and colour harmony, so Taylor analyses the art-theoretical writings of the time in order to understand how artists and connoisseurs responded to flower pieces. He concludes by analysing the paintings themselves, tracing the development and refinement of the actual practice of flower painting.
Author: National Gallery of Art (U.S.)
Publisher: Oxford University Press, USA
ISBN: 9780894682117
Category : Painting
Languages : en
Pages : 0
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Book Description
Heda's Banquet Piece, Frans Hals' Willem Coymans, and Rembrandt's Lucretia. Paintings by these and other masters attracted the American collectors P. A. B. Widener, his son Joseph, and Andrew W. Mellon, whose bequests form the heart of the National Gallery's distinguished and remarkably cohesive collection of ninety-one Dutch paintings.
Author: Walter A. Liedtke
Publisher: Metropolitan Museum of Art
ISBN: 1588392732
Category : Painters
Languages : en
Pages : 1109
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Book Description
Presents a catalog that surveys the Dutch paintings found in the Metropolitan Museum of Art.
Author: Sam Segal
Publisher:
ISBN:
Category : Art, Dutch
Languages : en
Pages : 312
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Book Description
Author: Julie Hochstrasser
Publisher:
ISBN: 9780300100389
Category : Art
Languages : en
Pages : 411
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Book Description
An original and provocative view of Golden Age still life paintings and the exotic commodities they depict
Author: Norbert Hostyn
Publisher:
ISBN:
Category : Flowers in art
Languages : en
Pages : 432
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Book Description
Author: Sam Segal
Publisher: BRILL
ISBN: 9004427457
Category : Art
Languages : en
Pages : 1266
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Book Description
This richly illustrated book provides an overview of all known Dutch and Flemish artists up to the nineteenth century, who painted or drew flower pieces, or else made prints of them.
Author: Fred G. Meijer
Publisher: Spotlight Poets
ISBN: 9789040088025
Category : Painting
Languages : en
Pages : 336
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Book Description
In 1939, the Ashmolean Museum received a bequest of ninety-four still-life paintings by Dutch and Flemish artists, assembled over many years by Theodore and Daisy Linda Ward. The collection - known as the Daisy Linda Ward Bequest - is one of the most important of its kind. The original catalogue of the collection written by Professor J.G. van Gelder and published in 1950, has long been out of print. Knowledge of the subject also changed significantly since 1950. The present catalogue written by one of the leading present-day scholars of still-life paintings is much more than a revised version of van Gelder's publication. It includes an essay on the background to the collection and a discussion of the taste for and the interpretation of Netherlandish still-life painting. It also includes an extensive discussion of each of the works dealing with questions of style and content and ranging widely over other issues affecting the history of the subject. This book will serve not only as a catalogue of the collection but also as an important and up-to-date work of reference.
