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Author: Dan Shen
Publisher: Taylor & Francis
ISBN: 1000812812
Category : Literary Criticism
Languages : en
Pages : 152
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Book Description
Combining narratological and stylistic methods, this book theorizes dual narrative dynamics consisting of plot development and covert progression and demonstrates the consequences for the interpretation of literary works. In narratives with such dynamics, writers work simultaneously with overt and covert trajectories of signification, establishing a range of relationships between them. The two parallel narrative movements may complement, contradict or even subvert each other, and these relationships significantly influence readers’ understanding not just of events but also of characters, themes, and aesthetic values. The book provides a systematic theoretical account of such previously neglected dual narrative dynamics, substantiated and enriched by the textual analysis of works by Ambrose Bierce, Kate Chopin, Franz Kafka, and Katherine Mansfield. The study explores the many ways that these authors have used dual dynamics to increase the power of their narratives. In addition, the book identifies the challenges such dual dynamics present not only for narratology but also for stylistics and translation studies, and it develops sound and provocative proposals for meeting those challenges. In taking an interdisciplinary approach, this book will appeal to scholars and students in the fields of narrative and literary theory, literary criticism, literary stylistics, and translation studies.
Author: Dan Shen
Publisher: Taylor & Francis
ISBN: 1000812812
Category : Literary Criticism
Languages : en
Pages : 152
Get Book Here
Book Description
Combining narratological and stylistic methods, this book theorizes dual narrative dynamics consisting of plot development and covert progression and demonstrates the consequences for the interpretation of literary works. In narratives with such dynamics, writers work simultaneously with overt and covert trajectories of signification, establishing a range of relationships between them. The two parallel narrative movements may complement, contradict or even subvert each other, and these relationships significantly influence readers’ understanding not just of events but also of characters, themes, and aesthetic values. The book provides a systematic theoretical account of such previously neglected dual narrative dynamics, substantiated and enriched by the textual analysis of works by Ambrose Bierce, Kate Chopin, Franz Kafka, and Katherine Mansfield. The study explores the many ways that these authors have used dual dynamics to increase the power of their narratives. In addition, the book identifies the challenges such dual dynamics present not only for narratology but also for stylistics and translation studies, and it develops sound and provocative proposals for meeting those challenges. In taking an interdisciplinary approach, this book will appeal to scholars and students in the fields of narrative and literary theory, literary criticism, literary stylistics, and translation studies.
Author: H. Porter Abbott
Publisher:
ISBN: 9780521715157
Category : Literary Criticism & Collections
Languages : en
Pages : 252
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Book Description
This popular textbook has been completely revised and updated, and includes two entirely new chapters.
Author: Brian Richardson
Publisher: Ohio State University Press
ISBN: 9780814208953
Category : Language Arts & Disciplines
Languages : en
Pages : 416
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Book Description
This anthology brings together essential essays on major facets of narrative dynamics, that is, the means by which "narratives traverse their often unlikely routes from beginning to end." It includes the most widely cited and discussed essays on narrative beginnings, temporality, plot and emplotment, sequence and progression, closure, and frames. The text is designed as a basic reader for graduate courses in narrative and critical theory across disciplines including literature, drama and theatre, and film. Narrative Dynamics includes such classic exponents as E. M. Forster on story and plot; Vladimir Propp on the structure of the folktale; R. S. Crane on plot; Boris Tomashevsky on story, plot, and, motif; M. M. Bakhtin on the chronotope; and Gerard Genette on narrative time. Richardson highlights essential feminist essays by Nancy K. Miller on plot and plausibility, Rachel Blau Duplessis on closure, and Susan Winnett on narrative and desire. These are complimented by newer pieces by Susan Stanford Friedman on spatialization and Robyn Warhol on serial fiction. Other major contributions include Edward Said on beginnings, Hayden White on historical narrative, Peter Brooks on plot, Paul Ricoeur on time, D. A. Miller on closure, James Phelan on progression, and Jacques Derrida on the frame. Recent essays from the perspective of cultural studies, postmodernism, and artificial intelligence bring this collection right up to the present.
Author: Kim Culbertson
Publisher: Scholastic Inc.
ISBN: 0545731526
Category : Young Adult Fiction
Languages : en
Pages : 302
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Book Description
"The Wonder of Us is an epic journey of love and friendship, forgiveness and possibility." -Jennifer Nivens, New York Times bestselling author of All the Bright Places Riya and Abby are:Best friends.Complete opposites.Living on different continents.Currently mad at each other.About to travel around Europe. Riya moved to Berlin, Germany, with her family for junior year, while Abby stayed behind in their small California town. They thought it would be easy to keep up their friendship-it's only a year and they've been best friends since preschool. But instead, they ended up fighting and not being there for the other. So Riya proposes an epic adventure to fix their friendship. Two weeks, six countries, unimaginable fun. But two small catches: They haven't talked in weeks. They've both been keeping secrets. Can Riya and Abby find their way back to each other among lush countrysides and dazzling cities, or does growing up mean growing apart?
Author: Biwu Shang
Publisher: Europäische Hochschulschriften / European University Studies / Publications Universitaires Européennes
ISBN: 9783034305624
Category : English philology
Languages : en
Pages : 0
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Book Description
This book makes an intensive study of James Phelan's rhetorical theory of narrative. Apart from illustrating six basic principles in doing rhetorical theory of narrative, the author examines six major issues which are central to Phelan's rhetorical poetics, namely, focalization, character narration, unreliable narration, narrative progression, narrative judgments, and narrative ethics. For each narratological concept, the author minutely conducts a genealogical study to make the review work complete. The book not only compares Phelan's rhetorical narratology with classical narratology but also with other strands of postclassical narratology. A detailed bibliography makes this book a compendium of narrative theory which is of relevance for scholars and students of all literary disciplines.
Author: Dan Shen
Publisher: Routledge
ISBN: 1136202412
Category : Literary Criticism
Languages : en
Pages : 215
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Book Description
In many fictional narratives, the progression of the plot exists in tension with a very different and powerful dynamic that runs, at a hidden and deeper level, throughout the text. In this volume, Dan Shen systematically investigates how stylistic analysis is indispensable for uncovering this covert progression through rhetorical narrative criticism. The book brings to light the covert progressions in works by the American writers Edgar Allan Poe, Stephan Crane and Kate Chopin and British writer Katherine Mansfield.
Author: Alicia Juarrero
Publisher: MIT Press
ISBN: 9780262600477
Category : Psychology
Languages : en
Pages : 306
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Book Description
What is the difference between a wink and a blink? The answer is important not only to philosophers of mind, for significant moral and legal consequences rest on the distinction between voluntary and involuntary behavior. However, "action theory"—the branch of philosophy that has traditionally articulated the boundaries between action and non-action, and between voluntary and involuntary behavior—has been unable to account for the difference. Alicia Juarrero argues that a mistaken, 350-year-old model of cause and explanation—one that takes all causes to be of the push-pull, efficient cause sort, and all explanation to be prooflike—underlies contemporary theories of action. Juarrero then proposes a new framework for conceptualizing causes based on complex adaptive systems. Thinking of causes as dynamical constraints makes bottom-up and top-down causal relations, including those involving intentional causes, suddenly tractable. A different logic for explaining actions—as historical narrative, not inference—follows if one adopts this novel approach to long-standing questions of action and responsibility.
Author: James Phelan
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 280
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Book Description
In Experiencing Fiction, James Phelan develops a provocative and engaging affirmative answer to the question, "Can we experience narrative fiction in similar ways?" Phelan grounds that answer in two elements of narrative located at the intersection between authorial design and reader response: judgments and progressions. Phelan contends that focusing on the three main kinds of judgment--interpretive, ethical, and aesthetic--and on the principles underlying a narrative's movement from beginning to end reveals the experience of reading fiction to be potentially sharable. In Part One, Phelan skillfully analyzes progressions and judgments in narratives with a high degree of narrativity: Jane Austen's Persuasion, Toni Morrison's Beloved, Edith Wharton's "Roman Fever," and Ian McEwan's Atonement. In Part Two, Phelan turns his attention to the different relationships between judgments and progressions in hybrid forms--in the lyric narratives of Ernest Hemingway's "A Clean, Well-Lighted Place," Sandra Cisneros's "Woman Hollering Creek," and Robert Frost's "Home Burial," and in the portrait narratives of Alice Munro's "Prue" and Ann Beattie's "Janus." More generally, Phelan moves back and forth between the exploration of theoretical principles and the detailed work of interpretation. As a result, Experiencing Fiction combines Phelan's fresh and compelling readings of numerous innovative narratives with his fullest articulation of the rhetorical theory of narrative.
Author: Ann Dávila Cardinal
Publisher: Tor Teen
ISBN: 1250296080
Category : Young Adult Fiction
Languages : en
Pages : 245
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Book Description
Ann Dávila Cardinal's Five Midnights is a “wickedly thrilling” (William Alexander) and “flat-out unputdownable” (Paul Tremblay) novel based on the el Cuco myth set against the backdrop of modern day Puerto Rico. 2019 Digital Book World Award Winner for best Suspense/Horror Book Five friends cursed. Five deadly fates. Five nights of retribución. If Lupe Dávila and Javier Utierre can survive each other’s company, together they can solve a series of grisly murders sweeping though Puerto Rico. But the clues lead them out of the real world and into the realm of myths and legends. And if they want to catch the killer, they'll have to step into the shadows to see what's lurking there—murderer, or monster? “A frightening, fast-paced thriller.” —Julianna Baggott, Alex Award-winning author of Pure At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Author: James Phelan
Publisher: Ohio State University Press
ISBN: 0814206883
Category : Fiction
Languages : en
Pages : 250
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Book Description
The rhetorical theory of narrative that emerges from these investigations emphasizes the recursive relationships between authorial agency, textual phenomena, and reader response, even as it remains open to insights from a range of critical approaches - including feminism, psychoanalysis, Bakhtinian linguistics, and cultural studies. The rhetorical criticism Phelan advocates and employs seeks, above all, to attend carefully to the multiple demands of reading sophisticated narrative; for that reason, his rhetorical theory moves less toward predictions about the relationships between techniques, ethics, and ideologies and more toward developing some principles and concepts that allow us to recognize the complex diversity of narrative art.
