Du Friedefurst, Herr Jesu Christ, BWV 116

Du Friedefurst, Herr Jesu Christ, BWV 116 PDF Author:
Publisher:
ISBN:
Category :
Languages : de
Pages : 28

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Du Friedefürst, Herr Jesu Christ

Du Friedefürst, Herr Jesu Christ PDF Author:
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Category :
Languages : en
Pages :

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Herr Jesu Christ, Du Hast Bereit't

Herr Jesu Christ, Du Hast Bereit't PDF Author:
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Category :
Languages : en
Pages :

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Du Friedefurst, Herr Jesu Christ, BWV 116

Du Friedefurst, Herr Jesu Christ, BWV 116 PDF Author:
Publisher:
ISBN:
Category :
Languages : de
Pages : 28

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Herr Jesu Christ, Du Höchstes Gut

Herr Jesu Christ, Du Höchstes Gut PDF Author:
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Category :
Languages : en
Pages :

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Du Friedefürst, Herr Jesu Christ

Du Friedefürst, Herr Jesu Christ PDF Author:
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Languages : fr
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The Craft of Tonal Counterpoint

The Craft of Tonal Counterpoint PDF Author: Thomas Benjamin
Publisher: Routledge
ISBN: 1135946639
Category : Art
Languages : en
Pages : 429

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First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

Guidelines for Style Analysis

Guidelines for Style Analysis PDF Author: Jan LaRue
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 320

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Essentials of Eighteenth-century Counterpoint

Essentials of Eighteenth-century Counterpoint PDF Author: Neale B. Mason
Publisher: Brown & Benchmark
ISBN:
Category : Music
Languages : en
Pages : 196

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A Practical Approach to 18th Century Counterpoint

A Practical Approach to 18th Century Counterpoint PDF Author: Robert Gauldin
Publisher: Waveland Press
ISBN: 1478608765
Category : Music
Languages : en
Pages : 351

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Practical work in writing counterpoint! This volume emphasizes developing analytical and writing skills in the contrapuntal technique of the eighteenth century. The orientation is strongly stylistic, dealing mainly with the polyphony of the late Baroque period. Three aspects are stressed throughout: practical work in writing counterpoint, utilizing various textures, devices, and genre of the period; historical background, to establish the origins of different forms and justify the pedagogical method employed here; analysis of selections from music literature, often in voice-leading reductions. After an opening chapter that reviews some general features of the late Baroque period, there is a brief survey of melodic characteristics, and a study of procedures associated with two, three, and four voices.