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Author: Peter Auger
Publisher:
ISBN: 9780191866524
Category :
Languages : en
Pages :
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Book Description
Guillaume de Saluste Du Bartas was the most popular and widely-imitated poet in sixteenth- and seventeenth-century England and Scotland. C.S. Lewis felt that a reconsideration of his works' British reception was 'long overdue' back in the 1950s, and this study finally provides the first comprehensive account of how English-speaking poets read, translated, imitated, and eventually discarded Du Bartas' model for Protestant poetry. The first part shows that Du Bartas' friendship with James VI and I was a key factor in his popularity. Through James's intervention, Du Bartas' poetry symbolized a transnational Protestant literary culture in Huguenot France and Britain, and meant that Scottish literary tastes had a significant impact in England. Later chapters assess how Sidney, Spenser, Milton and many other poets justified writing poetic fictions in reaction to Du Bartas' austere emphasis on scriptural truth. Crucially, Du Bartas' example is essential for understanding the everyday creative activities of many men and women who wrote poetry away from centres of power. 0Du Bartas' Legacy in England and Scotland responds to recent developments in transnational and translation studies, the history of reading, women's writing, religious literature, and manuscript and print studies. It argues that Du Bartas' legacy deserves greater prominence because it offers a more accurate, diverse, and representative view of sixteenth- and seventeenth-century English, Scottish, and French literature and religious culture.
Author: Peter Auger
Publisher:
ISBN: 9780191866524
Category :
Languages : en
Pages :
Get Book Here
Book Description
Guillaume de Saluste Du Bartas was the most popular and widely-imitated poet in sixteenth- and seventeenth-century England and Scotland. C.S. Lewis felt that a reconsideration of his works' British reception was 'long overdue' back in the 1950s, and this study finally provides the first comprehensive account of how English-speaking poets read, translated, imitated, and eventually discarded Du Bartas' model for Protestant poetry. The first part shows that Du Bartas' friendship with James VI and I was a key factor in his popularity. Through James's intervention, Du Bartas' poetry symbolized a transnational Protestant literary culture in Huguenot France and Britain, and meant that Scottish literary tastes had a significant impact in England. Later chapters assess how Sidney, Spenser, Milton and many other poets justified writing poetic fictions in reaction to Du Bartas' austere emphasis on scriptural truth. Crucially, Du Bartas' example is essential for understanding the everyday creative activities of many men and women who wrote poetry away from centres of power. 0Du Bartas' Legacy in England and Scotland responds to recent developments in transnational and translation studies, the history of reading, women's writing, religious literature, and manuscript and print studies. It argues that Du Bartas' legacy deserves greater prominence because it offers a more accurate, diverse, and representative view of sixteenth- and seventeenth-century English, Scottish, and French literature and religious culture.
Author: Peter Auger
Publisher: Oxford University Press
ISBN: 0192562835
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
Guillaume de Saluste Du Bartas was the most popular and widely-imitated poet in sixteenth- and seventeenth-century England and Scotland. C. S. Lewis felt that a reconsideration of his works' British reception was 'long overdue' back in the 1950s, and this study finally provides the first comprehensive account of how English-speaking authors read, translated, imitated, and eventually discarded Du Bartas' model for Protestant poetry. The first part shows that Du Bartas' friendship with James VI and I was key to his later popularity. Du Bartas' poetry symbolized a transnational Protestant literary culture in Huguenot France and Britain. Through James' intervention, Scottish literary tastes had a significant impact in England. Later chapters assess how Sidney, Spenser, Milton, and many other poets justified writing poetic fictions in reaction to Du Bartas' austere emphasis on scriptural truth. These chapters give equal attention to how Du Bartas' example offered a route into original verse composition for male and female poets across the literate population. Du Bartas' Legacy in England and Scotland responds to recent developments in transnational and translation studies, the history of reading, women's writing, religious literature, and manuscript studies. It argues that Du Bartas' legacy deserves far greater prominence than it has previously received because it offers a richer, more democratic, and more accurate view of sixteenth- and seventeenth-century English, Scottish, and French literature and religious culture.
Author: Peter Auger
Publisher:
ISBN: 0198827814
Category : Literary Criticism
Languages : en
Pages : 283
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Book Description
Guillaume de Saluste Du Bartas was the most popular and widely-imitated poet in sixteenth- and seventeenth-century England and Scotland. C. S. Lewis felt that a reconsideration of his works' British reception was 'long overdue' back in the 1950s, and this study finally provides the first comprehensive account of how English-speaking authors read, translated, imitated, and eventually discarded Du Bartas' model for Protestant poetry. The first part shows that Du Bartas' friendship with James VI and I was key to his later popularity. Du Bartas' poetry symbolized a transnational Protestant literary culture in Huguenot France and Britain. Through James� intervention, Scottish literary tastes had a significant impact in England. Later chapters assess how Sidney, Spenser, Milton, and many other poets justified writing poetic fictions in reaction to Du Bartas' austere emphasis on scriptural truth. These chapters give equal attention to how Du Bartas' example offered a route into original verse composition for male and female poets across the literate population. Du Bartas' Legacy in England and Scotland responds to recent developments in transnational and translation studies, the history of reading, women's writing, religious literature, and manuscript studies. It argues that Du Bartas' legacy deserves far greater prominence than it has previously received because it offers a richer, more democratic, and more accurate view of sixteenth- and seventeenth-century English, Scottish, and French literature and religious culture.
Author: Anne-Pascale Pouey-Mounou
Publisher: BRILL
ISBN: 9004438564
Category : Literary Criticism
Languages : en
Pages : 391
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Book Description
The sixteenth-century French poets Pierre de Ronsard and Guillaume Du Bartas enjoyed a wide, immediate and long-lasting, but varied and mixed reception throughout early modern Europe. Ronsard and Du Bartas in Early Modern Europe is the first book-length volume to explore the transnational reception histories of both poets in conjunction with each other. It takes into account the great variety of their readerships, including translators, imitating poets, poetical theorists, illustrators and painters, both male and female (Marie de Gournay, Anne Bradstreet), some of them illustrious (Tasso, King James VI and I of Scotland and England, Opitz...), others less known, even obscure, but worth to be saved from oblivion (such as the French Marc-Antoine Chalon, the English Mary Roper, and the Dutch poet Philibert van Borsselen). This volume offers a fascinating insight into the different reception modes in Europe and their underlying political, religious and literary identities. Contributors include: Peter Auger, Denis Bjaï, Karel Bostoen †, Philippe Chométy, Paola Cosentino, Violaine Giacomotto-Charra, Alisa van de Haar, Pádraic Lamb, Anne-Pascale Pouey-Mounou, Elisabeth Rothmund, Paul J. Smith, and Caroline Trotot.
Author: David J. Davis
Publisher: Oxford University Press
ISBN: 0198834136
Category : England
Languages : en
Pages : 238
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Book Description
Experiencing God in Late Medieval and Early Modern England demonstrates that experiences of divine revelation, both biblical and contemporary, were central to late medieval and early modern English religion. The book sheds light on previously under-explored notions about divine revelation andthe role these notions played in shaping large portions of English thought and belief. Bringing together a wide variety of source materials, from contemplative works and accounts of revelatory experiences to biblical commentaries, devotionals, and religious imagery, David J. Davis argues that in theperiod there was a collective representation of divine revelation as a source of human knowledge, which transcended other religious and intellectual divisions. Not only did most people think that divine revelation, through a ravishing encounter with God, was possible, but also divine revelation wasunderstood to be the pinnacle of religious experience and a source of pure understanding. The book highlights a common discourse running through the sources that underpinned this collective representation of how human beings experienced the divine, and it demonstrates a continual effort across largeswathes of English religion to prepare an individual's soul for an encounter with the divine, through different spiritual disciplines and devotional practices. Over a period of several centuries this discourse and the larger culture of revelation provided an essential structure and legitimacy bothto contemporary claims of divine revelation and the biblical precedents that contemporary experiences were modelled after. This discourse detailed the physical, metaphysical, and epistemological features of how a human being was understood to experience divine revelation, providing a means todelimit and define what happened when an individual was rapture by God. Finally, the book situates the experience of revelation within the wider context of knowledge and identifies the ways that claims to divine revelation were legitimated as well as stigmatized based on this common understanding ofthe experience of rapture.
Author: Alexander Courtney
Publisher: Taylor & Francis
ISBN: 1040033962
Category : History
Languages : en
Pages : 211
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Book Description
By drawing upon recent scholarship, original manuscript materials, and previously unpublished sources, this new biography presents an analytical narrative of King James VI & I’s life from his birth in 1566 to his accession to the throne of England and Ireland in 1603. The only son of Mary Stuart and heir (apparent but not uncontested) to Elizabeth I, James VI of Scotland was, from the moment of his birth, a focal point of countervailing hopes and fears for the confessional and dynastic future of the kingdoms of the British Isles. This study examines material from across the UK and beyond, as well as the newly deciphered letters of Mary, Queen of Scots, to reveal James as a highly capable, resourceful, deeply provocative and ruthless political actor. Analysis of James’s own writings is integrated within the narrative, providing fresh insights into the king’s inventive tactical engagement in the politics of publicity. Through a chronological approach, the events of his life are linked to wider issues associated with the early modern court, government, religion, and political and ideological conflict. James VI, Britannic Prince is of interest to all scholars of Scottish and British history in the late sixteenth and early seventeenth centuries.
Author:
Publisher: Oxford University Press
ISBN: 0198930240
Category : Literary Criticism
Languages : en
Pages : 717
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Book Description
The Oxford History of Poetry in English (OHOPE) is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. OHOPE both synthesizes existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the fourteen volumes. By taking as its purview the full seventeenth century, 1603-1700, this volume re-draws the existing literary historical map and expands upon recent rethinking of the canon. Placing the revolutionary years at the centre of a century of poetic transformation, and putting the Restoration back into the seventeenth century, the volume registers the transformative effects on poetic forms of a century of social, political, and religious upheaval. It considers the achievements of a number of women poets, not yet fully integrated into traditional literary histories. It assimilates the vibrant literature of the English Revolution to what came before and after, registering its long-term impact. It traces the development of print culture and of the literary marketplace, alongside the continued circulation of poetry in manuscript. It places John Milton, Andrew Marvell, Margaret Cavendish, and Katherine Philips and other mid-century poets into the full century of specifically literary development. It traces continuity and change, imitation and innovation in the full-century trajectory of such poetic genres as sonnet, elegy, satire, georgic, epigram, ode, devotional lyric, and epic. The volume's attention to poetic form builds on the current upswing in historicist formalism, allowing a close focus on poetry as an intensely aesthetic and social literary mode. Designed for maximum classroom utility, the organization is both thematic and (in the authors section) chronological. After a comprehensive Introduction, organizational sections focus on Transitions; Materiality, Production, and Circulation; Poetics and Form; Genres; and Poets.
Author: Jenny Wormald
Publisher: Birlinn Ltd
ISBN: 1788854799
Category : History
Languages : en
Pages : 716
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Book Description
The renowned historian Jenny Wormald was a ground-breaking expert on early modern Scottish history, especially Stewart kingship, noble power and wider society. She was most controversial in her book-length critique of Mary, Queen of Scots. Unfortunately, Jenny never got round to producing a similar monograph on a monarch she was infinitely more fond of, King James VI and I, before her untimely death in 2015. In the absence of such a book, this volume brings together all the major essays by Jenny on James. She wrote on almost every aspect and every major event of James' reign, from the famous Gunpowder Plot, the Plantation of Ulster, the Gowrie Conspiracy, to the witchcraft panics, as well as James' extensive writings. She wrote extensively on James' Scottish rule, but she was also keenly interested in James as the first king of all of Britain, and many of her essays unpick the issues surrounding the Union of the Crowns and James' rule over all three of his kingdoms. This book is an invaluable resource for any scholar on this crucial time in the history of the British Isles.
Author: Sarah C. E. Ross
Publisher: Springer Nature
ISBN: 3030429466
Category : Literary Criticism
Languages : en
Pages : 372
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Book Description
This collection examines early modern women’s contribution to the culturally central mode of complaint. Complaint has largely been understood as male-authored, yet, as this collection shows, early modern women used complaint across a surprising variety of forms from the early-Tudor period to the late-seventeenth century. They were some of the mode’s first writers, most influential patrons, and most innovative contributors. Together, these new essays illuminate early modern women’s participation in one of the most powerful rhetorical modes in the English Renaissance, one which gave voice to political, religious and erotic protest and loss across a diverse range of texts. This volume interrogates new texts (closet drama, song, manuscript-based religious and political lyrics), new authors (Dorothy Shirley, Scots satirical writers, Hester Pulter, Mary Rowlandson), and new versions of complaint (biblical, satirical, legal, and vernacular). Its essays pay specific attention to politics, form, and transmission from complaint’s first circulation up to recent digital representations of its texts. Bringing together an international group of experts in early modern women’s writing and in complaint literature more broadly, this collection explores women’s role in the formation of the mode and in doing so reconfigures our understanding of complaint in Renaissance culture and thought.
Author: Matthew C. Augustine
Publisher: Oxford University Press
ISBN: 0192884727
Category : Literary Criticism
Languages : en
Pages : 620
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Book Description
Augustine, Pertile and Zwicker celebrate the work of Andrew Marvell (1621-1678) in the quatercentenary year of his birth, combining the best historical scholarship with a varied and ambitious programme of cognitive, affective, and aesthetic inquiry. The essays have been specially commissioned for the quatercentenary and include the work of a range of scholars from Britain and North America. Acknowledged masterpieces such as the 'Horatian Ode', 'The Garden', and 'Upon Appleton House' are here read in light of historical and material evidence that has emerged in recent decades. At the same time, the volume offers many fresh points of entry into Marvell's work, with particular attention to the poet's lyric economies, Marvell's engagement with popular print, and, not least, the polyglot and transnational dimensions of his writing. The quatercentenary also represents an important anniversary for Marvell studies, marking one hundred years since T. S. Eliot's appreciation of the poet inaugurated modern Marvell criticism. As Imagining Andrew Marvell at 400 reassesses Marvell's writings it also reflects on the profession of English literature, taking stock of the discipline itself, where it has been and where it might be going as scholars continue to map the pleasures and challenges of reading and re-reading Andrew Marvell.
