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Author: Gerald Stanton Smith
Publisher:
ISBN: 9780198160069
Category : Authors, Russian
Languages : en
Pages : 432
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Book Description
This is the first biography in any language of 'Comrade Prince' D. S. Mirsky (1890-1939), who uniquely participated in three distinctive episodes of modern European culture. In late imperial St Petersburg he was a poet, a student of Oriental languages and ancient history, and also a Guardsofficer. After fighting in World War I and the Russian Civil War, Mirsky emigrated, taught at London University, and became a literary critic and historian, writing prolifically in English, and also in Russian for the Paris-centred emigration, especially as a leading member of the Eurasian movement.His closest literary relationships were with Marina Tsvetaeva and Aleksei Remizov, and later with Maksim Gorky. In 1926-7 he published A History of Russian Literature, written in English, which remains the standard introduction to the subject. While in London he lived in Bloomsbury and knew theWoolfs; he also knew T. S. Eliot, and was the first Russian critic to write about him. Mirsky became a Communist in 1931 and returned to Stalin's Moscow the following year, becoming a prominent Soviet critic, and in particular championing Boris Pasternak. In 1937 he was arrested, and died in theGulag. This biography draws on much unpublished material, including Mirsky's NKVD files.
Author: Gerald Stanton Smith
Publisher:
ISBN: 9780198160069
Category : Authors, Russian
Languages : en
Pages : 432
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Book Description
This is the first biography in any language of 'Comrade Prince' D. S. Mirsky (1890-1939), who uniquely participated in three distinctive episodes of modern European culture. In late imperial St Petersburg he was a poet, a student of Oriental languages and ancient history, and also a Guardsofficer. After fighting in World War I and the Russian Civil War, Mirsky emigrated, taught at London University, and became a literary critic and historian, writing prolifically in English, and also in Russian for the Paris-centred emigration, especially as a leading member of the Eurasian movement.His closest literary relationships were with Marina Tsvetaeva and Aleksei Remizov, and later with Maksim Gorky. In 1926-7 he published A History of Russian Literature, written in English, which remains the standard introduction to the subject. While in London he lived in Bloomsbury and knew theWoolfs; he also knew T. S. Eliot, and was the first Russian critic to write about him. Mirsky became a Communist in 1931 and returned to Stalin's Moscow the following year, becoming a prominent Soviet critic, and in particular championing Boris Pasternak. In 1937 he was arrested, and died in theGulag. This biography draws on much unpublished material, including Mirsky's NKVD files.
Author: Prince D. S. Mirsky
Publisher:
ISBN:
Category : Russian literature
Languages : en
Pages : 396
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Book Description
Author: Dimitri-Petrovic Svyatopolk-Mirsky (prince)
Publisher: Taylor & Francis
ISBN:
Category : Russian literature
Languages : en
Pages : 518
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Book Description
Author: Prince D. S. Mirsky
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 248
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Book Description
Author: Andrew Kahn
Publisher: Oxford University Press
ISBN: 0192549537
Category : Literary Criticism
Languages : en
Pages : 1202
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Book Description
Russia possesses one of the richest and most admired literatures of Europe, reaching back to the eleventh century. A History of Russian Literature provides a comprehensive account of Russian writing from its earliest origins in the monastic works of Kiev up to the present day, still rife with the creative experiments of post-Soviet literary life. The volume proceeds chronologically in five parts, extending from Kievan Rus' in the 11th century to the present day. The coverage strikes a balance between extensive overview and in-depth thematic focus. Parts are organized thematically in chapters, which a number of keywords that are important literary concepts that can serve as connecting motifs and 'case studies', in-depth discussions of writers, institutions, and texts that take the reader up close and personal. Visual material also underscores the interrelation of the word and image at a number of points, particularly significant in the medieval period and twentieth century. The History addresses major continuities and discontinuities in the history of Russian literature across all periods, and in particular brings out trans-historical features that contribute to the notion of a national literature. The volume's time range has the merit of identifying from the early modern period a vital set of national stereotypes and popular folklore about boundaries, space, Holy Russia, and the charismatic king that offers culturally relevant material to later writers. This volume delivers a fresh view on a series of key questions about Russia's literary history, by providing new mappings of literary history and a narrative that pursues key concepts (rather more than individual authorial careers). This holistic narrative underscores the ways in which context and text are densely woven in Russian literature, and demonstrates that the most exciting way to understand the canon and the development of tradition is through a discussion of the interrelation of major and minor figures, historical events and literary politics, literary theory and literary innovation.
Author: Prince D. S. Mirsky
Publisher: London : Oxford University Press
ISBN:
Category : Russian literature
Languages : en
Pages : 148
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Book Description
Author: Александр Сухово-Кобылин
Publisher: Psychology Press
ISBN: 9783718656943
Category : Drama
Languages : en
Pages : 258
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Book Description
Sukhovo-Kobylin's "Trilogy - Krechinshy's Wedding, The Case"and "The Death of Tarelkin" represent the sole literary legacy of their aristocratic author whose involvement in a sensational murder case became one of the great scandals of mid-19th century Russian society. Out of the drama of his own life, Sukhovo-Kobylin fashioned a trilogy of plays remarkable for the acidity of their satire against the tsarist bureaucracy and police. It is not only for their pungent satire that the plays have continued to attract attention ever since. They are, above all, splendidly theatrical and encompass not one but several different traditions of theatre from the "well-made play" of Scribe to the absurd comedy of Gogol. "As for sheer stagecraft," writes Price D.S. Mirsky in his "A History of Russian Literature," "they have no rivals in Russian literary drama." Harold B. Segel is Professor of Slavic and Comparative Literature at Columbia University, New York. He is the author of ten books and numer
Author: Joshua Rubenstein
Publisher: Yale University Press
ISBN: 0300084862
Category : History
Languages : en
Pages : 496
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Book Description
In 1952 15 Soviet Jews were secretly tried and convicted; many executions followed in the basement of Moscow's Lubyanka prison. This book presents an abridged version of the transcript of the trial revealing the Kremlin's machinery of destruction.
Author: Helen Southworth
Publisher: Edinburgh University Press
ISBN: 0748669213
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
This multi-authored volume focuses on Leonard and Virginia Woolf's Hogarth Press (1917-1941). Scholars from the UK and the US use previously unpublished archival materials and new methodological frameworks to explore the relationships forged by the Woolfs
Author: Edward James Brown
Publisher: Princeton University Press
ISBN: 1400867541
Category : Biography & Autobiography
Languages : en
Pages : 401
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Book Description
An absorbing portrait of an extraordinary man, an analysis of the work of a great Russian poet, and the evocation of a crucial period in Russian cultural history—all are combined in Edward J. Brown's literary biography of Vladimir Mayakovsky. It is the only book to reveal the whole Mayakovsky, not just aspects of his tortured personality or artistic work, and will be immediately recognized as definitive. Mayakovsky contributed to the cultural life of Soviet Russia not only as a lyric poet but as a playwright, graphic artist, and satirist of the conventional art forms of his day. By examining his art in terms of his life, Edward Brown shows how intensely personal it was and how bound up in the literary and political history of his time. The intellectual turmoil of the period is skillfully re-created, especially the nature, ambience, and personalities of Russian futurism. Above all, the book reveals the man—a committed Bolshevik and a dedicated artist, but also a hypochondriac, compulsive gambler, and eventual suicide. Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
