Author: Mark E. Scott
Publisher: Speaking Volumes
ISBN: 1645405540
Category : Fiction
Languages : en
Pages : 220
Book Description
If all goes according to plan, tonight will be Jack Current’s last. The young engineer is at the end of his emotional rope and plans to take his own life. But first, a bar crawl through his downtown Cincinnati neighborhood is in order. Accompanying him during his final hours is a dollar store notebook. The Drunk Log. In it, he documents the evening, ruminates on his existence and remembers his 7-year-old nephew, who died exactly a year earlier. It is a loss for which Jack feels responsible—a lapse in judgement for which there is no forgiveness. Buckling under the weight of oppressive guilt, Jack plans to jump off the scenic suspension bridge spanning the Ohio River between Cincinnati and Covington, Kentucky. Drunk Log, from Mark E. Scott, is a darkly humorous, deeply introspective exploration into one man’s attempt to find peace in the face of unrelenting pain. Told with a fast clip, the entire book covers about 8 hours and deftly avoids becoming an ominous dirge through relatable—and flawed—characters, unexpectedly funny situations, a budding romance and the wobbly balancing act of a man who must remain sober enough to write in his journal and finish what he started, but drunk enough to jump off a bridge.
Drunk Log
Author: Mark E. Scott
Publisher: Speaking Volumes
ISBN: 1645405540
Category : Fiction
Languages : en
Pages : 220
Book Description
If all goes according to plan, tonight will be Jack Current’s last. The young engineer is at the end of his emotional rope and plans to take his own life. But first, a bar crawl through his downtown Cincinnati neighborhood is in order. Accompanying him during his final hours is a dollar store notebook. The Drunk Log. In it, he documents the evening, ruminates on his existence and remembers his 7-year-old nephew, who died exactly a year earlier. It is a loss for which Jack feels responsible—a lapse in judgement for which there is no forgiveness. Buckling under the weight of oppressive guilt, Jack plans to jump off the scenic suspension bridge spanning the Ohio River between Cincinnati and Covington, Kentucky. Drunk Log, from Mark E. Scott, is a darkly humorous, deeply introspective exploration into one man’s attempt to find peace in the face of unrelenting pain. Told with a fast clip, the entire book covers about 8 hours and deftly avoids becoming an ominous dirge through relatable—and flawed—characters, unexpectedly funny situations, a budding romance and the wobbly balancing act of a man who must remain sober enough to write in his journal and finish what he started, but drunk enough to jump off a bridge.
Publisher: Speaking Volumes
ISBN: 1645405540
Category : Fiction
Languages : en
Pages : 220
Book Description
If all goes according to plan, tonight will be Jack Current’s last. The young engineer is at the end of his emotional rope and plans to take his own life. But first, a bar crawl through his downtown Cincinnati neighborhood is in order. Accompanying him during his final hours is a dollar store notebook. The Drunk Log. In it, he documents the evening, ruminates on his existence and remembers his 7-year-old nephew, who died exactly a year earlier. It is a loss for which Jack feels responsible—a lapse in judgement for which there is no forgiveness. Buckling under the weight of oppressive guilt, Jack plans to jump off the scenic suspension bridge spanning the Ohio River between Cincinnati and Covington, Kentucky. Drunk Log, from Mark E. Scott, is a darkly humorous, deeply introspective exploration into one man’s attempt to find peace in the face of unrelenting pain. Told with a fast clip, the entire book covers about 8 hours and deftly avoids becoming an ominous dirge through relatable—and flawed—characters, unexpectedly funny situations, a budding romance and the wobbly balancing act of a man who must remain sober enough to write in his journal and finish what he started, but drunk enough to jump off a bridge.
Intoxerated
Author: Paul Dickson
Publisher: Melville House
ISBN: 1612191444
Category : Reference
Languages : en
Pages : 210
Book Description
A smart, hilarious, and lavishly illustrated guide to the most euphemised word in the English language: Drunk A record-breaking assemblage of 2,964 different ways to say "drunk." Tipsy, roasted, three sheets, whazooed and Boris Yeltsinned are just the beginning....With an introduction by the wise-guy lexicographer himself, Paul Dickson, and illustrations by renowned artist Brian Rea. Dickson, who holds the Guiness World Record for collecting the most words for being, er, not sober, not only provides a dictionary of those words, but reveals why there are so many synonyms for being "drunk," and how he came to collect more of them than anyone else. The terms are annotated, too, and lushly illustrated, explaining the twist and turns of a language that has thousands of ways to say the same thing. How, for example, does a word like "blotto" go from the lips of P.G. Wodehouse, into the writings of Edmund Wilson, before landing with Otto from The Simpson's ("My name is Otto, I like to get blotto").
Publisher: Melville House
ISBN: 1612191444
Category : Reference
Languages : en
Pages : 210
Book Description
A smart, hilarious, and lavishly illustrated guide to the most euphemised word in the English language: Drunk A record-breaking assemblage of 2,964 different ways to say "drunk." Tipsy, roasted, three sheets, whazooed and Boris Yeltsinned are just the beginning....With an introduction by the wise-guy lexicographer himself, Paul Dickson, and illustrations by renowned artist Brian Rea. Dickson, who holds the Guiness World Record for collecting the most words for being, er, not sober, not only provides a dictionary of those words, but reveals why there are so many synonyms for being "drunk," and how he came to collect more of them than anyone else. The terms are annotated, too, and lushly illustrated, explaining the twist and turns of a language that has thousands of ways to say the same thing. How, for example, does a word like "blotto" go from the lips of P.G. Wodehouse, into the writings of Edmund Wilson, before landing with Otto from The Simpson's ("My name is Otto, I like to get blotto").
Drunk
Author: Edward Slingerland
Publisher: Little, Brown Spark
ISBN: 0316453374
Category : Psychology
Languages : en
Pages : 341
Book Description
An "entertaining and enlightening" deep dive into the alcohol-soaked origins of civilization—and the evolutionary roots of humanity's appetite for intoxication (Daniel E. Lieberman, author of Exercised). While plenty of entertaining books have been written about the history of alcohol and other intoxicants, none have offered a comprehensive, convincing answer to the basic question of why humans want to get high in the first place. Drunk elegantly cuts through the tangle of urban legends and anecdotal impressions that surround our notions of intoxication to provide the first rigorous, scientifically-grounded explanation for our love of alcohol. Drawing on evidence from archaeology, history, cognitive neuroscience, psychopharmacology, social psychology, literature, and genetics, Drunk shows that our taste for chemical intoxicants is not an evolutionary mistake, as we are so often told. In fact, intoxication helps solve a number of distinctively human challenges: enhancing creativity, alleviating stress, building trust, and pulling off the miracle of getting fiercely tribal primates to cooperate with strangers. Our desire to get drunk, along with the individual and social benefits provided by drunkenness, played a crucial role in sparking the rise of the first large-scale societies. We would not have civilization without intoxication. From marauding Vikings and bacchanalian orgies to sex-starved fruit flies, blind cave fish, and problem-solving crows, Drunk is packed with fascinating case studies and engaging science, as well as practical takeaways for individuals and communities. The result is a captivating and long overdue investigation into humanity's oldest indulgence—one that explains not only why we want to get drunk, but also how it might actually be good for us to tie one on now and then.
Publisher: Little, Brown Spark
ISBN: 0316453374
Category : Psychology
Languages : en
Pages : 341
Book Description
An "entertaining and enlightening" deep dive into the alcohol-soaked origins of civilization—and the evolutionary roots of humanity's appetite for intoxication (Daniel E. Lieberman, author of Exercised). While plenty of entertaining books have been written about the history of alcohol and other intoxicants, none have offered a comprehensive, convincing answer to the basic question of why humans want to get high in the first place. Drunk elegantly cuts through the tangle of urban legends and anecdotal impressions that surround our notions of intoxication to provide the first rigorous, scientifically-grounded explanation for our love of alcohol. Drawing on evidence from archaeology, history, cognitive neuroscience, psychopharmacology, social psychology, literature, and genetics, Drunk shows that our taste for chemical intoxicants is not an evolutionary mistake, as we are so often told. In fact, intoxication helps solve a number of distinctively human challenges: enhancing creativity, alleviating stress, building trust, and pulling off the miracle of getting fiercely tribal primates to cooperate with strangers. Our desire to get drunk, along with the individual and social benefits provided by drunkenness, played a crucial role in sparking the rise of the first large-scale societies. We would not have civilization without intoxication. From marauding Vikings and bacchanalian orgies to sex-starved fruit flies, blind cave fish, and problem-solving crows, Drunk is packed with fascinating case studies and engaging science, as well as practical takeaways for individuals and communities. The result is a captivating and long overdue investigation into humanity's oldest indulgence—one that explains not only why we want to get drunk, but also how it might actually be good for us to tie one on now and then.
I Trudged
Author: Sergeant Skid Row
Publisher: Covenant Books, Inc.
ISBN: 1644681021
Category : Biography & Autobiography
Languages : en
Pages : 384
Book Description
The book I Trudged describes the author's life, going from a path of almost certain death to a life without complaints or regrets. The word "trudged" in the title implies that the journey was not an overnight event and that it wasn't always easy. His journey took him to eight countries and sixteen states. He describes the ups and downs in his recovery through a series of short stories. He ties together his personal experiences with the principles of recovery taught to him by those he met along the way.
Publisher: Covenant Books, Inc.
ISBN: 1644681021
Category : Biography & Autobiography
Languages : en
Pages : 384
Book Description
The book I Trudged describes the author's life, going from a path of almost certain death to a life without complaints or regrets. The word "trudged" in the title implies that the journey was not an overnight event and that it wasn't always easy. His journey took him to eight countries and sixteen states. He describes the ups and downs in his recovery through a series of short stories. He ties together his personal experiences with the principles of recovery taught to him by those he met along the way.
The Storied Church
Author: Matthew Gorkos
Publisher: Augsburg Fortress Publishers
ISBN: 1506470092
Category : Religion
Languages : en
Pages : 167
Book Description
"The storied church focuses on church renewal that is born of the restorative, transformative, life-giving function that stories have for us as individuals and that can serve communities of faithful people. If stories help us survive as human creatures, why can't they help churches survive? This book is a tool to empower pastors and lay leaders to effect revitalizing change in their faith communites."--back cover.
Publisher: Augsburg Fortress Publishers
ISBN: 1506470092
Category : Religion
Languages : en
Pages : 167
Book Description
"The storied church focuses on church renewal that is born of the restorative, transformative, life-giving function that stories have for us as individuals and that can serve communities of faithful people. If stories help us survive as human creatures, why can't they help churches survive? This book is a tool to empower pastors and lay leaders to effect revitalizing change in their faith communites."--back cover.
First Date
Author: Mark E. Scott
Publisher: Speaking Volumes
ISBN: 1645408396
Category : Fiction
Languages : en
Pages : 209
Book Description
First Date, Book Two, the continuation of Drunk Log: It was a dark and snowy night, and Jack and Aria should have been dead. Instead, they find themselves shivering on a riverbank, having survived a fall from the bridge into the currents and debris of the Ohio River. Lucky enough to slam into an anchored barge, they emerge from the water stunned, bruised and still somewhat drunk. Now they must work their way through the muck of the riverside to solid ground. Fully intent on ending it all just minutes before, Jack finds himself clinging to Aria for dear life—a life he feels just might be worth living after all. Follow Jack and Aria through the next eight hours of their story—hours harrowing, ludicrous and poignant—as they grapple with law enforcement, EMTs, firemen, and the medical system. Confronted by an over-zealous sheriff’s deputy, the formidable Nurse Rita, and a drunken priest with anger management issues, they are forced to navigate the immediate aftermath of their bifurcated bar crawl through a blizzard. First Date is a story of individuals haunted by suicide, remorse and unanswered questions: questions whose answers are not to be found in the bottom of a bottle. Secrets are revealed and souls are bared, but answers are still elusive. For now, they only have each other, a notebook and a teddy bear.
Publisher: Speaking Volumes
ISBN: 1645408396
Category : Fiction
Languages : en
Pages : 209
Book Description
First Date, Book Two, the continuation of Drunk Log: It was a dark and snowy night, and Jack and Aria should have been dead. Instead, they find themselves shivering on a riverbank, having survived a fall from the bridge into the currents and debris of the Ohio River. Lucky enough to slam into an anchored barge, they emerge from the water stunned, bruised and still somewhat drunk. Now they must work their way through the muck of the riverside to solid ground. Fully intent on ending it all just minutes before, Jack finds himself clinging to Aria for dear life—a life he feels just might be worth living after all. Follow Jack and Aria through the next eight hours of their story—hours harrowing, ludicrous and poignant—as they grapple with law enforcement, EMTs, firemen, and the medical system. Confronted by an over-zealous sheriff’s deputy, the formidable Nurse Rita, and a drunken priest with anger management issues, they are forced to navigate the immediate aftermath of their bifurcated bar crawl through a blizzard. First Date is a story of individuals haunted by suicide, remorse and unanswered questions: questions whose answers are not to be found in the bottom of a bottle. Secrets are revealed and souls are bared, but answers are still elusive. For now, they only have each other, a notebook and a teddy bear.
Information Warfare in the Age of Cyber Conflict
Author: Christopher Whyte
Publisher: Routledge
ISBN: 0429893922
Category : History
Languages : en
Pages : 250
Book Description
This book examines the shape, sources and dangers of information warfare (IW) as it pertains to military, diplomatic and civilian stakeholders. Cyber warfare and information warfare are different beasts. Both concern information, but where the former does so exclusively in its digitized and operationalized form, the latter does so in a much broader sense: with IW, information itself is the weapon. The present work aims to help scholars, analysts and policymakers understand IW within the context of cyber conflict. Specifically, the chapters in the volume address the shape of influence campaigns waged across digital infrastructure and in the psychology of democratic populations in recent years by belligerent state actors, from the Russian Federation to the Islamic Republic of Iran. In marshalling evidence on the shape and evolution of IW as a broad-scoped phenomenon aimed at societies writ large, the authors in this book present timely empirical investigations into the global landscape of influence operations, legal and strategic analyses of their role in international politics, and insightful examinations of the potential for democratic process to overcome pervasive foreign manipulation. This book will be of much interest to students of cybersecurity, national security, strategic studies, defence studies and International Relations in general.
Publisher: Routledge
ISBN: 0429893922
Category : History
Languages : en
Pages : 250
Book Description
This book examines the shape, sources and dangers of information warfare (IW) as it pertains to military, diplomatic and civilian stakeholders. Cyber warfare and information warfare are different beasts. Both concern information, but where the former does so exclusively in its digitized and operationalized form, the latter does so in a much broader sense: with IW, information itself is the weapon. The present work aims to help scholars, analysts and policymakers understand IW within the context of cyber conflict. Specifically, the chapters in the volume address the shape of influence campaigns waged across digital infrastructure and in the psychology of democratic populations in recent years by belligerent state actors, from the Russian Federation to the Islamic Republic of Iran. In marshalling evidence on the shape and evolution of IW as a broad-scoped phenomenon aimed at societies writ large, the authors in this book present timely empirical investigations into the global landscape of influence operations, legal and strategic analyses of their role in international politics, and insightful examinations of the potential for democratic process to overcome pervasive foreign manipulation. This book will be of much interest to students of cybersecurity, national security, strategic studies, defence studies and International Relations in general.
Proceedings of the Annual Meeting of the National Board of Fire Underwriters
Author: National Board of Fire Underwriters
Publisher:
ISBN:
Category : Fire insurance
Languages : en
Pages : 136
Book Description
Publisher:
ISBN:
Category : Fire insurance
Languages : en
Pages : 136
Book Description
The All-New Clean Joke Book
Author: Bob Phillips
Publisher: Harvest House Publishers
ISBN: 9780890818305
Category : Humor
Languages : en
Pages : 196
Book Description
A collection of jokes arranged alphabetically by topic.
Publisher: Harvest House Publishers
ISBN: 9780890818305
Category : Humor
Languages : en
Pages : 196
Book Description
A collection of jokes arranged alphabetically by topic.
Hemingway's In Our Time
Author: Wendolyn E. Tetlow
Publisher: Bucknell University Press
ISBN: 9780838752197
Category : Fiction
Languages : en
Pages : 172
Book Description
"Many scholars consider In Our Time to be Hemingway's finest work, yet the cohesiveness of this sequence of stories and interchapters has often been questioned. Hemingway himself, however, had a clear idea of the work's integrity, as his manuscripts and letters reveal. As he wrote to his publisher Horace Liveright on 31 March 1925, "There is nothing in the book that has not a definite place in its organization and if I at any time seem to repeat myself I have a good reason for doing so" (Selected Letters, 154)." "According to Ms. Tetlow, author of this thoughtful study of Hemingway's In Our Time, the relationship among the stories and interchapters is precisely analogous to that within a modern poetic sequence as characterized by M.L. Rosenthal and Sally M. Gall in The Modern Poetic Sequence: The Genius of Modern Poetry: ". . . a grouping of mainly lyric poems and passages, rarely uniform in pattern, which tend to interact as an organic whole. It usually includes narrative and dramatic elements, and ratiocinative ones as well, but its structure is finally lyrical" (9). The structure of In Our time, then, is similar to such works as Ezra Pound's Hugh Selwyn Mauberley and T.S. Eliot's The Waste Land, works that progress tonally." "Looking closely at the language of In Our Time, Ms. Tetlow pays particular attention to recurring images and sounds, and the successive sets of feeling these tonal complexes project. She traces the lyrical pattern in the sequence as it builds in intensity from denial of fear, suffering, and death in the first stories and early interchapters, and then traces the progression to cautious resignation in the latter stories and interchapters. The author also takes into account the importance for Hemingway of Pound's and Eliot's aesthetics and demonstrates how Eliot's idea of the objective correlative and Pound's idea of "direct treatment of the 'thing'" apply to Hemingway's stories and interchapters (Literary Essays, 3)." "Opening with a discussion of the six prose pieces in the original version--the shorter "In Our Time" (1923)--the study considers the aesthetic choices Hemingway made in revising these pieces when he incorporated them in his longer sequence of eighteen in in our time (1924). The study then discusses the lyrical progression of the prose sequence in the fully developed volume In Our Time (1925). Finally, it looks at A Farewell to Arms and shows how the lyrical structure of In Our Time anticipates the longer work with its more continuous narrative pattern."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher: Bucknell University Press
ISBN: 9780838752197
Category : Fiction
Languages : en
Pages : 172
Book Description
"Many scholars consider In Our Time to be Hemingway's finest work, yet the cohesiveness of this sequence of stories and interchapters has often been questioned. Hemingway himself, however, had a clear idea of the work's integrity, as his manuscripts and letters reveal. As he wrote to his publisher Horace Liveright on 31 March 1925, "There is nothing in the book that has not a definite place in its organization and if I at any time seem to repeat myself I have a good reason for doing so" (Selected Letters, 154)." "According to Ms. Tetlow, author of this thoughtful study of Hemingway's In Our Time, the relationship among the stories and interchapters is precisely analogous to that within a modern poetic sequence as characterized by M.L. Rosenthal and Sally M. Gall in The Modern Poetic Sequence: The Genius of Modern Poetry: ". . . a grouping of mainly lyric poems and passages, rarely uniform in pattern, which tend to interact as an organic whole. It usually includes narrative and dramatic elements, and ratiocinative ones as well, but its structure is finally lyrical" (9). The structure of In Our time, then, is similar to such works as Ezra Pound's Hugh Selwyn Mauberley and T.S. Eliot's The Waste Land, works that progress tonally." "Looking closely at the language of In Our Time, Ms. Tetlow pays particular attention to recurring images and sounds, and the successive sets of feeling these tonal complexes project. She traces the lyrical pattern in the sequence as it builds in intensity from denial of fear, suffering, and death in the first stories and early interchapters, and then traces the progression to cautious resignation in the latter stories and interchapters. The author also takes into account the importance for Hemingway of Pound's and Eliot's aesthetics and demonstrates how Eliot's idea of the objective correlative and Pound's idea of "direct treatment of the 'thing'" apply to Hemingway's stories and interchapters (Literary Essays, 3)." "Opening with a discussion of the six prose pieces in the original version--the shorter "In Our Time" (1923)--the study considers the aesthetic choices Hemingway made in revising these pieces when he incorporated them in his longer sequence of eighteen in in our time (1924). The study then discusses the lyrical progression of the prose sequence in the fully developed volume In Our Time (1925). Finally, it looks at A Farewell to Arms and shows how the lyrical structure of In Our Time anticipates the longer work with its more continuous narrative pattern."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved