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Author: Jonathan Faiers
Publisher:
ISBN: 9780300184389
Category : Costume
Languages : en
Pages : 0
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Book Description
"Integrating fashion theory, film analysis, and literature, the insightful text investigates the ways cinema influences fashion and, conversely, how fashion speaks to film. The book also reveals how clothing, imbued with its own symbolic meaning, can be read much like a text; when used to provocative effect, for example, in films such as Villain, Leave Her to Heaven, and Casino, the stars' costumes as well as their actions elicit a complex set of emotional responses. Dressing Dangerously brings together a wealth of illustrations, from glossy publicity photos featuring immaculately dressed stars to film stills that capture "dangerously" fashionable moments"--Publisher.
Author: Jonathan Faiers
Publisher:
ISBN: 9780300184389
Category : Costume
Languages : en
Pages : 0
Get Book Here
Book Description
"Integrating fashion theory, film analysis, and literature, the insightful text investigates the ways cinema influences fashion and, conversely, how fashion speaks to film. The book also reveals how clothing, imbued with its own symbolic meaning, can be read much like a text; when used to provocative effect, for example, in films such as Villain, Leave Her to Heaven, and Casino, the stars' costumes as well as their actions elicit a complex set of emotional responses. Dressing Dangerously brings together a wealth of illustrations, from glossy publicity photos featuring immaculately dressed stars to film stills that capture "dangerously" fashionable moments"--Publisher.
Author: Andreas Behnke
Publisher: Routledge
ISBN: 1317656237
Category : Political Science
Languages : en
Pages : 222
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Book Description
This book seeks to address and fill a puzzling omission in contemporary critical IR scholarship. Following on from the aesthetic turn in IR, critical and ‘postmodern’ IR has produced an impressive array of studies into movies, literature, music and art and the way these media produce, mediate, and represent international politics. By contrast, the proponents of the aesthetic turn have overlooked fashion as a source of knowledge about global politics. Yet stories about the political role of fashion abound in the news media. Margaret Thatcher used dress to define her political image, and more recently the fascination with Michelle Obama, Carla Bruni and other women in similar positions, and the discussions about the appropriateness of their wardrobes, regularly makes the news. In Sudan, a female writer and activist successfully challenged the government over her right to wear trousers in public and in Europe, the debate on women’s headscarves has politicised a garment item and turned it into a symbol of fundamentalism and oppression. In response, the contributors to this book investigate the politics of fashion from a variety of perspectives, addressing theoretical as well as empirical issues, establishing the critical study of fashion and its protagonists as a central contribution to the aesthetic turn in international politics. The politics of fashion go beyond these examples of the uses and abuses of textiles and fabrics for political purposes, extending into its very ‘grammar’ and vocabulary. This book will be a unique contribution to the field and will be of interest to students and scholars of international relations, critical IR theory and popular culture and world politics.
Author: Jean Allman
Publisher: Indiana University Press
ISBN: 9780253111043
Category : Art
Languages : en
Pages : 260
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Book Description
Everywhere in the world there is a close connection between the clothes we wear and our political expression. To date, few scholars have explored what clothing means in 20th-century Africa and the diaspora. In Fashioning Africa, an international group of anthropologists, historians, and art historians bring rich and diverse perspectives to this fascinating topic. From clothing as an expression of freedom in early colonial Zanzibar to Somali women's headcovering in inner-city Minneapolis, these essays explore the power of dress in African and pan-African settings. Nationalist and diasporic identities, as well as their histories and politics, are examined at the level of what is put on the body every day. Readers interested in fashion history, material and expressive cultures, understandings of nation-state styles, and expressions of a distinctive African modernity will be engaged by this interdisciplinary and broadly appealing volume. Contributors are Heather Marie Akou, Jean Allman, A. Boatema Boateng, Judith Byfield, Laura Fair, Karen Tranberg Hansen, Margaret Jean Hay, Andrew M. Ivaska, Phyllis M. Martin, Marissa Moorman, Elisha P. Renne, and Victoria L. Rovine.
Author: Charlotte Nicklas
Publisher: Bloomsbury Publishing
ISBN: 1474240526
Category : History
Languages : en
Pages : 249
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Book Description
The field of dress history has experienced exponential growth over the past two decades. This in-depth investigation examines the expanding borders and porous boundaries of the discipline today, outlining key debates and showcasing the most exciting research. With international case studies from a wide range of scholars, the volume encompasses work from a variety of historical periods from the late 18th century to the present day. Contributors examine, critique and expand the methodologies and sources used in fashion history, analyse how dress is collected, displayed and sold, and investigate clothing's meanings and uses in the practice of identity. Exploring overlooked territories and new approaches to analysis, the book offers students and scholars a fresh appraisal of dress history in the 21st century.
Author: Nina Sylvanus
Publisher: University of Chicago Press
ISBN: 022639736X
Category : Social Science
Languages : en
Pages : 235
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Book Description
In this book, Nina Sylvanus tells a captivating story of global trade and cross-cultural aesthetics in West Africa, showing how a group of Togolese women—through the making and circulation of wax cloth—became influential agents of taste and history. Traveling deep into the shifting terrain of textile manufacture, design, and trade, she follows wax cloth around the world and through time to unveil its critical role in colonial and postcolonial patterns of exchange and value production. Sylvanus brings wax cloth’s unique and complex history to light: born as a nineteenth-century Dutch colonial effort to copy Javanese batik cloth for Southeast Asian markets, it was reborn as a status marker that has dominated the visual economy of West African markets. Although most wax cloth is produced in China today, it continues to be central to the expression of West African women’s identity and power. As Sylvanus shows, wax cloth expresses more than this global motion of goods, capital, aesthetics, and labor—it is a form of archive where intimate and national memories are stored, always ready to be reanimated by human touch. By uncovering this crucial aspect of West African material culture, she enriches our understanding of global trade, the mutual negotiations that drive it, and the how these create different forms of agency and subjectivity.
Author: Amy de la Haye
Publisher: Yale University Press
ISBN: 0300250088
Category : Design
Languages : en
Pages : 242
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Book Description
Examples from jewelry, millinery, handbags, perfume, couture, and everyday dress show how the rose--both beautiful and symbolic--has inspired fashion over hundreds of years.
Author: Miles Larmer
Publisher: Routledge
ISBN: 1317064410
Category : History
Languages : en
Pages : 326
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Book Description
In 1964 Kenneth Kaunda and his United National Independence Party (UNIP) government established the nation of Zambia in the former British colony of Northern Rhodesia. In parallel with many other newly independent countries in Africa this process of decolonisation created a wave of optimism regarding humanity's capacity to overcome oppression and poverty. Yet, as this study shows, in Zambia as in many other countries, the legacy of colonialism created obstacles that proved difficult to overcome. Within a short space of time democratisation and development was replaced by economic stagnation, political authoritarianism, corruption and ethnic and political conflict. To better understand this process, Dr Larmer explores UNIP's political ideology and the strategies it employed to retain a grip on government. He shows that despite the party's claim that it adhered to an authentically African model of consensual and communitarian decision-making, it was never a truly nationally representative body. Whereas in long-established Western societies unevenness in support was accepted as a legitimate basis for party political difference, in Zambia this was regarded as a threat to the fragile bindings of the young nation state, and as such had to be denied and repressed. This led to the declaration of a one-party state, presented as the logical expression of UNIP supremacy but it was in fact a reflection of its weakening grip on power. Through case studies of opposition political and social movements rooted in these differences, the book demonstrates that UNIP's control of the new nation-state was partial, uneven and consistently prone to challenge. Alongside this, the study also re-examines Zambia's role in the regional liberation struggles, providing valuable new evidence of the country's complex relations with Apartheid-era South Africa and the relationship between internal and external opposition, shaped by the context of regional liberation movements and the Cold War. Drawing on extensive archival research and interviews, Dr Larmer offers a ground-breaking analysis of post-colonial political history which helps explain the challenges facing contemporary African polities.
Author: Martin S. Shanguhyia
Publisher: Springer
ISBN: 1137594268
Category : History
Languages : en
Pages : 1360
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Book Description
This wide-ranging volume presents the most complete appraisal of modern African history to date. It assembles dozens of new and established scholars to tackle the questions and subjects that define the field, ranging from the economy, the two world wars, nationalism, decolonization, and postcolonial politics to religion, development, sexuality, and the African youth experience. Contributors are drawn from numerous fields in African studies, including art, music, literature, education, and anthropology. The themes they cover illustrate the depth of modern African history and the diversity and originality of lenses available for examining it. Older themes in the field have been treated to an engaging re-assessment, while new and emerging themes are situated as the book’s core strength. The result is a comprehensive, vital picture of where the field of modern African history stands today.
Author: Eugenia Paulicelli
Publisher: Indiana University Press
ISBN: 0253026415
Category : Performing Arts
Languages : en
Pages : 245
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Book Description
A fascinating look at one of the most experimental, volatile, and influential decades, Film, Fashion, and the 1960s, examines the numerous ways in which film and fashion intersected and affected identity expression during the era. From A Hard Day's Night to Breakfast at Tiffany's, from the works of Ingmar Bergman to Blake Edwards, the groundbreaking cinema of the 1960s often used fashion as the ultimate expression for urbanity, youth, and political (un)awareness. Crumbling hierarchies brought together previously separate cultural domains, and these blurred boundaries could be seen in unisex fashions and roles played out on the silver screen. As this volume amply demonstrates, fashion in films from Italy, France, England, Sweden, India, and the United States helped portray the rapidly changing faces of this cultural avant-gardism. This blending of fashion and film ultimately created a new aesthetic that continues to influence the fashion and media of today.
Author: Jess Berry
Publisher: Bloomsbury Publishing
ISBN: 1350137634
Category : Design
Languages : en
Pages : 225
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Book Description
From cinema's silent beginnings, fashion and interior design have been vital to character development and narrative structure. Despite spectacular technological advancements on screen, stunning silhouettes and striking spaces still have the ability to dazzle to dramatic effect. This book is the first to consider the significant interplay between fashion and interiors and their combined contribution to cinematic style from early film to the digital age. With examples from Frank Lloyd Wright inspired architecture in Hitchcock's North by Northwest, to Coco Chanel's costumes for Gloria Swanson and a Great Gatsby film-set turned Ralph Lauren flagship, Cinematic Style describes the reciprocal relationship between these cultural forms. Exposing the bleeding lines between fashion and interiors in cinematic and real-life contexts, Berry presents case studies of cinematic styles adopted as brand identities and design movements promoted through filmic fantasy. Shedding light on consumer culture, social history and gender politics as well as on fashion, film and interior design theory, Cinematic Style considers the leading roles domestic spaces, quaint cafes, little black dresses and sharp suits have played in 20th and 21st-century film.
