Drei Lieder Fu R Eine Singstimme Mit Pianofortebegleitung, Op. 37: Der Sieger PDF Download
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Author: Hugo Kaun
Publisher:
ISBN:
Category : Songs (Medium voice) with piano
Languages : en
Pages : 16
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Book Description
Author: Hugo Kaun
Publisher:
ISBN:
Category : Songs (Medium voice) with piano
Languages : en
Pages : 16
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Book Description
Author: James Parsons
Publisher: Cambridge University Press
ISBN: 9780521804714
Category : Music
Languages : en
Pages : 446
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Book Description
Beginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography.
Author: Richard Strauss
Publisher:
ISBN:
Category : Songs (High voice) with piano
Languages : en
Pages : 12
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Book Description
Author: William Sharp
Publisher:
ISBN:
Category :
Languages : en
Pages : 260
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Book Description
Author: Richard Strauss
Publisher:
ISBN:
Category : Songs (Medium voice) with piano
Languages : en
Pages : 12
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Book Description
Author: Edward MacDowell
Publisher:
ISBN:
Category :
Languages : en
Pages : 38
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Book Description
Author: Boston Public Library. Allen A. Brown Collection of Music
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 606
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Book Description
Author: Carol June Bradley
Publisher: Routledge
ISBN: 1135381208
Category : Music
Languages : en
Pages : 1008
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Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Author: John Smeed
Publisher: Routledge
ISBN: 1000768589
Category : Literary Criticism
Languages : en
Pages : 237
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Book Description
Originally published in 1987, this volume charts the development of German song across a century and a half, relating it both to poetry and to the cultural scene in Germany. By emphasising genre rather than individual composers and while paying heed to acknowledged masterpieces – by quoting extensively from forgotten composers, the book avoids historical over simplification and arrives at a fuller picture of this rich tradition. In so doing, it uncovers much neglected material. The book investigates the relationship between German poets and composers and their native folk tradition. It further explores the interaction between convention and innovation and demonstrates how one poem can be interpreted quite differently by different composers. The book is accessible both to students of literature and music.
Author: Cecelia Hopkins Porter
Publisher: University of Illinois Press
ISBN: 0252094131
Category : Biography & Autobiography
Languages : en
Pages : 266
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Book Description
Representing a historical cross-section of performance and training in Western music since the seventeenth century, Five Lives in Music brings to light the private and performance lives of five remarkable women musicians and composers. Elegantly guiding readers through the Thirty Years War in central Europe, elite courts in Germany, urban salons in Paris, Nazi control of Germany and Austria, and American musical life today, as well as personal experiences of marriage, motherhood, and widowhood, Cecelia Hopkins Porter provides valuable insights into the culture in which each woman was active. Porter begins with the Duchess Sophie-Elisabeth of Braunschweig-Lueneberg, a harpsichordist who also presided over seventeenth-century North German court music as an impresario. At the forefront of French Baroque composition, composer Elisabeth-Claude Jacquet de La Guerre bridged a widening cultural gap between the Versailles nobility and the urban bourgeoisie of Paris. A century later, Josephine Lang, a prodigiously talented pianist and dedicated composer, participated at various times in the German Romantic world of lieder through her important arts salon. Lastly, the twentieth century brought forth two exceptional women: Baroness Maria Bach, a composer and pianist of twentieth-century Vienna's upper bourgeoisie and its brilliant musical milieu in the era of Gustav Mahler, Richard Strauss, Arnold Schoenberg, and Erich Korngold; and Ann Schein, a brilliant and dauntless American piano prodigy whose career, ongoing today though only partially recognized, led her to study with the legendary virtuosos Arthur Rubinstein and Myra Hess. Mining musical autographs, unpublished letters and press reviews, interviews, and music archives in the United States and Europe, Porter probes each musician's social and economic status, her education and musical training, the cultural expectations within the traditions and restrictions of each woman's society, and other factors. Throughout the lively and focused portraits of these five women, Porter finds common threads, both personal and contextual, that extend to a larger discussion of the lives and careers of female composers and performers throughout centuries of music history.
