DREAMS IN EARLY MEDIEVAL ART. (VOLUMES I AND II) (HAGIOGRAPHY, ROMANESQUE). PDF Download
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Author: CAROLYN MARIE CARTY
Publisher:
ISBN:
Category :
Languages : en
Pages : 646
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Book Description
nature and function of dream representation. An alphabetically arranged appendix lists the dream scenes gathered for the study and provides information about their present location, object type, original provenance, and approximate date, and, when known, a source for locating an illustration.
Author: CAROLYN MARIE CARTY
Publisher:
ISBN:
Category :
Languages : en
Pages : 646
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Book Description
nature and function of dream representation. An alphabetically arranged appendix lists the dream scenes gathered for the study and provides information about their present location, object type, original provenance, and approximate date, and, when known, a source for locating an illustration.
Author: Kirk Ambrose
Publisher: PIMS
ISBN: 9780888441546
Category : Architecture
Languages : en
Pages : 216
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Book Description
"This scholarly work fundamentally changes the way we think about the monastic church of Vezelay and its sculptures. Kirk Ambrose provides a new account of the celebrated sculptural ensemble at this important French Romanesque monastic church. Whereas scholarly attention in the past has focused almost exclusively on the Pentecostal portal, Ambrose devotes most of his analysis to the nave capitals. He considers how these works intersect with various aspects of monastic culture, from poetry to a sign language used during observed periods of silence. From this study it emerges how many of the sculptures resonated with communal practices and with interpretive modes in use at the site." "Deeming the attempt to uncover an underlying or unifying program to be an anachronistic project, Ambrose explores historically specific ways this ensemble cohered for medieval viewers. Covering a range of themes, including hagiography, ornament, and violence, he develops alternative approaches for the examination of serial imagery. As a result, this book has broad implications for the study of eleventh- and twelfth-century art in the West."--BOOK JACKET.
Author: Ivan Gerát
Publisher:
ISBN: 9788022413497
Category : Christian art and symbolism
Languages : en
Pages : 344
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Book Description
Author: Alison I. Beach
Publisher: Cambridge University Press
ISBN: 1108770630
Category : Religion
Languages : en
Pages : 1244
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Book Description
Monasticism, in all of its variations, was a feature of almost every landscape in the medieval West. So ubiquitous were religious women and men throughout the Middle Ages that all medievalists encounter monasticism in their intellectual worlds. While there is enormous interest in medieval monasticism among Anglophone scholars, language is often a barrier to accessing some of the most important and groundbreaking research emerging from Europe. The Cambridge History of Medieval Monasticism in the Latin West offers a comprehensive treatment of medieval monasticism, from Late Antiquity to the end of the Middle Ages. The essays, specially commissioned for this volume and written by an international team of scholars, with contributors from Australia, Belgium, Canada, England, France, Germany, Italy, the Netherlands, Spain, Switzerland, and the United States, cover a range of topics and themes and represent the most up-to-date discoveries on this topic.
Author: Barbara Freitag
Publisher: Routledge
ISBN: 1134282494
Category : Art
Languages : en
Pages : 228
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Book Description
A study of the mysterious stone carvings of naked females exposing their genitals on medieval churches all over the British Isles.
Author:
Publisher:
ISBN:
Category : Religion
Languages : en
Pages : 604
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Book Description
Author: Beate Fricke
Publisher: Brepols Publishers
ISBN: 9782503541181
Category : Christian art and symbolism
Languages : en
Pages : 0
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Book Description
This book investigates the origins and transformations of medieval image culture and its reflections in theology, hagiography, historiography and art. It deals with a remarkable phenomenon: the fact that, after a period of 500 years of absence, the tenth century sees a revival of monumental sculpture in the Latin West. Since the end of Antiquity and the pagan use of free-standing, life-size sculptures in public and private ritual, Christians were obedient to the Second Commandment forbidding the making and use of graven images. Contrary to the West, in Byzantium, such a revival never occurred: only relief sculpture - mostly integrated within an architectural context - was used. However, Eastern theologians are the authors of highly fascinating and outstanding original theoretical reflections about the nature and efficacy of images. How can this difference be explained? Why do we find the most fascinating theoretical concepts of images in a culture that sticks to two-dimensional icons often venerated as cult-images that are copied and repeated, but only randomly varied? And why does a groundbreaking change in the culture of images - the revival of monumental sculpture - happen in a context that provides more restrained theoretical reflections upon images in their immediate theological, liturgical and artistic contexts? These are some of the questions that this book seeks to answer.The analysis and contextualization of the revival of monumental sculpture includes reflections on liturgy, architecture, materiality of minor arts and reliquaries, medieval theories of perception, and gift exchange and its impact upon practices of image veneration, aesthetics and political participation. Drawing on the historical investigation of specific objects and texts between the ninth and the eleventh century, the book outlines an occidental history of image culture, visuality and fiction, claiming that only images possess modes of visualizing what in the discourse of medieval theology can never be addressed and revealed.
Author: Larissa Taylor
Publisher: Brill Academic Publishers
ISBN: 9789004181298
Category : History
Languages : en
Pages : 835
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Book Description
The "Encyclopedia of Medieval Pilgrimage" is an interdisciplinary reference work, giving wide coverage of the role of travel in medieval religious life. Dealing with the period 300-1500 A.D., it offers both basic data on as broad a range of European pilgrimage as possible and clearly written, self-contained introductions to the general questions of pilgrimage research. Also available online as part of "Brill's Medieval Reference Library Online" (BRMLO) - Webpage BRMLO. Despite widespread modern interest in medieval pilgrimage and related issues, no comprehensive work of this type exists and it will be of interest to scholars and students for personal and academic use. Local sites of pilgrimage are represented in this work as well as the main routes to Rome, Jerusalem and Santiago. Written and material sources relating to pilgrimage are used to illustrate aspects of medieval society, from brewing, book production and the trade in relics, to the development of the towns, art, architecture and literature which pilgrimage engendered. The Encyclopedia of Medieval Pilgrimage will serve as the main starting point for any serious study of this phenomenon. The Encyclopedia of Medieval Pilgrimage is published in English in one illustrated volume of 550,000 words in 435 signed entries, and is compiled and written by over 180 contributors from Europe and North America. Entries are present alphabetically under headwords, with cross-references, maps, black-and-white illustrations, an editorial introduction and lists of theme and keywords.
Author: Lucy K. Pick
Publisher: University of Michigan Press
ISBN: 9780472113873
Category : Christianity and other religions
Languages : en
Pages : 272
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Book Description
Publisher Description
Author: Stefka G. Eriksen
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110664763
Category : Literary Criticism
Languages : en
Pages : 365
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Book Description
The main aim of this book is to discuss various modes of studying and defining the medieval self, based on a wide span of sources from medieval Western Scandinavia, c. 800-1500, such as archeological evidence, architecture and art, documents, literature, and runic inscriptions. The book engages with major theoretical discussions within the humanities and social sciences, such as cultural theory, practice theory, and cognitive theory. The authors investigate how the various approaches to the self influence our own scholarly mindsets and horizons, and how they condition what aspects of the medieval self are 'visible' to us. Utilizing this insight, we aim to propose a more syncretic approach towards the medieval self, not in order to substitute excellent models already in existence, but in order to foreground the flexibility and the complementarity of the current theories, when these are seen in relationship to each other. The self and how it relates to its surrounding world and history is a main concern of humanities and social sciences. Focusing on the theoretical and methodological flexibility when approaching the medieval self has the potential to raise our awareness of our own position and agency in various social spaces today.
