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Author: Asher Biemann
Publisher: Stanford University Press
ISBN: 0804784361
Category : Literary Criticism
Languages : en
Pages : 201
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Book Description
Dreaming of Michelangelo is the first book-length study to explore the intellectual and cultural affinities between modern Judaism and the life and work of Michelangelo Buonarroti. It argues that Jewish intellectuals found themselves in the image of Michelangelo as an "unrequited lover" whose work expressed loneliness and a longing for humanity's response. The modern Jewish imagination thus became consciously idolatrous. Writers brought to life—literally—Michelangelo's sculptures, seeing in them their own worldly and emotional struggles. The Moses statue in particular became an archetype of Jewish liberation politics as well as a central focus of Jewish aesthetics. And such affinities extended beyond sculpture: Jewish visitors to the Sistine Chapel reinterpreted the ceiling as a manifesto of prophetic socialism, devoid of its Christian elements. According to Biemann, the phenomenon of Jewish self-recognition in Michelangelo's work offered an alternative to the failed promises of the German enlightenment. Through this unexpected discovery, he rethinks German Jewish history and its connections to Italy, the Mediterranean, and the art of the Renaissance.
Author: Asher Biemann
Publisher: Stanford University Press
ISBN: 0804784361
Category : Literary Criticism
Languages : en
Pages : 201
Get Book Here
Book Description
Dreaming of Michelangelo is the first book-length study to explore the intellectual and cultural affinities between modern Judaism and the life and work of Michelangelo Buonarroti. It argues that Jewish intellectuals found themselves in the image of Michelangelo as an "unrequited lover" whose work expressed loneliness and a longing for humanity's response. The modern Jewish imagination thus became consciously idolatrous. Writers brought to life—literally—Michelangelo's sculptures, seeing in them their own worldly and emotional struggles. The Moses statue in particular became an archetype of Jewish liberation politics as well as a central focus of Jewish aesthetics. And such affinities extended beyond sculpture: Jewish visitors to the Sistine Chapel reinterpreted the ceiling as a manifesto of prophetic socialism, devoid of its Christian elements. According to Biemann, the phenomenon of Jewish self-recognition in Michelangelo's work offered an alternative to the failed promises of the German enlightenment. Through this unexpected discovery, he rethinks German Jewish history and its connections to Italy, the Mediterranean, and the art of the Renaissance.
Author: Tatiana Bissolati
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 232
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Book Description
?Michelangelo's masterpiece The Dream ( Il Sogno) has been described as one of the finest of all Italian Renaissance drawings and is amongst The Courtauld Gallery's greatest treasures. Executed in c. 1533, The Dream exemplifies Michelangelos unrivalled skill as draughtsman. Accompanying an exhibition at the Courtauld in 2010, this catalogue examines this celebrated work in the context of a group of closely related drawings by Michelangelo, as well as some of his original letters and poems and works by his contemporaries.
Author: Erwin Panofsky
Publisher: Princeton University Press
ISBN: 0691165262
Category : Art
Languages : en
Pages : 408
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Book Description
Abstract: The discovery of the actual manuscript was featured on the front pages of the major German newspapers and reported throughout the world. It consists of 334 pages, typewritten, with extensive handwritten amendments, notes, and edits. According to Gerda Panofsky, her husbanded had continued to expand and edit the manuscript until 1922, and was preparing it for publication when he had to leave it behind. In this study, Panofsky provides a detailed analysis of Michelangelo's artistic style, comparing Michelangelo directly with Raphael, and then later taking a larger historical view. This text offers important new information about the evolution of Panofsky's scholarship, as well as on the state of research on Michelangelo and the High Renaissance during a period of transition for the discipline, in which formal readings of artworks began to take precedence over artists' biographies.
Author: Joseph Pierce Farrell
Publisher: Simon and Schuster
ISBN: 1439173036
Category : Body, Mind & Spirit
Languages : en
Pages : 258
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Book Description
“And then it happened . . . a ray of illumination shot straight up and down to the left and the right, forming a pair of axes. My heart began to beat very fast, yet I didn’t blink. I couldn’t have taken my eyes off what I was seeing if I had wanted to.” At the dawn of the new millennium, Joseph Pierce Farrell made a startling discovery that holds the potential to transform the world. Having abandoned his childhood dream of a career in healthcare, he had settled for a passionless job in real estate, lining his pockets while eroding his soul. Then one day he fell into a humble job restoring antiques and furniture. One evening while working in his basement studio, he drifted into a meditative state and permitted his mind to soar with the unlimited imagination of a child. In that moment, he experienced a brilliant, blinding flash that ignited within him a remarkable power. Since that transformative moment, he has restored the facial features of a severely disfigured young man, virtually erased an inoperable brain tumor, dramatically reversed the aging process of the faces of celebrities, and mended broken bones—simply with intention supported by a profound connection to a higher source. After a decade of his pioneering work exploring consciousness and its relationship to health and healing, Farrell was invited to present his findings internationally in academic settings, catapulting him to the cutting edge of the integrative healthcare movement. Endorsed by leading researchers and medical doctors, Farrell’s body of evidence has begun to construct a bridge to permit science and spirituality to heal their divide and advance the emerging integrative healthcare model. In this unprecedented book, Farrell chronicles his journey of discovery and poignant stories of human transformation. He outlines an easy-to-follow five-step process that readers can use to ignite their own capacity to manifest change in their lives and the world. Heralding a message of unlimited possibility, Manifesting Michelangelo makes a compelling argument, supporting what science is beginning to embrace, what the great artists have always known, and what spiritual traditions have long promised—that we possess a latent capacity to manifest on the level of the miraculous. It is the first book that asks us to believe—based not on faith alone, but on eyewitness medical testimony, scientific evidence, and profound photos—that we have the capacity to manifest the change in the world that our conscience decrees and our hearts desire.
Author: Maya Balakirsky Katz
Publisher: Cambridge University Press
ISBN: 1009100009
Category : Psychology
Languages : en
Pages : 397
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Book Description
A multidisciplinary analysis of the Freud-Jung wars that still rage on the discursive territory of religion.
Author: Michelangelo Buonarroti
Publisher: Modern Romance Classics
ISBN:
Category : Literary Collections
Languages : en
Pages : 236
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Book Description
New translations by Joseph Tusiani of Michelangelo’s little-known but highly memorable verse.
Author: KelleyHelmstutler DiDio
Publisher: Routledge
ISBN: 1351559516
Category : Art
Languages : en
Pages : 275
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Book Description
In recent years, art historians have begun to delve into the patronage, production and reception of sculptures-sculptors' workshop practices; practical, aesthetic, and esoteric considerations of material and materiality; and the meanings associated with materials and the makers of sculptures. This volume brings together some of the top scholars in the field, to investigate how sculptors in early modern Italy confronted such challenges as procurement of materials, their costs, shipping and transportation issues, and technical problems of materials, along with the meanings of the usage, hierarchies of materials, and processes of material acquisition and production. Contributors also explore the implications of these facets in terms of the intended and perceived meaning(s) for the viewer, patron, and/or artist. A highlight of the collection is the epilogue, an interview with a contemporary artist of large-scale stone sculpture, which reveals the similar challenges sculptors still encounter today as they procure, manufacture and transport their works.
Author: Vittoria Colonna
Publisher: University of Chicago Press
ISBN: 0226113930
Category : Poetry
Languages : en
Pages : 231
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Book Description
The most published and lauded woman writer of early sixteenth-century Italy, Vittoria Colonna (1490–1547) in effect defined what was the "acceptable" face of female authorship for her time. Hailed by the generation's leading male literati as an equal, she was praised both for her impeccable command of Petrarchan style and for the unimpeachable chastity and piety of the persona she promoted through her literary works. This book presents for the very first time a body of Colonna's verse that reveals much about her poetic aims and outlook, while also casting new light on one of the most famous friendships of the age. Sonnets for Michelangelo, originally presented in manuscript form to her close friend Michelangelo Buonarroti as a personal gift, illustrates the striking beauty and originality of Colonna's mature lyric voice and distinguishes her as a poetic innovator who would be widely imitated by female writers in Italy and Europe in the sixteenth century. After three centuries of relative neglect, this new edition promises to restore Colonna to her rightful place at the forefront of female cultural production in the Renaissance.
Author: Jerome D. Oremland
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 352
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Book Description
Author: Yotam Hotam
Publisher: State University of New York Press
ISBN: 1438494378
Category : Philosophy
Languages : en
Pages : 367
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Book Description
It seems hard to imagine a concept more significant to modern thought than critique. Critique involved distancing oneself from religious explanations and theological argumentation and came to represent the essence of secular consciousness's potential to deliver modernity's promise of human progress through rational inquiry and scientific development. Critiques of Theology debunks this common understanding. Based on a novel reading of previously less-discussed writings by Sigmund Freud, Walter Benjamin, Theodor Adorno, and Hannah Arendt, the book shows how the practice of critique emerged out of religious traditions and can, in many ways, be traced back to them. This study points to a persistent misreading of critique and demonstrates that it does not come from outside of religion to build a new world of ideas; on the contrary, it redeploys those already present within its theological constellations.
