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Author: Jennifer Green
Publisher: Cambridge University Press
ISBN: 1107782864
Category : Social Science
Languages : en
Pages : 289
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Book Description
Sand stories from Central Australia are a traditional form of Aboriginal women's verbal art that incorporates speech, song, sign, gesture and drawing. Small leaves and other objects may be used to represent story characters. This detailed study of Arandic sand stories takes a multimodal approach to the analysis of the stories and shows how the expressive elements used in the stories are orchestrated together. This richly illustrated volume is essential reading for anyone interested in language and communication. It adds to the growing recognition that language encompasses much more than speech alone, and shows how important it is to consider the different semiotic resources a culture brings to its communicative tasks as an integrated whole rather than in isolation.
Author: Jennifer Green
Publisher: Cambridge University Press
ISBN: 1107782864
Category : Social Science
Languages : en
Pages : 289
Get Book Here
Book Description
Sand stories from Central Australia are a traditional form of Aboriginal women's verbal art that incorporates speech, song, sign, gesture and drawing. Small leaves and other objects may be used to represent story characters. This detailed study of Arandic sand stories takes a multimodal approach to the analysis of the stories and shows how the expressive elements used in the stories are orchestrated together. This richly illustrated volume is essential reading for anyone interested in language and communication. It adds to the growing recognition that language encompasses much more than speech alone, and shows how important it is to consider the different semiotic resources a culture brings to its communicative tasks as an integrated whole rather than in isolation.
Author: Hillary L. Chute
Publisher: Harvard University Press
ISBN: 0674495667
Category : Literary Criticism
Languages : en
Pages : 372
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Book Description
In hard-hitting accounts of Auschwitz, Bosnia, Palestine, and Hiroshima’s Ground Zero, comics display a stunning capacity to bear witness to trauma. Investigating how hand-drawn comics has come of age as a serious medium for engaging history, Disaster Drawn explores the ways graphic narratives by diverse artists, including Jacques Callot, Francisco Goya, Keiji Nakazawa, Art Spiegelman, and Joe Sacco, document the disasters of war. Hillary L. Chute traces how comics inherited graphic print traditions and innovations from the seventeenth century and later, pointing out that at every turn new forms of visual-verbal representation have arisen in response to the turmoil of war. Modern nonfiction comics emerged from the shattering experience of World War II, developing in the 1970s with Art Spiegelman’s first “Maus” story about his immigrant family’s survival of Nazi death camps and with Hiroshima survivor Keiji Nakazawa’s inaugural work of “atomic bomb manga,” the comic book Ore Wa Mita (“I Saw It”)—a title that alludes to Goya’s famous Disasters of War etchings. Chute explains how the form of comics—its collection of frames—lends itself to historical narrative. By interlacing multiple temporalities over the space of the page or panel, comics can place pressure on conventional notions of causality. Aggregating and accumulating frames of information, comics calls attention to itself as evidence. Disaster Drawn demonstrates why, even in the era of photography and film, people understand hand-drawn images to be among the most powerful forms of historical witness.
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 464
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Book Description
Author: Shah, M. B.
Publisher: Pearson Education India
ISBN: 8131742792
Category :
Languages : en
Pages : 580
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Book Description
The second edition of Engineering Drawing continues to cover all the fundamental topics of the field. This edition includes a new chapter on scales, the latest version of AutoCAD, and new pedagogy. Combining technical accuracy with readable explana
Author: Patrick NEILL
Publisher:
ISBN:
Category :
Languages : en
Pages : 170
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Book Description
Author: Eric Jenkins
Publisher: Birkhäuser
ISBN: 3035624674
Category : Architecture
Languages : en
Pages : 328
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Book Description
The book is a guide for students and teachers to understand the need for, the role of and the methods and techniques of freehand analytical sketching in architecture. The presentation focuses on drawing as an approach to and phase of architectural design. The conceptual goal of this approach is to use drawing not as illustration or depiction, but as exploration. The first part of the book discusses underlying concepts of freehand sketching in design education and practice as a complement to digital technologies. The main component is a series of chapters that constitute a typology of fundamental issues in architecture and urban design; for instance, issues of "façade" are illustrated with sketch diagrams that show how façades can be explored and sketched through a series of specific questions and step-by-step procedures. In the expanded and updated edition, a new part explores the questions and experiences of large architectural offices in applying freehand drawing in the practice of architectural design. This book is especially timely in an age in which the false conflict between "traditional vs. digital" gives way to multiple design tools, including sketching. It fosters understanding of the essential human ability to investigate the designed and the natural world through freehand drawing.
Author: Popular educator
Publisher:
ISBN:
Category :
Languages : en
Pages : 848
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Book Description
Author: Railway Signal Association
Publisher:
ISBN:
Category : Railroads
Languages : en
Pages : 716
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Book Description
Author:
Publisher:
ISBN:
Category : Civil engineering
Languages : en
Pages : 454
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Book Description
Author: R. David Foster
Publisher: Lulu.com
ISBN: 0991785223
Category : Art
Languages : en
Pages : 161
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Book Description
The Oakville OASIS Drawing Bee participants were often hesitant, claiming they did not know how to draw, when we began to meet with coffee on Monday mornings in Oakville, Ontario, Canada. So I would draw examples of what they could draw, from doodling through imagining and remembering subjects, to complex perspective projections, to get them engaged in something other than their worrying and depression. These drawings were combined into four pamphlets, and now into this book. This book has all the practical information one can use to draw pretty much anything and everything. From doodles that develop skills, to drawing from the imagination and memory to improve observation and further drawing improvement, to university level perspective drawing theory and practical solutions, this book has it all for any novice or experienced ""artist."" The intention is to provide a great deal of enjoyment from actually drawing. EnJOY !!!
